A Boy Named Sue

Welcome to the curious, surprising and always outspoken world of straight men who go Gay4Pay. Curiously, there is a disproportionate percentage of men working in gay porn who identify as straight. Why would a straight man do gay porn? What motivates him to try this or make a career of it? Why is there such keen interest and debate into the sexuality and personal lives of these men? And what does it say about us, the viewer that so much of gay porn is dominated by images of straight men?

Punk music icons, Lunachicks, reunite after 20 years in an unfiltered, hilarious, and electric documentary. Packed with rare archival footage, the film traces their rise from gritty NYC teens to feminist trailblazers of the 90s grunge era. Fans and newcomers alike will thrill as the band recounts old antics, rekindles bonds, and embarks on their long-awaited journey back to the stage.

The Devil Never Sleeps is a “whodunit” documentary about family secrets. Filmmaker Lourdes Portillo received a phone call informing her of the mysterious death of her wealthy Mexican uncle Oscar. Officially ruled a suicide, Portillo’s relatives claimed murder, offering several possible suspects including a business partner, a ranch hand, and Oscar’s young widow who stood to inherit everything. Traveling to Mexico, Portillo attempts to learn the truth about her powerful uncle. Using interviews, old snapshots and home movies, she finds a complicated web of family secrets, intrigue, rumor and betrayal that makes her enigmatic uncle’s murder seem ever more likely, yet ever more obscure. As the Mexican saying goes, “When evil is lurking, the devil never sleeps.”

Portrait of a private coal company in East Berlin's Prenzlauer Berg district in 1988/89. The feisty woman boss runs the business with humour and understanding. Her seven male employees respect her. To the outside world, they are all tough guys, but as they describe their jobs and personal situations, above and beyond the hard manual labour, their vulnerability starts to come to light.

Sitting at her typewriter, listening to tango music, she dreams. Buenos Aires and Montevideo are far away, a different world where, long ago, the tango came into being. A dream about dance and music, as well as about unfulfilled desire and wanderlust behind the Berlin Wall.

Photographer Gundula Schulze wrote her graduate thesis on "nude photography of women in East Germany". It's a subject she continues to pursue in her photography. She considers the stereotype of superficial nude photography anachronistic, and talks vividly about being at pains to develop a relationship of trust with the women she photographs. Schulze wants to show what makes up the "whole woman", living up to her position in East Germany. Scenes of women in the professional world have been edited into the film.

Documentary originally from The Russell Harty Show chronicling Elton John’s iconic two-day concert at Dodger Stadium in 1975.

After casting painter and video artist Mania Akbari as the central figure of his groundbreaking Ten (2002), and then witnessing her outstanding debut as a feature film director in 20 Fingers (2004), Abbas Kiarostami urged her to direct a sequel to the film. In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.

Documentary about four Chinese lesbian women who seek contract marriages with gay men, and form of their lesbian and gay community and fulfill their desires.

A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.

In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.

Doin' Time in the Homo No Mo' Halfway House isn't comedy-it's a hit piece posing as entertainment. Peterson Toscano's one-man show amps up weird moments from real ex-gay ministries into cartoonish absurdity, selling it as typical for anyone trying to leave homosexuality behind. Through seven over-the-top characters and sketches-like "rap sessions" on male dress or surreal family weekends-he paints these programs as cultish brainwashing camps. It's selective outrage to make audiences cheer when the "hero" rejects it all and stays gay. Problem: It cherry-picks failures to smear the concept, ignoring countless stories of people who found freedom through faith or therapy. Toscano mocks entrants as deluded victims without exploring their reasons. This isn't artful satire like The Producers. It's activism with laughs to shame and silence. Watch knowing it's propaganda, not a documentary.

It's a tale of two shocks. 1992, Les Nuits fauves hits theaters. 1993, Cyril Collard dies of AIDS. The artist and his film caused a scandal in 90s France, which suddenly realized the violence of the epidemic and the upheaval it would bring for its children... Collard's work still resonates today, through its depiction of the rage of life and sexual freedom, and the courage it takes to face up to the inevitability of the virus. This documentary is supported by powerful archive footage, allowing us to rediscover the destiny of a striking artist. It is also based on the testimonies of those who knew him and agreed to talk about who he was, the driving forces behind his rebellion and his way of creating. The film is also punctuated by readings from some of the thousands of letters sent to Cyril Collard, revealing what it was about his work that struck a chord with viewers, especially younger ones.

Over twenty years, the Russian documentary filmmaker Marina Goldovskaya interviewed pioneers of American documentaries, such as Richard Leacock, Robert and Anne Drew, Albert Maysles, D.A. Pennebaker, Jonas Mekas, among others. In long conversations, they discuss the elaboration of titles that are now fundamental to the genre’s world history, commenting on the introduction of new light and portable cameras that allowed the advent of Cinema Verite, in addition to sharing the fundamentals and principles of the art of capturing life. The sum of these parts corresponds to a singular opportunity of re-encounter with the thinking of these masters, even those that have already passed away.

A film about rural houses in the interior of the Algarve, showing the relationship between the present and memories evoked in the intimacy of the home. Working architecture from the "social imaginary", focusing on how homes were and are lived.

A documentary on kids who attend a summer camp hoping to become the next Billy Graham.

María is an Amorúa girl; an indigenous group that traveled the savannas of Orinoquía as nomads. She lives with her grandmother Matilde, her sister diana and her cousins in Puerto Carreño, in the Colombia-Venezuela border. The amorúa are considered wild and are not literate. Matilde wants her granddaughters to learn to write and read to live better in this town of "rational whites" as they call us. The director follows María's life for 8 years from her childhood to her adolescence and invites her to travel the places her grandma did as a nomad.

A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.

The people of Rwanda attempt to reconcile after the genocide through an open process of admission and forgiveness.

In late 1955 and early 1956, the citizens of Boise, Idaho believed there was a menace in their midst. On Halloween, investigators arrested three men on charges of having sex with teenage boys. The investigators claimed the arrests were just the tip of the iceberg-they said hundreds of boys were being abused as part of a child sex ring. There was no such ring, but the result was a widespread investigation which some people consider a witch hunt. By the time the investigation ended, 16 men were charged. Countless other lives were also touched.In some cases, men implicated fled the area. At least one actually left the country. The investigation attracted attention in newspapers across the nation, including Time Magazine. The "Morals Drive" left scars which remain to this day.