Tatjana in Motherland

Australian filmmaker Sophia Turkiewicz investigates why her Polish mother abandoned her and uncovers the truth behind her mother's wartime escape from a Siberian gulag, leaving Sophia to confront her own capacity for forgiveness.

Three people live in Doosan Apartment in Guro-dong. Me, mom, and my grandfather. Even though it has been 12 years since dad died, we are still living under the same roof. I thought it was because of the financial situation that we could not move out of grandfather’s house. But when I found out that mom already had enough money to get a house, I became confused. Why didn’t mom move out from the “x-world” when she could? From a marriage that didn’t work out well, to a father-in-law with a temper. Why has she been enduring it, unchanging, for all the time I had witnessed her life to become a woman against marriage? One day when my anxiousness was at its peak, grandfather suggested that we live separately. Mom, reluctant to leave Guro-dong that she’d been living in for 20 years and her marriage life, will she be able to find herself and move out well?

10 May 2007 - China's staggering economic growth has overshadowed a more subtle shift in Chinese society. In domestic life, many women are now ignore the advice of their mothers and grandmothers, turning instead to counselling hotlines and, increasingly, divorce.

Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.

"My mother is spending all her time with her dying father. I’m spending all my time filming her. As the end is getting closer, my mother and I start doing the filming more and more together. It becomes our way of dealing with the time we have left." —Marius Dybwad Brandrud

Plečnik in photographs, Plečnik's house, Trnovo bridge, Trnovo port, Ljubljana castle, shoemaking bridge, triple bridge, market, lock, church of St. Jožef, church in Šiška, Church of Cyril and Methodius in Bežigrad, football stadion, baptistery of the church in Črnuče, church at Barje, NUK, Roman wall, Križanke, Vegova, Peglezen, Tivoli, Chamber of Crafts, mutual insurance company, Žale.

Seven strangers are interviewed to talk about the relationship they have with their mother.

Equal parts film, conversation, and social experiment, this interactive documentary uses footage shot by activists in the crowd of the Maribor uprisings, a 2012 to 2013 Slovenian protest, to pull you into the fray, where you must collectively decide what happens next.

The filmmaker's mother describes stories of his lustful youth over the phone, causing them to reflect on his current love life at the age of 30.

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New light is shed on the complex relationship between Romy Schneider and her mother Magda, a German film star of the 1930s admired by Hitler - who welcomed her and her daughter to his chalet in Berchtesgaden.

The life of Mrs. Bertha Sánchez has changed because of a virus that threatens the world. She, locked in her home, adapts to the important change and the challenge that society suffers. She finally finds a balance in her routine between what appears to be a dark reality and a bright learning opportunity.

The Rastreadoras de El Fuerte are a group of mothers of disappeared persons in northern Sinaloa who, in the absence of the authorities, twice a week go out with picks and shovels in search of the remains of their children; a testimony of the abandonment of the State, the aggressions of the drug traffickers, the indifference of society and the pain, but also of the strength and courage that keep these women together, and of their empowerment to mobilize society in community organization.

"Until one day... when the first shot was fired, everyone had to leave their homes." – In 1975, Ema was awaiting the arrival of her first child, in Angola. However, her tranquility was abruptly interrupted by a force that pulled her from her comfort and changed her life forever.

Codelli is a feature-length docudrama about a little-known film project by Slovenian inventor Baron Anton Codelli. Together with filmmaker and adventurer Hans Schomburgk he filmed in Togo in 1914 the first live-action film in Africa, which possibly inspired James Rice Burroughs for his novel on Tarzan. In the company of three Codelli’s descendants and actor Primož Bezjak, we traced the fate of Codelli’s film, brought the remains from Togo and Berlin to Ljubljana and used the Green Screen technology to bring to life 15 live-action scenes based on 600 Codelli’s museum photographs.

The documentary follows seven stories from the set of deadly
sins and virtues. The concepts have been interpreted through the ambiguity, associations and meanings triggered by various social contexts.
Using phenomena from our recent history, the story focuses on justice, prudence, sloth, greed, gluttony, temperance, pride. With regard to each phenomenon, i.e. each sin or/and virtue, there is the question of the duality of borders. If virtue is a desire subdued, and sin a desire that goes too far and crosses the border, this necessarily implies an area of ambiguity, of borders and questions about what is right and what isn’t.

An excellent display of how humans can rehabilitate and restore an area where a heavy industry polluted the water so severely that it was unsuitable to sustain any kind of life. A a film showing how birds returned to an environment once devastated by industry. The lakes around the northern Slovenian town of Velenje, placed in the Central Europe, are geographic center of the film. They emerged as the land above the lignite mines subsided and the depressions were filled with water. The mines started operating at the end of the 19th century. In the mid 20th century a power plant was built that caused a severe pollution of the lake waters to the extent of the lakes not being fit for any kind of life. As a consequence many birds moved from these parts. After a long ecological restoration that started in the mid 1980s, life returned to the water. Gradually the birds returned as well, including some there were previously never observed in this area.

François Delisle draws an intimate portrait of his mother in a nursing home. A chronicle of the daily life and medical care of a woman approaching the end, treated with love, respect and dignity.

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The film is about the director’s mother, the movie actress Nina Antonova. Now she is 80. She has had hundreds of roles – big and small. It is a personal story about an honest and sad life, about self-sacrifice and freedom. Real fame as an actress came to her only once in her life. It was the leading role in the first Soviet colour TV series Varka’s Land. That was 45 years ago…