Melodies of the mountains

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The film recounts the life of children living on the street in Gondar, Ethiopia, by witnessing the interaction between two children and the filmmaker. The entire film was shot in the room of Ethiopia Hotel. This limited space allows the film to focus on their communication and captures some of the ideas that enable the children to endure and survive on the street. Indeed, this film is more a sensitive testimony than a scientific documentary. This hybrid approach aims to explore new trends in visual anthropology, including the issue of dealing with intimacy and subjectivity.

This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.

An actuality film showing a Buddhist festival in Kyoto. The procession includes Buddhist monks, geishas, and others dressed coordinately to the Japanese tradition.

An ethnographic documentary following the Folia de Reis party that is celebrated every year at Morro de Santa Marta on Rio de Janeiro.

John Bishop and Naomi Bishop present a portrait a peculiar life style of the Himalayan indigenous Sherpa people in their documentary , the Himalayan Herders. The 76 minutes long film is about the diverse culture and life style of herders community near Mt. Everest region of Nepal.The film was made in 1997 as a part of Case Studies in Cultural Anthropology Series.

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.

A film about the Doukhobor community that has lived in the village of Gorelovka in the Republic of Georgia since the 19th century. The few Russians who remained there live in their own closed world of rituals, prayers, and psalms.

About 30 ethnic groups live in the Republic of Dagestan, each with its own language and customs. The prevalence of the Muslim way of life is a distinctive feature of this republic. The number of men taking second and third wives has increased. However, according to the Constitution of the Russian Federation, a man can only be married to one wife. So, being both a law-abiding citizen and a model Muslim is not yet possible.

An ethnographic documentary following four Ju/’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

An ethnographic documentary about the Mangbetu tribe of the Belgian Congo (now the Democratic Republic of the Congo). The film features a discussion of various rites including the Mangbetu practice of head binding, as well as various examples of traditional music and dance.

An ethnographic documentary which looks at the relationship between music and work in predominantly rural cultures. It depicts the lives of fisherman, shepherds and farmers and their relationship with music. The film also describes Basque ancestral instruments, with special emphasis on the origin and history of ‘bertsolarism’ (Basque verse singing) as a form of oral communication.

How do you entertain yourself while entertaining others? A short documentary about a nighttime projectionist passing the time.

This ethnographic short portrays a ritual using masks among the Dogon people of Mali.

A documentary about the daily life of a native Tzotzil community in southern Mexico, shot over a period of eight years.

A documentary on the experiences of the Nubetya Yaptiks nomadic family in the Yamal Peninsula, Eastern Siberia, from 1992 to 2001.

An auteur-director who wishes to make a documentary about Armenia imagines a fictitious character that has the ability to travel through bodies. The latter will alternatively embody: a young farmer that dreams to flee from the countryside to more urban spheres, a prostitute who is a survivor of rape, a narcissistic client, a fallen artist and finally, a resisting deserter.

"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention." - Max Goldberg

This rare documentary was filmed with the participation and personal camera of Wolfgang Gorther, a German military cinematographer of the 1st mining division, who participated in the legendary ascent of Elbrus on the night of August 21, 1942. From the beginning of the Second World War and the last international winter sports week in Garmisch-Partenkirchen follows the invasion of the German troops into the Soviet Union: Dnieper, Zaporozhy, Kharkov, Rostov-on-Don, Nogaean Steppe, Caucasus – fighting at 50 degrees below zero, military expedition into the world of ice and snow; – ascent of mountain arrows and subsequent hoisting of flags on the Elbrus at an altitude of 5,633 meters.