Umsonst Gelebt: Walter Schwarze

A Brazilian production that follows an amateur soccer team entirely consisting of homosexual players." Some gay soccer players got together for fun and founded a team which became so popular that it started a movement all across Brazil.

In 2014, Luke was a small-town boy growing up in Ohio. The only son and adopted child of a single mother, he dropped out of college and moved to New York to become a gay porn star: Levi Karter.

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In 1959, Jean Cocteau looked back on his artistic journey for the Télé Monte-Carlo television show Tout la vérité, rien que la vérité. The program ends with a tasty anecdote about television that Cocteau describes as a “box of tricks”. A few weeks later, in the same Victorine studios, Cocteau directed most of the sequences for his last opus: The Testament of Orpheus (1959).

Outrage kiss-in at Bow Street police station in London, with a demonstration against homophobic government bills clause 25/28.

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.

The Polish city of Łódź was under Nazi occupation for nearly the entirety of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors are vividly chronicled via newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing as the film progresses, symbolic of the death of each narrator.

I Always Said Yes is a portrait of pioneering filmmaker Wakefield Poole, whose careers as dancer, choreographer, and director spanned the golden years of Broadway, television, porno chic, and gay liberation.

A feature film that chronicles a complete season of the International Gay Rodeo Association. Roping and riding across north America for the past 30 years, the IGRA's courageous cowboys and cowgirls brave challenges both in and out of the arena on their quest to qualify for the World Finals at the end of the season. And along the way, they'll bust every stereotype in the book.

As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered.

Germany, 1929. Helmut Machemer and Erna Schwalbe fall madly in love and marry in 1932. Everything indicates that a bright future awaits them; but then, in 1933, Adolf Hitler and the Nazi Party rise to power and their lives are suddenly put in danger because of Erna's Jewish ancestry.

This story follows one man's quest to uncover the origins and reveal the mysteries of a possible Holocaust artifact some historians now say never existed: lampshades made of human skin. When the flood waters of Hurricane Katrina receded, they left behind a wrecked New Orleans and a strange looking lamp that an illicit dealer claimed was 'made from the skin of Jews.'

Filmmaker Peter Hegedus embarks on the challenging journey to make Sorella's Story, an immersive 360° film set on the beaches of Latvia in December 1941, when thousands of Jewish Women and children perished at the hands of Nazi collaborators. Along the way Peter teams up with Jewish-Australian 90-year-old Ethel Davies whose family was also killed in the same massacre.

In this film, the idea of the iron rabbit is used as a metaphor for bisexuals’ situation. Something that looks like a rabbit is not necessarily a rabbit. When a straight couple appears, people often consider them to be ordinary heterosexuals. And when two gay people get together, people simply think of them as homosexuals. In this instinctive view, which holds that people are either homo or hetero, bisexuals seem to fade out. This film is a real reflection of the lives of bisexual people in Taiwan. We hope that through the film, people can understand more about bisexuals.

In this home movie collection of gay men, memory serves as an act of hope, power, and above all, resilience.

New York City's Stonewall Inn is regarded by many as the site of gay and lesbian liberation since it was at this bar that drag queens fought back against police June 27-28, 1969. This documentary uses extensive archival film, movie clips and personal recollections to construct an audiovisual history of the gay community before the Stonewall riots.

In 2019, some still consider homosexuality as a disease that needs to be cured. Focusing on movements with roots in the United States, which draw on both religion and psychiatry to justify so-called conversion therapies, an investigation into the devastating consequences of certain practices that seem to successfully avoid any control by European public authorities.

Documentary brings the time of the Holocaust to life and provides insight into the mind of the organizer of this crime: Adolf Eichmann. The documentary contrasts Eichmann's statements and memories - documented in the original soundtrack - directly with those of Holocaust survivors. The picture of the person and the crime is rounded off by the many contemporary witnesses who were involved either in Eichmann's arrest or the subsequent trial - such as the doctors and psychologists who looked after him, the guards and police officers through to the interrogator, the public prosecutor and the judge at the trial.

Exuberant, eye-opening movie that serves up a dazzling hundred-year history of the role of gay men and lesbians have had on the silver screen. Film contains fabulous footage from 120 films showing the changing face of cinema sexuality, from cruel stereotypes to covert love to the activist triumphs of the 1990s.

A 16mm anthology of experimental super 8 films by Derek Jarman, Michael Kostiff, Cerith Wyn Evans and John Maybury, with framing footage by Tim Burke of Brion Gysin using a dream machine. Jarman's contribution is a version of his 1977 Art and the Pose (aka Arty the Pose), refilmed at 3fps, with a musical soundtrack. Jarman planned The Dream Machine as a commemoration of William Burroughs and Gysin's 1982 visit to the UK, and received initial funding from the Arts Council in 1983, then rethought the project as a portmanteau film featuring Gysin alone. The production remained in limbo until 1986, when James Mackay obtained completion funding from the British Film Institute. (Since this film was released on VHS accompanied by Jarman's Broken English: Three Songs by Marianne Faithfull, T.G.: Psychic Rally in Heaven and Pirate Tape under the umbrella title The Dream Machine, synopses of this film have often muddled up its details with those of the earlier films. )