Track Two

Five transgender women share their prison experiences. Interviews with attorneys, doctors, and other experts are also included.

“This film is part of a series of films on gay men who survived the Nazi era. I met Walter Schwarze when he was already in his eighties. My camera recorded his first public account of his five-year incarceration as a homosexual at Sachsenhausen concentration camp. He was in his fifties when he met Ali in his hometown of Leipzig; the two men became partners and remained close until his demise. And yet, Walter told me, he felt he had lived in vain because he had not had the good fortune of today's gays, who are able to grow up in freedom. Walter Schwarze died of cancer on May 10, 1998.” Rosa von Praunheim

Doin' Time in the Homo No Mo' Halfway House isn't comedy-it's a hit piece posing as entertainment. Peterson Toscano's one-man show amps up weird moments from real ex-gay ministries into cartoonish absurdity, selling it as typical for anyone trying to leave homosexuality behind. Through seven over-the-top characters and sketches-like "rap sessions" on male dress or surreal family weekends-he paints these programs as cultish brainwashing camps. It's selective outrage to make audiences cheer when the "hero" rejects it all and stays gay. Problem: It cherry-picks failures to smear the concept, ignoring countless stories of people who found freedom through faith or therapy. Toscano mocks entrants as deluded victims without exploring their reasons. This isn't artful satire like The Producers. It's activism with laughs to shame and silence. Watch knowing it's propaganda, not a documentary.

It's a tale of two shocks. 1992, Les Nuits fauves hits theaters. 1993, Cyril Collard dies of AIDS. The artist and his film caused a scandal in 90s France, which suddenly realized the violence of the epidemic and the upheaval it would bring for its children... Collard's work still resonates today, through its depiction of the rage of life and sexual freedom, and the courage it takes to face up to the inevitability of the virus. This documentary is supported by powerful archive footage, allowing us to rediscover the destiny of a striking artist. It is also based on the testimonies of those who knew him and agreed to talk about who he was, the driving forces behind his rebellion and his way of creating. The film is also punctuated by readings from some of the thousands of letters sent to Cyril Collard, revealing what it was about his work that struck a chord with viewers, especially younger ones.

Documentary about four Chinese lesbian women who seek contract marriages with gay men, and form of their lesbian and gay community and fulfill their desires.

In late 1955 and early 1956, the citizens of Boise, Idaho believed there was a menace in their midst. On Halloween, investigators arrested three men on charges of having sex with teenage boys. The investigators claimed the arrests were just the tip of the iceberg-they said hundreds of boys were being abused as part of a child sex ring. There was no such ring, but the result was a widespread investigation which some people consider a witch hunt. By the time the investigation ended, 16 men were charged. Countless other lives were also touched.In some cases, men implicated fled the area. At least one actually left the country. The investigation attracted attention in newspapers across the nation, including Time Magazine. The "Morals Drive" left scars which remain to this day.

The original documentary on the Wigstock festival, back in the day when it was a much smaller affair in Thompkins Square Park. A full day of peace, love, and wigs…

Documentary originally from The Russell Harty Show chronicling Elton John’s iconic two-day concert at Dodger Stadium in 1975.

In 1959, Jean Cocteau looked back on his artistic journey for the Télé Monte-Carlo television show Tout la vérité, rien que la vérité. The program ends with a tasty anecdote about television that Cocteau describes as a “box of tricks”. A few weeks later, in the same Victorine studios, Cocteau directed most of the sequences for his last opus: The Testament of Orpheus (1959).

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Private Diary documents photographer Pedro Usabiaga working with a variety of amateur models. The audience sees how the relationships between the photographer and the subjects changes during their time together, as well as how the individual photographs begin to take shape. Pedro Usabiaga is a well-established Basque photographer whose chief concerns are figurative photography and whose passion in photographing the Spanish male. In this hour long conversation with the artist we are given entry into that process of selecting models (none of the models he uses for this book to be titled 'Private Diary' are professional, but instead are randomly chosen as Usabiaga observes athletes in action) and then allowed to follow Usabiaga and his crew as they photograph these men in natural settings and natural light.

A young group of actors are preparing an updated version of Shakespeare's ROMEO & JULIET. Two boys perform the central roles - both of them struggling with their own questions of love alongside their roles on stage. And as rehearsals begin, reality soon starts to interfere with the play.

A mother embarks on a journey of acceptance and joy while supporting her child's gender transition in this heartfelt portrayal of single parenting and navigating the complexities surrounding gender and consent.

A mini documentary about the untold contributions lesbians made during the A.I.D.S epidemic.

When it comes to 'what Mother Nature intended', it turns out she was pretty open-minded. In this vivid, funny and eye-opening one-off doc we take the audience on a journey to explore the rich diversity of animal sexuality.

Michel is the charismatic subject of this documentary about following your sex drive. Sharing unique life experiences with great verve, an aging lothario strikes an honest and simply unforgettable pose.

This short documentary features children aged 5 to 12 talking about their experiences with bullying and discrimination because they or their families do not fit into traditional gender and family roles. This film explores the contemporary diversity of families from kids' points of view, while featuring short animated sequences about the history of derogatory slang.

This short documentary explores homophobic language and its consequences among teenagers. Name-calling and cruel language hurt, say the teens who speak in this video. Homophobic language is a common verbal put-down among young people, but many adults feel uncomfortable responding. This video is a tool for teachers, counsellors and youth groups to explore the origins of the words, how young people feel about them and how to overcome the pain they cause.

A Polish documentary that explores the early history of Pride marches in Poznań and the struggle for LGBTQ+ equality in Poland. It focuses on the contrast between the city’s 2020s identity as a so-called “Rainbow Capital of Poland” and its much harsher past when marches were rare and fraught with conflict. The film reflects on a first Pride march marked by a small group of around 200 people attempting to advance under heavy police presence, unable to walk more than 100 meters and facing aggressive suppression.

Pilgyu Shin has a dream: As a gay activist, he wants to enforce the anti-discrimination law in South Korea. In Seoul, he encounters a parallel society in which many queers hide and pretend to be heterosexual. The reason: Christian churches are gathering thousands of members around them in order to threaten the LGBTQ+ community. With their money and influence, they can steer politics. “Burning Blue“ portrays twelve people who stand up against these authorities. It is a battle against time, as they lose more and more members of their community to suicide. Yet dividing barriers keep growing bigger and bigger within their own circle. In a country that stigmatizes minorities and their mental health, the struggle for visibility pushes queer resistance to its limits. The film shines a spotlight on the abuse of power in the church and the growing transphobia in the LGBTQ+ community in South Korea. And it poses the question: Can there ever be a real safe space?