El miedo y la esperanza: utopías y distopías en la cultura de masas

Around the fire, travellers and pirates recount their memories, their dreams, their battles. From one language to another, from story to story, we hear the roar of the storm and the rustle of the leaves, the menacing sirens and the wild dances, the clash of the swords and the song of the birds. Until dawn, a thousand and one paths take shape on this imaginary yet real island.

A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a utopian world.

In 2014, businessman Cédric Naudon announced that he would launch the Jeune Rue project in Paris's 3rd arrondissement: a street that would become a hub for luxury, design, and gastronomy. The Parisian elite was thrilled to hear Naudon's plans. But this utopia ultimately turned out to be an empty shell.

A documentary about Kari Aro, the distinctive manager of Koho -hockey-stick factory, whose visions were to change the world. Story about the fairy-tale -like success, the destructive power of money and Aro's faith in goodness of people.

A flock of memories activated by various musical exercises, to strike the past to the heart, to build something utopian: the future, a sonic architecture. Music as a tool, transcriptions of YouTube tutorials as poetry, percussion exercises as descriptions of reality.

Produced by Alfred Higgins Productions with assistance from the University of Missouri-Columbia’s Academic Support Center Film Library, Keep America Beautiful, Inc., and Keep Los Angeles Beautiful, Inc., the 1963 short film A Land Betrayed examines the various ways people have spread the “cancer of ugliness” across America and offers call-to-action solutions to combat the nation-wide problem.

A utopia about Finland in the year 2000, when man is finally the master of himself and his world. In the imaginary year 2000, a historical documentary series is created to provide a look at the irrational history of man in the 20th century, with all the wars and all that. The setting is an ascetic futuristic home, outside of which people move around in personal helicopters. The optimism about the future culminates in a school presentation shown simultaneously on giant screens in living rooms across the country, in which rational thinking is shown to have finally reached its fulfillment. On the other hand, faith in the development of humanity and a peaceful future is reflected in this post-war, escapist and dogmatic vision of the future.

In 1997 the Argentine filmmaker Fernando Birri returned to his home country to film a documentary on the 30th anniversary of the death of Che Guevara and the relevance of utopias at that time. Carmen Guarini decided to record those moments. A rough edit of this film was hidden away on a fragile VHS tape for twenty years. Today, these images come to life and shed some light on the life of this Latin American poet and master filmmaker, who, at the age of 92, still refused to give up on his own utopias.

What happened when we built Utopia? New Town Utopia is feature documentary about the power of art, architecture, the state of the nation – and some rather angry puppets.

All Creatures Welcome explores the world of hackers and nerds at the events of the Chaos Computer Club, Europe's largest hacker association. The film dispels common clichés and draws a utopian picture of a possible society in the digital age.

The first episode in a series of “adaptations” of poet Bernadette Mayer’s book Utopia that artist Beatrice Gibson envisions to undertake over the next decade, producing a series of small, quotidian films that together, and over time, will constitute an epic. This first film is drawn from Chapter 4, entitled “The Arrangement: of Houses & Buildings, Birth, Death, Money, Schools, Dentists, Birth Control, Work, Air, Remedies, and So on” and was shot at home during the pandemic.

Sanctuary explores queer spirituality and utopian sexualities through the figure of Purusha Androgyne Larkin (1934–1988), a monk, pioneering gay filmmaker, and self-proclaimed cosmic-erotic mystic. Larkin’s 1981 book, 'The Divine Androgyne According to Purusha', challenged repression with a spiritual vision rooted in eroticism and presented a radical path to cosmic-erotic consciousness through ‘extreme’ forms of sexual pleasure. Sanctuary explores Larkin's attempt to form a utopian, pleasure-based spiritual community, and considers the complex legacies of his ideas in queer culture. Shot on 16mm, the film weaves together the voices of Larkin’s friends and followers, creating a portrait in absentia of a figure ahead of his time.

Ilya Kabakov is considered one of the most important contemporary artists worldwide. Born and raised in the Ukraine in the period between Stalin and Gorbatschow he left the country in the 80s. In his Installations and his numerous paintings Kabakov creates a world of its own, which leaves the heaviness of socialist and post-socialist life far behind. The film links Ilya Kabakovs artistic spaces with insights into Russian everyday life, which itself sometimes appears like an installation by the artist.

Produced for the 1972 Museum of Modern Art exhibition, Italy: The New Domestic Lanscape, Supersurface was the first of five films planned by Superstudio as a "critical reappraisal of the possibility of life without objects." Superstudio envisioned a "network of energy and information extending to every properly inhabitable area". According to the artists, this network would bring about the destruction of objects as status symbols, the elimination of the city as an accumulation of formal structures of power, and the end of specialized and repetitive work as an alienating activity. "The logical consequence," they write, "will be a new, revolutionary society in which everyone should find the full development of his possibilities".

A gardener working at a resort on the island of La Palma decides to go to the top of the volcano to plant a garden amidst the ruins. Meanwhile, a young girl vacationing at the same hotel feels bored, reflects on utopia, and searches for happiness.

Druid Heights is a short documentary film by Marcy Mendelson about a wild & wooly place. California’s hidden bohemia. Where sex, drugs and philosophy thrived among the eucalyptus just a few miles north of the Golden Gate.

"Love is Passing Moment, Art is Eternal." This is the title of one of the earliest cinema melodramas from Russia. As early as the year of the Revolution, 1917, melodramas lured the majority of the public into the cinemas, a world that turned its back on every form of revolutionary utopias.

Southern California’s Coachella Valley, including the communities of Palm Springs, Palm Desert, Desert Hot Springs, boasts hundreds of extraordinary midcentury modern homes, public buildings and commercial structures. Modern designers such as William F. Cody, Albert Frey, William Krisel, John Lautner, Richard Neutra, R.M. Schindler, Donald Wexler, E. Stewart Williams left their collective mark on this desert paradise. Desert Utopia: Mid-Century Architecture in Palm Springs traces the history of modern architecture in Palm Springs from the first bold forays into modernist design to the preservation challenges facing the region today. Director Jake Gorst’s film features rare archival images and footage as well as interviews with historians, homeowners and the architects who helped create this mecca of modernism.

Explores the incredibly complex backstory of Ted Kaczynski, the infamous Unabomber. This exquisitely crafted inquiry into the rationale of this mythic figure situates him within a late 20th century web of technology—a system that he grew to oppose. A marvelously subversive approach to the history of the Internet, this insightful documentary combines speculative travelogue and investigative journalism to trace contrasting countercultural responses to the cybernetic revolution.

In August 2022, a handful of creative activists went to the “lion's den” in Wolfsburg, the heart of the automotive industry, for two years. Their goal: to break up the automotive consensus - to open a window of opportunity through creative campaigns and colorful actions together with militant workers. Their goal was to reach the conversion of production to things we really need - and socialization - the factory for those who work in it. The film, with some action scenes and many interview passages, shows the effectiveness of direct action on social awareness. “It doesn't take many to make a difference,” the activists and workers are convinced. It's about thinking about the social and ecological issues together and acting accordingly.