¿Por qué la gallina cruzó el camino?

Tomás and Valentim are two young men who have just entered their twenties, full of dreams, illusions, and disappointments. The two enter a relationship seeking to fill the emptiness within themselves, but soon realize that for a relationship to work, it takes much more than desire.

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A peaceful path with grass along the sides is disturbed by a man that is running and screaming.

A triple exposure on EXR 50D 16mm film: two layers shot in summer, and the third captured on the cusp of winter. A collection of statues fading in and out of consciousness, around the Weissensee lake in northeast Berlin, where the filmmaker lives.

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YeJoo and EunMin spent two years as a couple so far. One day, YeJoo wants to finish the relationship that she had with EunMin. EunMin gets angry and asks if there's another girl. Yejoo says she got a boyfriend.

A writer tries to force his character into suicide, but the character fights back.

"Encouraged by a special encounter between myself and an animal, my research into the “humanimal” began. This is a performative exploration reflecting on the place of animals and humans in their changing relationships throughout time. The research spans from topics like the cohabitation of different human species, the prehuman, the posthuman, to domestication and the numerous animal watching webcams found in zoos and online. Missing Link reflects on the intimacy between the species and how it can be expressed through movement here and now. "

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Based on true accounts, the superficial lines between subject and bystander are blurred and bound together, allowing individuals to walk in a vast space and thoroughly live a fragment of the refugees' personal journeys.

The tiricia is an illness of the soul when the heart is saddened. A story of three generations afflicted with being tiricientas: Ita, Justa and Alicia – grandmother, mother and daughter – who have at different times suffered, tolerated and allowed abuse, dragging on the disease. Alicia decides to break the cycle, eradicating it for future generations.

'Guacho' narrates a summer day in the life of two teenage friends, Maikol and Darío, who want to escape their everyday crushing reality, at least for a day. They spend up to the last penny to get to the mountains where, taking refuge in tranquility and mutual love, they manage to get a grasp of happiness. But freedom does not seem to be so available to them.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

A young woman is late for an important job interview when she notices a woman falling ill just as the train drives into the station.

It adroitly tells the story of a "counter culture" young man who when his grandfather dies, packs the body in dry ice, and stores him in a Tuff Shed, waiting for the time when advances in modern medicine can bring him back to life. I am not making this up. Then our young men gets deported back to Norway on unrelated charges. Then, quite a while later, people look up and take notice ... "Hey ... there appears to be a frozen dead guy in that shed over there."

Samba, Popping, and Jazz. Through these dance styles and documentary interviews, Bodies That Tell Stories seeks to discuss the standardization and whitening of dances that had their roots in Black people.

Trapped in a seemingly dull family vacation, Dimitra, Dimitris and their two daughters will have to find a way out of a secluded island in the Mediterranean, when confronted with the unexpected end of the world.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

One night, a second chance at his dream becomes a nightmare when a Kuwaiti man is haunted by his younger self and hunted by his self-doubt.