Codelli

Plečnik in photographs, Plečnik's house, Trnovo bridge, Trnovo port, Ljubljana castle, shoemaking bridge, triple bridge, market, lock, church of St. Jožef, church in Šiška, Church of Cyril and Methodius in Bežigrad, football stadion, baptistery of the church in Črnuče, church at Barje, NUK, Roman wall, Križanke, Vegova, Peglezen, Tivoli, Chamber of Crafts, mutual insurance company, Žale.

Documentary showing buildings made by great architect Joze Plecnik in Prague, Wien, Ljubljana...

How to relate the first Lumière film about a train to dangerous scenes shot on a smartphone by contemporary refugees hidden between iron wheels? The maker is part of an activist movement striving to revive the independent, critical newsreel efforts of the 1960s and 1970s.

Postwar life of eight remaining inhabitants of Strmec, a village located in the very corner of Slovenian Alps near Italian border. When local partisans killed a German officer, the Nazi occupiers shot all males in the village as an act of revenge; those who remained are seven women of different age who traditionally wear black scarves, and young boy who hasn't any friends to play with.

Tatjana in Motherland is a partly animated documentary essay about Slovenia and its men. It is a “documentary-tale” of how Slovenian society has been disintegrating in an invisible way. The story will unveil a Slovenian Oedipus archetype of the possessive martyr mother type and her relationship with her son, in which she through emotional manipulation, by constantly creating feelings of guilt, burdens her son to such a degree, that he remains dependent on her for the rest of his life. In order to put this relationship to its best use, all Slovenian governing structures have elevated mother figure on the level of a saint and have assigned to it the cultish role. The result of the Slovenian maternal cult is a typical Slovene male, who is pathologically obsessed with his mother.

The documentary follows seven stories from the set of deadly
sins and virtues. The concepts have been interpreted through the ambiguity, associations and meanings triggered by various social contexts.
Using phenomena from our recent history, the story focuses on justice, prudence, sloth, greed, gluttony, temperance, pride. With regard to each phenomenon, i.e. each sin or/and virtue, there is the question of the duality of borders. If virtue is a desire subdued, and sin a desire that goes too far and crosses the border, this necessarily implies an area of ambiguity, of borders and questions about what is right and what isn’t.

An excellent display of how humans can rehabilitate and restore an area where a heavy industry polluted the water so severely that it was unsuitable to sustain any kind of life. A a film showing how birds returned to an environment once devastated by industry. The lakes around the northern Slovenian town of Velenje, placed in the Central Europe, are geographic center of the film. They emerged as the land above the lignite mines subsided and the depressions were filled with water. The mines started operating at the end of the 19th century. In the mid 20th century a power plant was built that caused a severe pollution of the lake waters to the extent of the lakes not being fit for any kind of life. As a consequence many birds moved from these parts. After a long ecological restoration that started in the mid 1980s, life returned to the water. Gradually the birds returned as well, including some there were previously never observed in this area.

Equal parts film, conversation, and social experiment, this interactive documentary uses footage shot by activists in the crowd of the Maribor uprisings, a 2012 to 2013 Slovenian protest, to pull you into the fray, where you must collectively decide what happens next.

Under the warm rays of the sun, the protagonists become living still lifes, resting on benches, chairs, and deckchairs. In the quiet embrace of nature, they wait, reflect, and remember. This cinematic group portrait delves into the legacy and creative spirit of Vilko Filač, the Slovenian master of film photography, celebrating the enduring mark he left on the world of cinema.

People from tripoint of Italy, Slovenia and Croatia tell their stories of the World War II events that happened there.

The documentary visually presents the very diverse fauna and flora of Slovenia, focusing on mammals and birds, and shows some particularly interesting species of amphibians, fish, insects and plants. It takes place over a period of one year and takes the viewer through typical Slovenian landscapes. The plot crosses between the provinces and occasionally returns to the same area in order to show what is happening in the animal world in the second part of the year. A very rich ecosystem diversity, rarely seen recordings, and scientifically verified information weaved into the intelligible text are key attributes of this film.

An intimate sports documentary drama showcasing the historic rise of the Slovenian men's national volleyball team from 64th in the world rankings to a global powerhouse. Through archival footage and previously unseen behind-the-scenes and locker-room moments, the film reveals the genuine relationships, defeats, and unwavering bond of the boys who became brothers on and off the court.

Laibach is a Slovenian avant-garde music group associated with industrial, martial, and neo-classical musical styles. They formed on June 1, 1980 in Trbovlje, Slovenia (then Yugoslavia). Laibach represents the music wing of the Neue Slowenische Kunst (NSK) art collective, of which it was a founding member in 1984. The name "Laibach" is the German name for Slovenia's capital city, Ljubljana.

To understand firsthand what the United States of America can learn from other nations, Michael Moore playfully “invades” some to see what they have to offer.

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The sights and sounds of the big game between Maribor and Olimpija. Stadium audience often reacts deliriously regardless of the player’s success on the field.

A short documentary on art, literature, and national identity in Slovenia.

Stunning stories from the unusual life of the Ural owl, a mysterious nocturnal predator that can fearlessly attack even humans. Set over a period of just over a year, 'Fearless Queen of the Night' provides an extraordinary insight into the life of one of the largest European owl species.

In the village of Anhovo on the Soča River, there lies an old asbestos factory that has managed to outlive wars, regimes and borders. It provided employment and stole life. Even today it continues to exhale smoke.

1905 short film showing people walking down a Ljutomer street after mass.