Overview
"Love is Passing Moment, Art is Eternal." This is the title of one of the earliest cinema melodramas from Russia. As early as the year of the Revolution, 1917, melodramas lured the majority of the public into the cinemas, a world that turned its back on every form of revolutionary utopias.
Key Film Crew
Production Stats
You May Also Like

Around the fire, travellers and pirates recount their memories, their dreams, their battles. From one language to another, from story to story, we hear the roar of the storm and the rustle of the leaves, the menacing sirens and the wild dances, the clash of the swords and the song of the birds. Until dawn, a thousand and one paths take shape on this imaginary yet real island.
An Island and One Night

Starting in 1881 this film shows the personal battle between Lenin's Ulyanov family and the royal Romanovs that eventually led to the Russian revolution.
The Russian Revolution

When the revolution in Nicaragua won its victory nearly 40 years ago, the world began to dream. A young generation was taking the reins in a country of grand utopias. From West Germany alone, 15,000 “brigadists” travelled to help rebuild the war-torn country: liberals, greens, unionists, social democrats, leftists and church representatives harvested coffee and cotton, built schools, kindergartens and hospital wards. No movement has mobilised so many people. What became of the hopes and dreams of the revolutionaries and their supporters?
Ein Traum von Revolution

Puerto Rico, the last relic of colonization in the western hemisphere, has been a dependent territory of the USA since 1917. Los Macheteros and one of its leaders Juan Segarra have been fighting for its full independence for many decades.
The Last American Colony

A chronicle of the civil uprising against the regime of Ukrainian president Viktor Yanukovych that took place in Kyiv in the winter of 2013/14. The film follows the progress of the revolution: from peaceful rallies, half a million strong in the Maidan square, to the bloody street battles between protesters and riot police.
Maidan

These are strange times indeed. While they continue to command so much attention in the mainstream media, the 'battles' between old and new modes of distribution, between the pirate and the institution of copyright, seem to many of us already lost and won. We know who the victors are. Why then say any more?
Steal This Film II
Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.
Art as a Weapon

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.
Here and Elsewhere

A documentary about a teacher who sends a group of pupils out of the classroom when one of them does not own up to talking behind the master's back.








