We are not legends

For over 100 years, Hollywood cinema has crafted the ultimate "villain"- the Indian, as they were labeled in early Westerns. Confined almost exclusively to this genre, the Western became a vehicle for American racism, obscuring the genocide upon which the United States was built. In this documentary, only Native Americans are given a voice to share their story, one that has been overshadowed by Hollywood's portrayal. Their narrative, part of the larger American story, highlights how cinema has long been used as a powerful propaganda tool, distorting history and perpetuating harmful stereotypes.

A look into the 19th century American-Indian Wars, Manifest Destiny, and the conflicts between Apache tribes and the African-American Buffalo soldier regiments.

African American soldiers throughout the 19th and 20th Centuries faced discrimination and segregation, yet many still chose to fight for their country.

With the energy of the dying, those in power apply themselves to reasserting the value of work – with force, if need be. But more and more workers have understood that, to truly value their work, they have to do without it. They also have to get rid of the society of consumption that goes along with it. It may not be easy, but it is certainly amusing. We present a panorama of a mass desertion destined to spread.

Raised on horseback in Blackfoot Territory and coached by her father, Logan Red Crow fights to become the first woman to ride the Indian Relay at the Calgary Stampede, a breathtaking, bone-breaking sport where riders vault from horse to horse at full gallop.

After losing his job during lockdown, Natan signs up to a microtask website. Having become a “Turker” alongside tens of thousands of others, he is paid a cent for each face he erases on Google Street View. Under the guise of Otto, a fictional character, he embarks on an experimental and playful investigation into “clickworkers”, haunted by the spectre of Beckett.

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Storyteller and Conceptual Magician Derek DelGaudio attempts to understand the illusory nature of identity and answer the deceptively simple question 'Who am I?'

Fang Xu Shi lives with many other immigrants around the film sets of Hengdian, relying on the ongoing productions to hire him temporarily as an extra. He reflects on his life and, more particularly on his past and his relationship with his father in this universal story of human philosophy and survival.

Ten years ago, the paths of Abou, Laura, Cadiatou and Jacques have crossed Emmanuelle’s. She was their French teacher at a high school in Marseille. Together they took part in a film, Children of the Princess of Cleves, in which, while analyzing the classic text, they expressed their hopes, dreams, and fears. In En Nous, the director re-connects with the protagonists : memories blend with stories of their lives and the daily obstacles they must overcome whilst trying not to lose hope. Now, the sentence of the Princess of Cleves rings poignantly true: “I know nothing can be more difficult than what I undertake”.

A chronicle of legendary Native American poet/activist John Trudell's travels, spoken word performances, and politics.

Documentary chronicling the government relocation of 10,000 Navajo Indians in Arizona.

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Twenty young actors are brought together for a creation lab to create a collective work at one of the great national theatres. Over a full year, they scour contemporary Québécois poetry to tap into the spirit of the times.

This Traveltalk series short visits a large intertribal meeting of American Indians from all over the western United States. Members of about 30 tribes attended the event, which lasts several days. Attendees perform various tribal ceremonies, demonstrate their skills at crafts (pottery, weaving, doll making), and participate in rodeo events.

Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.

In Nepal, a venerable monk, Geshe Lama Konchog, dies and one of his disciples, a youthful monk named Tenzin Zopa, searches for his master's reincarnation. The film follows his search to the Tsum Valley where he finds a young boy of the right age who uncannily responds to Konchog's possessions. Is this the reincarnation of the master? After the boy passes several tests, Tenzin takes him to meet the Dali Lama. Will the parents agree to let the boy go to the monastery, and, if so, how will the child respond? Central to the film is the relationship the child develops with Tenzin.

Are the face and voice mirrors of the soul? This documentary reveals in detail their impact on our immediate perception of others and recounts astonishing experiments on our psyche.

Karrar asks Qassomi what he wants to eat, and Qassomi eagerly lists a feast: rice, chicken, stew, tashreeb, and makhlama. Karrar jokingly responds with "foul and makfoul," prompting Qassomi to reply, "According to tradition." The exchange ends with Karrar making a loud tongue fart sound ("zij"), turning the conversation into a short, absurd comedy sketch.

A raw and telling portrait of a people left behind by the modern world, inspired by the work of photographer Martin Martinček - whose pictures of the inhabitants of the Liptov region in central Slovakia, encompassed by the Tatra mountains, distilled entire lifetimes into luminous and intransient images. Dušan Hanák's continuation of these photographs takes the shape of a poetic visual essay, capturing more comprehensive vignettes of their isolated human experiences.