

Marsz, marsz
Overview
A Polish documentary that explores the early history of Pride marches in Poznań and the struggle for LGBTQ+ equality in Poland. It focuses on the contrast between the city’s 2020s identity as a so-called “Rainbow Capital of Poland” and its much harsher past when marches were rare and fraught with conflict. The film reflects on a first Pride march marked by a small group of around 200 people attempting to advance under heavy police presence, unable to walk more than 100 meters and facing aggressive suppression.
Top Cast
Izabela Kowalczyk
Self
Marcin Kęszycki
Self
Błażej Warkocki
Self
Mike Urbański
Self
Sergiusz Wróblewski
Self
Aleksandra Sołtysiak
Self
Ryszard Grobelny
Self
Wanda Wasilewska
Self
Key Film Crew
Production Stats
You May Also Like

The life story of Bisi Alimi, who went from being an anti-gay prosthelytize, preaching hell fire and damnation to those who strayed, into becoming the first Nigerian to come out on national TV.
The Only Gay in Nigeria

Documentary film about the life of a transgender woman, current political situation in Slovakia and the power of hatred.
I am a Woman

The original documentary on the Wigstock festival, back in the day when it was a much smaller affair in Thompkins Square Park. A full day of peace, love, and wigs…
Wigstock: The Movie

A documentary that chronicles the twenty years of Pride parading in Iceland. Filmmaker Hrafnhildur Gunnarsdóttir has shot the parade from the beginning, with all its pride and power, beauty and sometimes ugliness. She mixes old material and new interviews with activists who reminisce about their participation in the parade, it’s impact on society in general, and what Pride means for the LGBTQ+ community.
The Glitterstorm
Experimental documentary short starring Batato Barea and Peter Pank, filmed in July 1991
Batato

CHASING CHASING AMY explores the transformational impact of a ‘90s rom-com on a 12 year old kid from Kansas, coming of age and contending with queer identity. For young Sav Rodgers, the Kevin Smith cult classic, CHASING AMY, became a life raft. As Rodgers examines the film and its making as a cornerstone of LGBTQ+ cinema, he finds himself at a complicated crossroads.
Chasing Chasing Amy

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
Laerte-se

At a time when the far right is ascending to power around the world, the 2020 Brazilian municipal elections saw a surprising and unprecedented record of LGBT candidates. This film follows four young queer politicians during their electoral campaigns and reveals their struggle to affirm their rights to exist and be heard.
Political Bodies

A Boy Named Sue chronicles the transformation of a transsexual named Theo from a woman to a man over the course of six years. Following Theo's physiological and psychological changes during the process, as well as their effects on his lesbian lover and community of close friends, A Boy Named Sue tells a story about gender identity, relationships, and how even things that seem permanent can change.
A Boy Named Sue

Filmed in Zimbabwe, the film depicts the romantic relationship between two women, and the aftermath of the discovery of their relationship
Forbidden Fruit

A mini documentary about the untold contributions lesbians made during the A.I.D.S epidemic.
Women on Watch

When it comes to 'what Mother Nature intended', it turns out she was pretty open-minded. In this vivid, funny and eye-opening one-off doc we take the audience on a journey to explore the rich diversity of animal sexuality.
Queer Planet

As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered.






