
Overview
In September 2004, Himzo Muratovic returned from the dead. Himzo turned up in a taxi in his Bosnian Muslim village, 12 years after he disappeared at the height of the Serb terror. His mother fell unconscious when neighbors told her that her missing son had returned. For several days the village celebrated the return of the long-dead Himzo Muratovic.
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The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.
Bosnia!

Jabir, Usama and Uzeir are three young brothers in a Sunni family of shepherds. Since childhood, their father Ibrahim has rigidly trained them in the principles of the Quran and has filled their minds with stories of the Bosnian War.
Brotherhood

Paul Pawlikowski's award-winning documentary on life behind Serbian lines in Bosnia. The film observes the roots of the extreme nationalism which has torn apart a country and provides a chilling examination of the dangerous power of ancient nationalist myths.
Serbian Epics

An exploration of the perils of nationalism and art’s role as a weapon of resistance and activism throughout the 1990s Siege of Sarajevo during the Bosnian War. Explore how art and music sustained hope, thanks in part to humanitarians and the band U2.
Kiss the Future

The extraordinary story of Sanja and Zoran, a couple who in 1993 fled and survived the siege of Sarajevo, the longest war in 20th century history, to find refuge in Italy, in Turin. In their life experience, past and present come together to give voice to friendship and hope, reflecting on war, prejudice, tolerance and acceptance.
Il respiro di Sarajevo

Hamdija Šahinpašić (1914-2003) was one of those rare individuals able to memorize songs in their authentic traditional form. Šahinpašić belonged to a family known for its songs. In the early 1950's, Miodrag A. Vasiljević recorded Šahinpašić singing dozen of songs at the Serbian Academy of Arts and Sciences in Belgrade. A 1967 publication finally included 300 of his songs, published bilingually in Bosnian and Russian. Šahinpašić himself become the focus of attention of numerous ethnomusicologists and folklorists and his repertoire was preserved on recording of good quality.
Song Remains the Same
On 11th of July 1995, the most mortifying crimes after World War II in Europe destroyed the Bosnian town of Srébrenica. Shootings and deportations beyondimagination were preceded by a betrayal of humaity: while 40,000 civilians were looking into the sky of Srébrenica, waiting for a sign from the international community, guaranteeing their protection, the headquarters of the United Nations decided to surrender. The betrayal kill 8,372 men, women and children. Sky above Srebrenica (101 minutes) is based on protocols of the secret crisis meetings of the UN headquarters. In a unique way never before released original material of the consequences is shown next to those who are responsible for these.
Sky Above Srebrenica

In July 1995, Srebrenica falls into the hands of Bosnian Serb forces led by General Ratko Mladić. Within a few days, thousands of Bosniak men and boys are separated from their families, killed, and buried in mass graves. Through Roberta Biagiarelli’s theatrical monologue, survivors’ testimonies, archival footage, and documents from the International Criminal Tribunal for the former Yugoslavia, the film reconstructs the story of the siege and the Srebrenica genocide. Shot in 2005 at the sites of the massacre, including the battery factory in Potočari, the film brings together memory, testimony, and historical documentation.
Souvenir Srebrenica

Filmmaker Sabina Vajraca documents her Bosnian Muslim family's return to their home of Banja Luka, Bosnia, to recover their stolen belongings many years after being forced to flee to the United States. In Bosnia, they witness the devastation of the city, visit war crimes sites, and confront the family that has been living in their former apartment -- with all their furnishings -- for a decade.
Back to Bosnia
A hotel in the centre of town is a war-time home and refuge for many of Sarajevo's homeless people. Every morning they leave the hotel and wander around the destroyed city gathering again at the defunct hotel in the afternoon. This film follows their separate fates through the bitter comparing of images of the bums with those of dogs abandoned by their owners and now left et the mercy of the war ravaged streets of Sarajevo.
Bums and Dogs
The compelling stories of four young people as they struggle to survive a war that ended nearly 20 years ago. The physical conflict is over - but its psychological impact continues. Can they break the cycle of violence?
In the Shadow of War

This film follows 3 friends who were in Sarajevo during the war as they go to the US for the 20th anniversary of the Dayton Agreement, where they ask questions and consider the impact of the agreement 25 years later, having fun on the way.
Looking for Dayton

Documentary about the massacre of Bosniak army committed over soldiers of Republika Srpska during 1990s Bosnian wars.
Kiss the Brother

From May to August of 1992, during the Bosnian War, more than 3000 Bosnian Muslims--known as Bosniaks--and Croats were murdered by Serbian authorities in the town of Prejidor, Bosnia, and its surroundings and in the Omarska concentration camp near the city.
Bosnia: The Camp

This film documents four delegated performances/castings, featuring participants who are both directly and indirectly actors of war: veterans, civilian victims, disabled individuals, or those traumatised by conflict. Applicants that have been seduced to participate in four castings of imaginary movie altogether agreeing to be part not only of an experimental film, but also of a subversive cinematic social experiment. They signed up for battle in the movie, and got an unexpectedly brutal lesson about conflict. They certainly, but so do we who watch it.



