New Life

In the form of a filmed epistolary conversation, two young, experienced filmmakers discuss film, present and past family, heritage and maternity. The personal and profound reflections—which are embodied in the graceful images taken day-to-day—are suddenly echoed by the political emergency of a country.

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What does it mean to be kin with beings we are taught to revile? Hunt for the Malwoden is a meditation on kinship, disgust, and the porous boundaries between human and more-than-human worlds.

Documentary about atheist Madalyn Murray O'Hair who, for 30 notorious years, successfully challenged God in America, and was brutally murdered in the summer of 1995. O'Hair had come to occupy a special place in the American psyche since her 1963 campaign which ended compulsory prayer in US schools after a Supreme Court action on behalf of her son William. She journeyed from Cold War paranoia, through to the rise of the neocons and born again Christianity in Reagan's America and beyond. (Storyville)

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THE QUEST: Everest is a journey to deeper understand and climb the most iconic mountain in the world, Mt. Everest, and to reveal its amazing history and culture. From experiencing Everest like never before to witnessing unique stories about one of the most remarkable places on earth, THE QUEST: Everest is a one-of-a-kind cinematic tribute to the human spirit of adventure that lives inside us all.

The Tragedy of an Artist, is an experimental short shot over the course of a week. This film is meant to illustrate who Hero Foltz is as a person and his struggles with self identity

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

The film gives a survey on innate behaviour patterns of the grey-lag goose. The first part shows reproductive behaviour. In the second part some behaviour patterns of gosling being imprinted on their human foster parent are shown: following reaction, separation of two flocks according to their imprinting, response to the alarm call and landing "by order" of the flying young.

Wilhelm Emter demonstrates individual muscles and muscle groups of the shoulder region, chest region, torso and abdominal region and the arm in practice on his extremely trained body.

Cast and crew discuss how a no-budget slasher movie became an international sensation. Produced for the "Friday the 13th" DVD.

Swimming movements of a common seal under water, propulsion through hind extremities.

The film shows open air shots of life in the colony of the sea lion. The following behaviours are shown: establishing territories and rivalry fights, courting and mating, feeding the young, play among young animals.

The three-spined stickleback is shown. Nest building, zigzag dance, fanning at the nest, sometimes following a female, also short mouth fights, the female swimming into the nest, spawning, the male poking at the rear end of the partner, inseminating the eggs in the nest after the female swims away.

A portrait of the German city of Ulm and it's social activities, fassades, court building. Also about the role of the district court during National Socialism.

The film shows a single-row beet harvester in action during the sugar beet harvest. The topping of the beets is shown at normal speed. The test conditions used are explained.

Short film on the manufacture of glassware

Infantry bullets smashing a clay wall shot in slow motion at 1500 fps to give a rough demonstation of the dumdum impact. Temporal resolution of the process by means of spark cinematography at 70.000 fps.

The film follows 10-year-old Oleg, whose life has been turned upside down by the ongoing war in East Ukraine. Oleg lives with his beloved grandmother Alexandra in a small house in a village on the frontline. Most people have left the village, but Oleg and Alexandra love their life together there and want to stay on and take care of each other. But life is becoming more and more difficult and the war does not seem to end.

From Belgium, Jialai Wang maintains contact via smartphone and camera with her mother and grandmother in China. When her grandmother’s health deteriorates, Jialai returns to Shanghai, but when she arrives, her grandmother has already died, and she is left alone with her mother. A devout Buddhist, her mother seems to pay more attention to her daily prayers, Maoist past and dog Dongdong than she does to her daughter. She herself had been abandoned as a child by her own mother, when she divorced Jialai’s grandfather and moved to the city.