Feminine Singular

Performance documentation of Mees Joachim's 'Homophobe', a 10 minute live-reenactment of a scene from 'E Kolór Korrá' (2017). A juxtaposition performed as minimally as possible. A destructively interpretive dance, literally shattering bones whilst forcefully dropping on the ground. A pre-cursor to their 'The Scaphoid Fracture' (2017) performance.

A recently hatched turtle, made of sand and by hand, returns to the sea.

"Encouraged by a special encounter between myself and an animal, my research into the “humanimal” began. This is a performative exploration reflecting on the place of animals and humans in their changing relationships throughout time. The research spans from topics like the cohabitation of different human species, the prehuman, the posthuman, to domestication and the numerous animal watching webcams found in zoos and online. Missing Link reflects on the intimacy between the species and how it can be expressed through movement here and now. "

Four young people take a gap year after leaving secondary school. All four have a different personal story and therefore different fears, questions and wishes in relation to this special year. What drives the teenagers on the cusp of adulthood?

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An experimental short where one's footsteps create sound on a piano, creaks and all.

Filmed during summer 2019, Jesus Is King brings Kanye West’s famed Sunday Service to life in the Roden Crater, visionary artist James Turrell’s never-before-seen installation in Arizona’s Painted Desert. This one-of-a-kind experience features songs arranged by West in the gospel tradition along with new music from his forthcoming album.

Samba, Popping, and Jazz. Through these dance styles and documentary interviews, Bodies That Tell Stories seeks to discuss the standardization and whitening of dances that had their roots in Black people.

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

A film-performance that features all film footage shot by the author during 2024-2025 and is played at variable frame rates, from standard to minimal frames per second. One to three 8mm projectors and one 16mm projector can be used for the demonstration, so the runtime is variable. Trees and leaves, clouds and curtains, snow in the yard and water, hands and eyes, shadows and glare of light, days spent alone and meetings with friends. Light and darkness are the two poles between which this diary is flows, pulsates and shimmers. Raw diary of visual impressions captured with filmmaker's camera.

The filmmaker follows a girl, Roosi, for 10 years from age 8-18. She grew up as the child of an activist. She struggles to cope with climate grief and guilt. Roosi is torn between the path of activism and that of creativity and teenage ecstasy, while her complex and often tense relationship with her parents unravels. Struggling to find her place in the world, she navigates uncharted landscapes, revealing unlikely facets of contemporary cosmopolitanism through the eyes of a generation coming of age in an increasingly fluid reality.

A theoretical exercise can stem from a physical one: using the camera as if it was the vibrating device placed on the olive trees for the harvest of its fruit, the final result is a series of original and intriguing images. The camera shakes, gets in and out of focus, and we don’t exactly know what is happening. At first this is a strange disorientation, but then you get used to it through the cyclical mechanical noise that joins the images. The words of a peaceful female voice allows you to frame the film: a visual exercise after all can also be free.

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.

In Sarajevo, three teenage boys train with their coach on a luge track left over from the 1984 Winter Games, now bullet-riddled, covered in graffiti, and swarmed by tourists. Three decades after the war in Bosnia and Herzegovina, Mirza, Zlatan, and Hamza are the next generation of athletes in a country facing an uncertain future. The tensions of the past still loom large in these young Muslims’ lives, and their Olympic dreams are stunted by a lack of state support despite the efforts of their dedicated coach. Director Ryan Sidhoo takes a longitudinal approach in his directorial debut, intimately capturing the boys’ journey as they reckon with growing up under the shadow of the past. A deeply affecting coming-of-age underdog story, The Track is an ode to the power of hope, friendship, and chasing your dreams against all odds.

Part documentary, part drama, this film presents the life and work of Jack Kerouac, an American writer with Québec roots who became one of the most important spokesmen for his generation. Intercut with archival footage, photographs and interviews, this film takes apart the heroic myth and even returns to the childhood of the author whose life and work contributed greatly to the cultural, sexual and social revolution of the 1960s.

A hen questions the meaning of her life on a farm.

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A coming-of-age story set in the Dominican Republic, where a group of young aspiring bachata musicians seek answers to love and life through their music. Filmed at the Academia de Bachata, the world's first bachata music school. Featuring maestro Martires de Leon, guitarist and arranger for Romeo Santos.

In 2017 Petter (24) decides to end his life, but at the very last moment, is stopped by the police. His best friend and fellow film student Sverre is determined to help and suggests making a film to keep Petter busy and focused on getting better. Equipped with a camera, they search the streets of Oslo to find out how other troubled souls deal with their lives. With a naive and spontaneous approach, they end up in dramatic and unpredictable situations. They meet Monica, whose past has led her to self-injurious behavior. Oliver and Cornelia, both escaping their demons with alcohol and drugs, and Emma, who is transsexual, lesbian, and proud of who she is. They also meet Miriam, who becomes Petter's girlfriend. By getting to know their destructive patterns, Petter becomes aware of his own. He sets off on a bumpy therapeutic journey, that eventually brings light into his darkness. Young and Afraid is an authentic and raw documentary about choosing to live.

A new type of cinema you can perceive with your butt hole.