The History of the Civil War

In this classic story of love and devotion set against the backdrop of the American Civil War, a wounded Confederate soldier named W.P. Inman deserts his unit and travels across the South, aiming to return to his young wife, Ada, who he left behind to tend their farm. As Inman makes his perilous journey home, Ada struggles to keep their home intact with the assistance of Ruby, a mysterious drifter sent to help her by a kindly neighbor.

A student whose parents died in the Gujarat pogrom receives an assignment on the same topic at his university. During his research, he meets everyone associated with the commission and tries to uncover various other aspects.

Propagandistic documentary aiming to demonstrate how vigorous and prosperous the provinces of Tacna and Arica were at that time, despite being in dispute, but under predominantly Chilean influence, investment, and administration.

A story about the clash of two cultures, two worlds - traditional Tajik culture and the new, invading and imperialist in its nature, Soviet culture, about the formation of self-awareness of the Tajik dekhkanin in the 1920s-1930s.... Poor Hasan thinks and experiences a lot before he is able to comprehend the changes in his life, to realize that old traditions and customs are no longer valued. Bent by need and disenfranchisement, he finds the strength to stand up against the Basmachi.

In a dystopian America dominated by a tyrannical police state, a stirring revolution clashes with a forbidden romance.

A film about peace, love and war. Dedicated to the 100th anniversary of the end of the Civil War in Russia. The film takes place at the end of the summer of 1917, when Russia and the whole world were at a crossroads between two eras. None of the people could even imagine how much his life would change in the very near future. In a strange way, the atmosphere of the film echoes our current reality and what is happening in Russia today. According to the form of visualization, the film belongs to experimental mockumentary cinema. To give greater authenticity to what is happening on the screen, the shooting was carried out on black-and-white negatives of 16 and 35 mm, hand-operated cameras were used and the material was developed in manual spiral tanks. The documentary chronicle of the Kolchak army of 1919 and the White army in the Far East of 1922 is embedded in the finale of the film.

Miguel comes back to his country home with his wife after running away from the war, however, the memories of the conflict and his remorse for deserting and abandoning his friends haunts him persistently, avoiding him from distinguishing what is real and what not. While Miguel tries to ignore his trauma, his wife fights for bringing him back to reality.

The film depicts the marriage between the mad Charles VI of France and his wife Queen Isabeau.

Since South and North Korea's liberation in 1945, North Korea, a communist dictatorship that suppresses freedom and oppresses human rights, and South Korea, which has entered the path of economic prosperity and advanced countries based on freedom and democracy, have taken different paths. How did the two countries with the same language, history, and race, become divided into two extreme countries? A work that highlights the sacrifices and struggles of President Syngman Rhee and the first generation of founding members who worked to create and protect today's Republic of Korea over the past 70 years of history.

The story of how newspapers were distributed during the Blitz, stressing the importance of an accurate and objective press on the home front.

How the Monuments Came Down is a timely and searing look at the history of white supremacy and Black resistance in Richmond. The feature-length film-brought to life by history-makers, descendants, scholars, and activists-reveals how monuments to Confederate leaders stood for more than a century, and why they fell.

This remarkable documentary dedicates itself to an extraordinary chapter of the second World War – the psychological warfare of the USA. America’s trusted cartoon darlings from the studios of Warner Bros., Paramount, and the “big animals” of the Disney family were supposed to give courage to the people at the homefront, to educate them, but also to simultaneously entertain them. Out of this mixture grew a genre of its own kind – political cartoons. Insightful Interviews with the animators and producers from back then elucidate in an amusing and astonishing way under which bizarre circumstances these films partially came into existence.

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.

A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

A ghost and a French marquis wander through the Winter Palace in St Petersburg, encountering scenes from many different periods of its history.

According to the official history of Afghanistan, ruthless destruction has always prevailed over art and creation; but there is another tale to be told, the forgotten account of a diverse and progressive country, seen through the lens of innovative filmmakers, a story that survives thanks to a few brave Afghans, a small but very passionate group that secretly fought to save a huge film archive that was constantly menaced by war and religious fanaticism.

A collection of television celebrities pitch United States Savings bonds.

Four lucid grandmothers tell their story forgotten by history: the militancy and resistance of the young women of the leftist youth against the dictatorship of Marcos Pérez Jiménez.

"CIVIL WAR SURVEILLANCE POEMS (Part 1)" is the first installment in a five-part project of experimental and hybrid-form short films contemplating a second American civil war via lyrical nonfiction, mixing call-in radio, twenty years of verité footage from the filmmaker's archive, and robots. Conceptually speculating from sixteen years in the future (and a protracted civil war), the project is partly nostalgic political travelogue, partly a quest to mine the archive for what went wrong, and part prewar surveillance records, the project deconstructs and builds to a clashing ideology, culminating in an installation of sound sculpture, four-walled video and artifacts.