In the Shadow of War

The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.

The ideologies underlying the foundation of modern Israel are explored in this documentary, the third of a trilogy (created over a twenty year span) exploring the Jewish experience. The two earlier documentaries, "Porquoi Israel," and "Shoah," have had great effect on the ways documentaries are produced. "Tsahal" zeroes in on the crucial role of the military in Israeli society and politics. The film uses many in-depth interviews to present the many feelings and thoughts about the Israeli military.

A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.

A poetic documentation of the Long Beach Island, NJ community as they battle local politics, cope with personal tragedy, and band together after Hurricane Sandy.

A short documentary following the launch of the first trial to use Coca-Cola's crates and distribution know-how to deliver life-saving anti-diarrhea kits in Zambia.

After five years studying in Paris, Arash has not adjusted to life there and has decided to return to Iran to live. Hoping to change his mind, his two friends Hossein and Ashkan convince him to take a last trip through France.

"Plastic Paradise" is an independent documentary film that chronicles Angela Sun's personal journey of discovery to one of the most remote places on Earth, Midway Atoll, to uncover the truth behind the mystery of the Great Pacific Garbage Patch. Along the way she encounters scientists, celebrities, legislators and activists who shed light on what our society's vast consumption of disposable plastic is doing to our oceans -- and what it may be doing to our health.

After forty years living in Mexico City, Antonia longs to go back to her home town, a Mazahua village in the state of Mexico. When she returns, she discovers many things, including that a scarcity of water threatens life in her community.

One of the rooms inside the legendary Barba Azul Cabaret has become a shelter for the girls working there: the women's bathroom. Every night La Mami, who's in charge of the bathrooms, offers them the warmth and the advice they need to take on the challenge they face in the dance hall.

Is the story of women that were guerrilleras in Uruguay at the beginning of the 70's. Under an intimate focus, the film shows the moments of decision and the personal crossroads that it involve. The documentary search the experience and the look of common individuals in exceptional situations and goes to the bottom of the load of tensions, fears, contradictions and personal costs that those labor instants of the History have.

The body of Sinbad the Diver turned up floating off the Atlantic coast of Nicaragua. The mermaid had turned his soul into a turtle, and the turtle was the one who returned him to the world of men. Sinbad was born once more as a Miskito and was raised on the banks of the wonderful Coco River. When he grew up, nature took care of carrying him back to the sea, where the mermaid is waiting for him. The Mermaid and the Diver is a journey to Central America, to Nicaragua, to the Atlantic Coast, and to the Miskito people.

During the 1977 World Series, Sports Illustrated reporter Melissa Ludtke was denied access to the players' locker room. After a very public fight, the door was opened, but the debate about female journalists in the male sanctum of the clubhouse remained. Through interviews with pioneering female sports writers, Let Them Wear Towels captures the raw behavior, humorous retaliation, angry lawsuits and remarkable resolve that went into the struggle for equal access for women reporters.

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

When her mother remarries and her newly blended family moves to Canada, a 9-year-old Tunisia girl's life takes a profound turn as she struggles to find her place and maintain her Muslim identity in a new land.

NiiSoTeWak means “walking the path together.” Tapwewin and Pawaken are 10-year-old brothers trying to make sense of the world, their family and each other. They’re already grappling with some heady questions about identity. What does it mean to be a twin? What does it mean to be Cree? How do you define yourself when you’re forever linked to someone else? The twins discuss these questions with their two elder brothers — 22-year-old actor Asivak and 20-year-old basketball player Mahiigan — and their parents, Jules and Jake.

Jabir, Usama and Uzeir are three young brothers in a Sunni family of shepherds. Since childhood, their father Ibrahim has rigidly trained them in the principles of the Quran and has filled their minds with stories of the Bosnian War.

Olympia Stone presents a cinematic portrait of her father, famed New York City gallery owner and art collector Allan Stone, in this fascinating documentary tracing his rise in the international art world from the 1950s to 2006. Regarded as a pioneering collector, Allan Stone was considered an expert on the work of Abstract Expressionists, particularly Willem de Kooning, Arshile Gorky, Barnett Newman and Franz Kline.

A Mexican flower seller’s story of personal tragedy is delicately illuminated in an intimate and moving act of portraiture that is both unsettling and liberating. In her final film, Chick Strand mixes brutal heartbreak and palpable joy into a transformative vision of dignity and vitality.

A surreal exploration of the war in Bosnia told through the unbreakable spirit of seven of her people whose strength to leave was as powerful as the fight to stay. Through the lens of diaspora, the film captures not just the weight of displacement, but the defiant act of survival and the unwavering pursuit of home, no matter where the journey leads.

Re-framing the U.S. gun violence debate from Second Amendment rights to public health prevention.