Romazsaruk

The Angelmakers is a 2005 documentary that provides insight into the epidemic of arsenic murders by women, known as The Angel Makers of Nagyrév, in 1929. The film is shot on location in the rural Hungarian village of Nagyrév, alternating between portraits of the surrounding landscape and first-hand narrations by the elderly inhabitants.

When France rumbles, the strategy and control of public order become a crucial political issue. Between protecting institutions and guaranteeing the right to demonstrate: the right balance is subtle. At the beginning of the Yellow Vests movement, at the end of 2018, the principles of "French-style" policing were shattered. The ransacking of the Arc Triomphe, the hundreds of injuries among the demonstrators and the forces of order mark the minds. How did it come to this? In order to understand, the film questions the so-called "legitimate" force and confronts them with the images of these confrontations.

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In July 2022, a member of An Garda Síochána was convicted of the offence of Coercive Control. Now his victim gives up her anonymity to tell of the horrific abuse she suffered.

Since November 2022, the Brussels prisons of Saint-Gilles, Forest and Berkendael have been moving to the brand-new "prison village" of Haren, on the outskirts of Brussels. An ultra-modern, ultra-secure, semi-private prison. But why build new prisons in the first place?

In an intense action-filled 85 minutes, you will learn to defend yourself against the mounting threat of “knife culture” offenders.

The film delves into an almost forgotten event that took place in Kfar Qasim in October 1956, when 47 innocent civilians were shot and killed by Israeli Border Police soldiers. Through a gripping narrative structure, like a suspenseful legal drama, the film unfolds the historical, political, and psychological reality that shaped and triggered the event. A cinematic montage created by the intertwined plotlines, emphasizes immense gaps, conflicting narratives, and deep divides between Jews and Arabs who are destined to live together on the same land. If we begin to recognize these gaps, will there be hope for reconciliation?

The Dynasty by the Direkt36 investigative center tells the story of the business dealings of the Prime Minister’s family over several decades. With hidden camera footage, it also shows the luxurious world built by Viktor Orbán’s son-in-law István Tiborcz and his daughter Ráhel Orbán.

In 2006, millionaire Charlotte Böhringer (†59) was found beaten to death in her penthouse flat above the Isar car park in Munich. Her nephew Benedikt Toth was convicted of murder for greed and sentenced to life imprisonment for a particularly serious offence. The verdict was controversial from the outset as it was based solely on circumstantial evidence. The instrument of the offence could not be identified.

Moving away from the conventions of traditional documentary filmmaking, Gitani presents itself as a vibrant "emotional vision" of Romani life. Rather than a rigid factual account, the film immerses the audience in an atmosphere of pure euphoria and shared joy. Music serves as the essential thread that weaves the entire work together, while the visual narrative mirrors the fluidity of dance—constantly assembling and dissolving to the beat of the performers' movements. It is a rhythmic and sensory experience that prioritizes feeling and atmosphere, capturing the spirit of a culture through the harmony of sound and motion.

A drama-documentary reflecting the pressures afflicting the modern police community both at work and home. About a London cop who transfers to the country, and his wife who joins the anti-nuclear lobby.

Demonstration of shoplifting methods. With the Cooperation and Assistance of Berkeley, California Police Department and Berkeley Police Reserve; Addison H. Fording, Chief of Police; J.F. Hink & Son Department Store, L.W. Hink, President. Technical Assistance: Wm. P. Beall, Lieutenant; E.A. Skells, Sergeant, Berkeley Police DepartmentGeorge Jelten, Director of Visual Merchandising, J.F. Hink and Son. Director of Photography: John L. Siegle. Sound: Walter D. Porep. Narration: John E. Pedersen.

It is the year 2546. Corporations rule the world, and an agent is on a secret mission to explore the untold stories of the past. His journey leads him into a secret virtual reality where one corporation has recreated the 1980s, an era that witnessed the birth of video game development, an event in which a politically and economically restricted small European country, Hungary, had a significant role. He discovers a strange but exciting world, where computers were smuggled through the Iron Curtain and serious engineers started developing games. This small country was still under Soviet pressure when a group of people managed to set up one of the first game development studios in the world, and western computer stores started clearing room on their shelves for Hungarian products.

The story of the first Hungarian NBA player.

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The documentary chronicles the week the streets burned, police charged against crowds, and Barcelona experienced the five most chaotic days in its recent history. When the Supreme Court sentenced the 12 pro-independence leaders for sedition, misuse of public funds, and disobedience, the widespread rejection of the verdict sparked a wave of demonstrations, protests, and violent clashes that transformed the streets of Barcelona, ​​and other cities in Catalonia, into a veritable battlefield.

HISTORY brings you an all-encompassing documentary event cantered around the 25th anniversary of the LA Riots, the most destructive riot in American history that left 53 people dead and caused over a billion dollars in damage.

Drawing on real-time, firsthand accounts and using official bodycam and audio, FRONTLINE, ProPublica and The Texas Tribune reconstruct the chaotic response to the Uvalde school shooting and examine the missteps.

A documentary chronicling the adolescent years of Elie Wiesel and the history of his sufferings. Eliezer was fifteen when Fascism brutally altered his life forever. Fifty years later, he returns to Sighetu Marmatiei, the town where he was born, to walk the painful road of remembrance - but is it possible to speak of the unspeakable? Or does Auschwitz lie beyond the capacity of any human language - the place where words and stories run out?

Captured by the Red Army during World War II, Hungarian soldier András Toma was admitted to a Soviet psychiatric hospital. After disappearing from prisoner-of-war records, he was presumed dead in Hungary. Because his name was incorrectly recorded in medical documents and he spoke only Hungarian—mistaken by staff for incoherent speech—Toma spent decades misunderstood and isolated in the institution. Fifty-three years later, a visiting Slovak doctor recognised his language, triggering an investigation by Hungarian authorities. Toma was repatriated in 2000, believed to be the last prisoner of war from World War II to return home.