Entertaining an Evening Projectionist

Film about the singing and dancing culture of the Ingush people

A documentary on the experiences of the Nubetya Yaptiks nomadic family in the Yamal Peninsula, Eastern Siberia, from 1992 to 2001.

Kurnia, a 37-year-old woman, returns to face her past memories through projected images that bring both emotion and sorrow. On this journey, she recounts the stories of love, acceptance, separation, and regret that shaped who she is today. Remininsing her memories, Kurnia slowly finds the strength to let go of her attachment to the past and attain a sense of acceptance.

Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.

The film recounts the life of children living on the street in Gondar, Ethiopia, by witnessing the interaction between two children and the filmmaker. The entire film was shot in the room of Ethiopia Hotel. This limited space allows the film to focus on their communication and captures some of the ideas that enable the children to endure and survive on the street. Indeed, this film is more a sensitive testimony than a scientific documentary. This hybrid approach aims to explore new trends in visual anthropology, including the issue of dealing with intimacy and subjectivity.

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Rites and operation of the circumcision of thirty Songhai children on the Niger. Material of this film has been used to make "Les Fils de l'Eau".

This ethnographic short portrays a ritual using masks among the Dogon people of Mali.

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

The film tells the story of ancient Ingush lullabies - Ingush women and men tell the lullabies of their families and the stories associated with them: love, friendship, blood feud.

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An ethnographic documentary about the Mangbetu tribe of the Belgian Congo (now the Democratic Republic of the Congo). The film features a discussion of various rites including the Mangbetu practice of head binding, as well as various examples of traditional music and dance.

“The shepherdess” is a short ethnographic film inspired by Joyce, an 80 year old woman who has spent her whole life farming in Eastern Ontario. While this film is largely centred on Joyce’s narrative about her life, it is also about Joyce’s flock of about 20 Suffolk ewes, the filmmaker, and the relationships between these actors.

"Sweet Osmanthus Flowering Late" is a feature-length ethnographic film that envisions social rejuvenation and collective convalescence in the aftermath of the pandemic. Filmed in Wuhan, the film follows the everyday lives of three middle-class households. It postulates the existence of a mass dreaming phenomenon that facilitated fatigued Chinese inhabitants to rejuvenate themselves following the secluded episode of lived experience and to coexist with the enduring imprints of "the event" on their social lives.

Click for full movie details & trailers.

Click for full movie details & trailers.

Click for full movie details & trailers.

A walk through the landscapes of the province of Salamanca, Spain, as well as a testimony of the daily life and customs of its inhabitants.

A walk through the landscapes of the province of Barcelona, Spain, as well as a testimony of the daily life and customs of its inhabitants.

The Magic Lantern is a non-narrated celebration of early cinema and silent-film imagination, exploring the early work of pioneers such as Georges Méliès, Eadweard Muybridge, Segundo de Chomón, and Émile Cohl.