Mga Kulay Sa Labas Ng Linya

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee shortly after the surrender of Japan. Follow General Douglas MacArthur and his men from their exile from the Philippines in early 1942, through the signing of the instrument of surrender on the USS Missouri on September 1, 1945. Preserved by the Academy Film Archive in 2013.

"Bagong Buhay" is a short experimental film that dispels the common belief that packing up and moving to a new place will magically improve one's quality of life. The film challenges this presumption by portraying two contrasting ways of life through objects and locations, encouraging viewers to think critically about the complexities of what makes a better life. In the Philippines, it's believed that relocating to a new area will bring about positive changes in one's existence. True satisfaction is a complex and multifaceted notion, and "Bagong Buhay" encourages us to ponder that relocating to a new place is not a surefire way to attain it.

A music documentary on MNL48, a franchise of the highly successful Japanese idol group, AKB48. The film looks into the girls as they perform within a music subculture that tries to get a foothold in a market of an overtly critical audience.

YAYA is a story about a filmmaker who explores the complex relationship between his family and the domestic worker who spent decades away from her family in the Philippines to raise his. This documentary is a tribute to all the domestic workers in Hong Kong, who has served as the backbone of Hong Kong's economy by unleashing a substantial female workforce into the economy and taken care of so many lives with love and care. You are all heroes in the hearts of the Hong Kong people. - Justin Cheung, the director

TV movie about dance rites in the Philippines

The Jeepney is a common affordable transportation in the Philippines. Made from abandoned American Jeeps during World War II, the Jeepney remains a symbolic figure of the Philippine identity.

Filmed in a village of the indigenous Mandaya people, located in a mountainous area of southeastern Mindanao, the country's second largest island, the documentary portrays the struggle of the Communist Party of the Philippines and its armed wing, the New People's Army, for the rights of indigenous Filipino peoples and the environment, which are constantly under threat from landowners, large logging companies and agribusiness.

Wildlife cinematographer Neil Rettig embarks on what could be the most challenging assignment of his career: to find and film the rarest eagle on the planet. Bird of Prey explores the vanishing world of the Great Philippine Eagle and reveals the courageous heroes that are determined to save it.

When Jennifer Laude, a Filipina trans woman, is brutally murdered by a U.S. Marine, three women intimately invested in the case--an activist attorney, a transgender journalist and Jennifer's mother)--galvanize a political uprising, pursuing justice and taking on hardened histories of US imperialism.

This documentary paints the life of former Philippine President Ramon Magsaysay (1953-1957), from being a simple mechanic, a wartime guerilla leader, and as president of the Philippines, leading up to his death in a plane crash in Mount Manunggal, Cebu.

Kain Tayo follows Rica Piquan, the owner of Pamilihan Pinoy Asian Groceries, one of only two Filipino markets in Tucson, Arizona. Born and raised in the Phillipines, Rica’s lifelong passion for cooking inspired her next dream, opening a Filipino restaurant. She plans to share her culture and passion by the end of the year. While managing her grocery store seven days a week and building her restaurant from the ground up, she still finds time to cook for her family every day. Seen through Rica’s journey and her daughter's eyes, the film explores the resilience of an immigrant story and the rich traditions of Filipino food and culture.

When the last Filipino community center in Ketchikan, Alaska, becomes a memory, a 50-year-old Filipina who spent her life resisting her heritage travels to the Philippines to rediscover her roots, preserving her community’s disappearing culture, and teaching indigenous Filipino dances.

Each day, thousands of people leave countries like the Philippines to seek work abroad. They work as nannies, domestics, clerks and labourers for low wages and with few rights. What little money they earn they send home to their families. This contribution to their country’s economy has prompted the Philippine government to call these contract workers “modern day heroes.” But that’s only half the story.

The Philippines is visited by an average of 20~28 strong typhoons and storms every year. It is the most storm-battered country in the world. Last year, Typhoon Haiyan, considered the strongest storm in history, struck the Philipines, leaving in its path apocalyptic devastation.

"Iiyak ang Langit" is an excruciating documentary that exposes the untold pain of the families struggling to survive after the extrajudicial killings in the Philippines. Melinda is at the heart of this story—she lost her son to state violence and now makes a living by producing candles. Her story, together with the candlemakers—unified not only by wax and wick but by grief and survival—turned out to be a reflection of how labor-fueled both mourning and resistance. As they maneuver their hands to turn darkness into light, even the sky seemed to weep with them.

Two Filipina victims of sexual abuse search the truth behind the finding of a renowned anthropologist: that merely a few generations ago, the Bontok Igorot lived in what seems an unthinkable utopia—a rape-less society.

At the height of the COVID-19 pandemic in the Philippines, amidst the rising number of cases, two families remember their loved ones as more than a statistic.

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A musical docudrama about the brave and outstanding Women of Malolos to whom Jose Rizal addressed his famous letter in Feb 22, 1898.