La petite prison dans la prairie

The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.

Five transgender women share their prison experiences. Interviews with attorneys, doctors, and other experts are also included.

M for Malaysia documents the 2018 Malaysian General Elections when the people of Malaysia, led by a 92 year-old former Prime Minister, overthrew one of the longest ruling governments in the world. Despite endless barriers thrown at them, the tense campaign pushed on with the most surprising result in the country’s history.

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A very personal and dynamic meditation on the current global refugee crisis through the eyes and voices of campaigners, specially children, where past and present establish a dialogue. A reflection on the importance of human rights.

Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.

Bajo el signo libertario is a propaganda documentary, with the script and direction of Les (known for his articles in Solidaridad Obrera and the magazine Espectáculo) whose central theme is the reconstruction of the development of life in a libertarian community in the Aragonese town of Pina de Ebro.

Kazuo Hara follows Ayumi Yasutomi, a transgender candidate, who is also a Tokyo University professor, as she embarks on a national campaign for a seat in Japan's Upper House.

Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

A short, low-budget documentary that follows a small jobbing band from the north of England called 'Hardwicke Circus' as they perform a gig and music workshop at 'Standford Hill HMP', a men's prison on the Isle of Sheppey in the south of England. Shot in Ben Archer's fly-on-the-wall 'gonzo' style of filmmaking and taken from the band's late-2019 tour of England's south coast, this documentary focuses on the joy of performance and music in an environment that does not often allow such expression. Bookended by short commentary from the band's lead singer Jonny Foster, 'Hardwicke Circus: The Prison Gig' is an uplifting ode to the power and necessity of art, even for those that society have deemed not to deserve it.

Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.

The story of unemployment in New Zealand and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, as a new poverty-stricken underclass developed.

A "life without work" - this is the idea propagated by the "Anarchist Pogo Party of Germany" (APPD). In order to spread its unique political concept and to make the background to its activities appear transparent and credible to the voting public, the APPD commissioned a renowned film production company to create a loose mixture of subliminal propaganda and sympathetic trivialization. The film was also to focus on the glorification of the APPD politicians appearing in the election campaign in order to create the basis for a profitable cult of personality. A film that makes it crystal clear, compelling and, of course, intentional that the mob is on its way to power.

Insein Rhythm portrays the sights, sounds and rhythms of Yangon’s Insein train station which is also a stone’s throw away from the country’s infamous Insein prison.

Behind the scenes at one of the most unique and controversial prisons in the UK, home to some of Britain's worst female criminals

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Fault Lines investigates how the Albuquerque police force has become one of the most violent and deadliest police departments in the US and asks if any of the officers will face any accountability.

A look at the swelling wave of efforts to disenfranchise voters across the U.S. using the 2018 Georgia gubernatorial race between Stacey Abrams and Brian Kemp as a case study for understanding America's restrictive measures in 2024. Through personal stories of voters in battleground states, this film is a rallying call against the calculated, unconstitutional, and racist attacks intended to destroy democracy in the United States.