Gipuzkoa

Film about the singing and dancing culture of the Ingush people

A documentary on the experiences of the Nubetya Yaptiks nomadic family in the Yamal Peninsula, Eastern Siberia, from 1992 to 2001.

The film recounts the life of children living on the street in Gondar, Ethiopia, by witnessing the interaction between two children and the filmmaker. The entire film was shot in the room of Ethiopia Hotel. This limited space allows the film to focus on their communication and captures some of the ideas that enable the children to endure and survive on the street. Indeed, this film is more a sensitive testimony than a scientific documentary. This hybrid approach aims to explore new trends in visual anthropology, including the issue of dealing with intimacy and subjectivity.

Click for full movie details & trailers.

Rites and operation of the circumcision of thirty Songhai children on the Niger. Material of this film has been used to make "Les Fils de l'Eau".

This ethnographic short portrays a ritual using masks among the Dogon people of Mali.

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

The film tells the story of ancient Ingush lullabies - Ingush women and men tell the lullabies of their families and the stories associated with them: love, friendship, blood feud.

Click for full movie details & trailers.

An ethnographic documentary about the Mangbetu tribe of the Belgian Congo (now the Democratic Republic of the Congo). The film features a discussion of various rites including the Mangbetu practice of head binding, as well as various examples of traditional music and dance.

How do you entertain yourself while entertaining others? A short documentary about a nighttime projectionist passing the time.

“The shepherdess” is a short ethnographic film inspired by Joyce, an 80 year old woman who has spent her whole life farming in Eastern Ontario. While this film is largely centred on Joyce’s narrative about her life, it is also about Joyce’s flock of about 20 Suffolk ewes, the filmmaker, and the relationships between these actors.

"Sweet Osmanthus Flowering Late" is a feature-length ethnographic film that envisions social rejuvenation and collective convalescence in the aftermath of the pandemic. Filmed in Wuhan, the film follows the everyday lives of three middle-class households. It postulates the existence of a mass dreaming phenomenon that facilitated fatigued Chinese inhabitants to rejuvenate themselves following the secluded episode of lived experience and to coexist with the enduring imprints of "the event" on their social lives.

Click for full movie details & trailers.

Click for full movie details & trailers.

Click for full movie details & trailers.

A walk through the landscapes of the province of Salamanca, Spain, as well as a testimony of the daily life and customs of its inhabitants.

A walk through the landscapes of the province of Barcelona, Spain, as well as a testimony of the daily life and customs of its inhabitants.

India has one of the largest populations of Indigenous people in the world, known locally as adivasis or tribals. As India's current Hindu nationalist government pushes to redefine India as a homogenous Hindu nation, adivasis’ ways of life are under greater threat. Set among the Rathava and Bhil adivasi communities of western India, broken gods document the social impact of Hindu religious evangelism among India’s Indigenous groups. As Indigenous people join Hindu religious sects, their old gods are literally becoming broken - devotional mural paintings are being whitewashed from homes, and the earthen figurines in honour of village gods and ancestors are being left to fall apart. While for those who convert joining a Hindu sect offers the allure of a better life, those who continue to follow their old ways have become ostracized by their communities. Their broken gods have lost the power to protect them from illness and scarcity.

This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.