Murray Perahia, Not Of This World

An account of the life and work of controversial German orchestra conductor Herbert von Karajan (1908-89), celebrated as one of the greatest musicians of the twentieth century.

Roberto Alagna celebrates Christmas surrounded by his friends Christophe Willem, Nolwenn Leroy, Karine Deshayes, Aleksandra Kursak, and Patrick Fiori. They perform the most beautiful popular tunes and Christmas carols accompanied by the Philharmonic Orchestra and the Monte-Carlo Opera Choir under the direction of Yvan Cassar. Recorded at the Salle des Étoiles Sporting d'Été in Monte Carlo.

Emma, a talented conductor and rising star on the Montreal scene, has a complicated relationship with her father and agent Patrick. She has to face up to her emotions and decide whether she wants to successfully combine her career with her love affair with Naëlle, a recently separated cellist and mother of a young son.

Every year, the Berliner Philharmoniker hold a kind of classical-music fête with a bright, cheerful concert to end the season. In 2009 about 22,000 people had come together at the Berlin Waldbühne to enjoy the traditional summer picnic concert. The theme of the evening was “Russian rhythms”, and star conductor Sir Simon Rattle, the Berliner Philharmoniker and Yefim Bronfman, one of the most famous pianists in the world today, presented a superb selection of Russian music. Repertoire Tchaikovsky: The Nutcracker, op. 71, Overture, The Christmas Tree, March, Pas de deux (Intrada) Rachmaninoff: Piano Concerto No.3 in D minor, op. 30 Stravinsky: Le Sacre du printemps Lincke: Berliner Luft

Repertoire Modest Mussorgsky: Night on Bald Mountain; Antonín Dvořák: Song to the Moon from “Rusalka”, Op. 114; Aram Chatschaturjan: Adagio from “Spartacus”; Richard Strauss: Final Scene from “Capriccio”, Op. 85; Richard Wagner: Overture to “Rienzi, der Letzte der Tribunen”; E. W. Korngold: Mariettas Lied from “Die tote Stadt”; Richard Strauss: Zueignung, Op. 10 No. 1; Sir Edward Elgar: Salut d’amour; Giacomo Puccini: Donde lieta uscì from “La bohème”; Tu che di gel sei cinta from “Turandot”; Ruggero Leoncavallo: Musette svaria sulla bocca viva from “La bohème”; Mimì Pinson, la biondinetta from “La bohème”; Piotr Tchaikovsky: “Romeo and Juliet” (Fantasy Overture)

The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With audiences of more than 20,000, these are some of the most popular classical music concerts in the world. Riccardo Chailly is famous for having one of the broadest and most eclectic repertoires. Here, under his baton, the orchestra presents perennial favourites by Shostakovich, Rota and Respighi. Live recording from the Waldbühne, Berlin, 23 August 2011, directed by Kasten Henning, produced by Jan Bremme. TV Producer: Dorothea Diekmann, RBB. Repertoire Dmitry Shostakovich: Suite No. 2 for Jazz Orchestra (Suite for Variety Orchestra), Lady Macbeth of Mtsensk Suite – Allegretto; Nino Rota: ‘La Strada’ Ballet Suite; Ottorino Respighi: Fountains of Rome • Pines of Rome • Danza gueresca ‘Belkis’; Paul Lincke: Berliner Luft

Eugen Suchoň's opera Svätopluk returns to the stage of the Slovak National Theatre Opera in 2023. Since 1960, when it had its world premiere, this is the fifth production of this musical drama at the Slovak National Theatre. It returns as an eloquent witness of Slovak operatic history, as a bearer of a message, as an impulse for reflection and reassessment of historical attitudes in a broader context.

A student at a prestigious music academy struggles to recreate a piece of sheet music stolen by an egocentric professor. After given just 2 hours to complete this task, he experiences the highs and lows of this process as it alters the way he thinks about the creation of art itself.

Click for full movie details & trailers.

Click for full movie details & trailers.

A video magazine put out by the Come Organization label. An in-depth documentary of the life & works of Peter Kurten, the monster of Dusseldorf, including previously unpublished pictures and information. With music by WHITEHOUSE, J.S.BACH & BEETHOVEN

The pianist Kyra Steckeweh and the filmmaker Tim van Beveren search for traces where Countess Dora Pejačević (1885-1923) lived and worked. Their documentary is a journey through time to a half brilliant, half broken Europe.

The Third Part of the Third Measure creates an encounter with the militant minimalism of black avant-garde queer composer, pianist and vocalist Julius Eastman. The film focuses on what The Otolith Group describe as ‘an experience of watching in the key of listening’, invoking political feelings of defiance and the collective practice of movement building that participates in the global struggles against neoreactionary authoritarianism. The Third Part of the Third Measure invites viewers to attend to exemplary ecstatic aesthetics of black radicalism that Eastman himself once described as ‘full of honour, integrity and boundless courage’.

A piano prodigy in the grandest tradition welcomes you to a high-flying recital, live from the 2021 Verbier Festival! Uzbek pianist Behzod Abduraimov interprets a demanding program that begins in the Baroque era with two spirited sonatas from Italian composer Domenico Scarlatti, and continues with the eight movements of Schumann’s epic Kreisleriana. The concert ends with Rachmaninov’s dazzling Variations on a Theme by Corelli, whose theme itself draws inspiration from La Folia, one of Europe’s earliest known melodies.

Based on the famous Gustav Holst musical suite, Ken Russell's musical delight takes viewers on a magnificent journey of the planets of the Solar System.

In his second acoustic music special, acclaimed pianist Arthur Hanlon once again joins forces with a roster of all-female artists to perform acoustic renditions of their most successful songs alongside Latin hits.

An impromptu singing contest at a dive bar turns a lonely night into a soul-baring moment of shared harmony.

Live performance of Johann Sebastian Bach's Magnificat, BWV 243 from Herbert von Karajan's New Year's Eve concert in 1984.

Surely Bach’s French Suites, which he composed during his years at Cöthen (1717–1723), are among the finest inducements to practise that any teacher has ever made to a pupil. In this case Bach wrote them for his young wife, Anna Magdalena. The over-riding impression left by these suites is one of endearing tunefulness. Clavier-Übung II is a later collection of didactic keyboard pieces. It comprises two greatly contrasted works: the Italian Concerto and the Overture in the French Style. These performances admirably demonstrate the thoughtful and persuasive approach that András Schiff adopts when performing Bach. Recorded live at the Bachfest 2010, Protestant Reformed Church of Leipzig, 11 June 2010 Repertoire J.S. Bach: French Suites Nos. 1–6, Overture in the French Style in B minor, Italian Concerto in F major, BWV 971

Valery Gergiev is widely recognised as the greatest modern interpreter of Tchaikovsky’s music and the Mariinsky holds a peerless reputation in the repertoire. Together they deliver definitive interpretations of Tchaikovsky’s most popular symphonies. These acclaimed performances were filmed at Salle Pleyel in Paris during January 2010, directed by Andy Sommer. The themes of fate and death pervade Tchaikovsky’s final symphonies. The composition of the Fourth Symphony coincided with the breakdown of Tchaikovsky’s marriage and a failed suicide attempt, yet he considered it to be his greatest. In contrast he believed his Fifth to be flawed and uninviting, yet today this heartfelt work is widely regarded as one of his finest. The subject of fate is further instilled in the Sixth Symphony, premiered shortly before Tchaikovsky’s death. It was posthumously entitled ‘Pathétique’ by his brother and is a deeply melancholic work, full of dynamic extremes and an inherent sense of finality.