The Gods of Our Fathers

What happens to families in the absence of sons? What happens to land in the absence of farmers? What happens to villages in the absence of men? Sent Away Boys weaves together stories of individual ambitions and family biographies from Punjab (India) to chronicle the gradual transformation of agrarian landscape and patriarchal traditions through ongoing transnational migration. As the promise of a secure future in agriculture grows increasingly uncertain for young men across the region, escaping India to join the low-wage labor in countries like Canada and USA becomes their sole aspiration. In rural Punjab, being a successful man now entails leaving their village, traveling abroad, and sending money home. Through interviews with men preparing to undertake often risky journeys and women awaiting the return of their sons, brothers and husbands, Sent Away Boys shows how young men's decisions to emigrate implicate families and communities across North India.

The Other Side of Burka is a 2004 Iranian documentary directed by Mehrdad Oskouei. In the southern island of Qeshm, Iran, which is a very strict region in point of tradition and African-Arabic rules, all women are under the pressure of patriarch society. Their sufferance is manifested by different mental (Zar, Possession) and physical diseases which must be only treated by Zar Ceremony. For the first time, despite the danger these women face, this film tells us the sad story of their life and shows their confection in front of the camera. It tries to be an honest mirror which reflects their sufferance and unveils their Burka to reveal their real characters.

Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.

Breaking a centuries-old taboo, Ava stands as the first woman in Iran to master the male-dominated craft of carpentry. Within the grit and clamor of the workshop, she confronts a society that deems her presence forbidden. This observational documentary captures her daily battle against physical hardships and social judgment.

When Tehran hosts visiting foreign dignitaries, the local authorities clean up the city’s urban image through the controversial process of ‘urban beautification’. Those who are deemed unsavoury are rounded up – drug users, prostitutes and the homeless who sleep in cardboard boxes on sidewalks and who they would rather remain unseen. When these very important people leave, the men are released but the women are kept as wards of the state. An animated documentary made using hand-crafted cardboard miniatures and the voices of women to tell their story, one that has been five years in the making. A story that shows how the face of a city can change, but what is underneath often does not.

The film documents modern slave trade through a number of African countries, under dictatorship rule. The filming was conducted both in public places, and sometimes with the use of hidden cameras, for high impact scenes of nudity, sex, and violence - and a few surprises, as slaves made out of peregrins to Asia, and slave traders paid in traveller checks.

Puolanka, a tiny village in Northern Finland is famous for its population decline, but also for its dark sense of humor about it. As the long summer evenings stretch out, teenage boys celebrate their new driver’s licences by endlessly circling the same few streets, while an older generation of local gents, proudly known as The Parliament, has already parked itself permanently at the petrol station café. Here, hunting and the legendary “Pussy Rally” aren’t taboos but badges of cultural identity. The only mystery that seems unsolved: where have all the women gone?

This rare documentary was filmed with the participation and personal camera of Wolfgang Gorther, a German military cinematographer of the 1st mining division, who participated in the legendary ascent of Elbrus on the night of August 21, 1942. From the beginning of the Second World War and the last international winter sports week in Garmisch-Partenkirchen follows the invasion of the German troops into the Soviet Union: Dnieper, Zaporozhy, Kharkov, Rostov-on-Don, Nogaean Steppe, Caucasus – fighting at 50 degrees below zero, military expedition into the world of ice and snow; – ascent of mountain arrows and subsequent hoisting of flags on the Elbrus at an altitude of 5,633 meters.

Three generations of women share a home — cooking, waiting, and persisting—until a pregnancy quietly shifts the balance, exposing the deep-seated traditions that still shape their lives. Even in a household led by women, patriarchy lingers in the unspoken.

Click for full movie details & trailers.

Click for full movie details & trailers.

Click for full movie details & trailers.

Gandhi said: 'Be the change you wish to see in the world.' In this experiential open forum shot at a fringe theater festival, Tasha Diamant, a mother, artist, and educator, models human vulnerability by appearing naked and unscripted. Diamant has bravely chosen to 'be' or embody the humanity we all share: physicality, fragility, mortality. The goal: authenticity, compassion, peace. Engaged audiences connect and participate.

A documentary exploring sexism and patriarchy in Kosova.

Caste Aside is a documentary about the British government's controversial decision on whether or not to introduce legislation against caste discrimination in the UK. Highlighting both sides of this heated debate, the documentary speaks to Dalit rights activists, Hindu community leaders, academics and lawyers, as well as those who say they have been discriminated against on the basis of their caste - here in Britain.

This is an intimate and fragmented portrait of what it means to fall in love in the 21st century. Where desire, breadcrumbing, and vulnerability intertwine in a process of falling, self-creation, and pure frenzy.

The voices of women who do not know each other come together collectively for equality, and question the boundaries of the patriarchal order that surrounds not only women but also men, society, and all life. This shared narrative combines with their reflections, inviting the viewer to rethink gender equality, freedom, and the invisible boundaries that shape everyday life.

Since 1995, the TransAsia Sisters Association has been a pioneering force in supporting immigrant women in Taiwan, especially marriage migrants. What began as a small literacy class has grown into a vibrant community that empowers women to organise, speak out, and advocate for their rights. The film explores the struggles of belonging, the strength of sisterhood, and the quiet power of everyday resistance. From street protests to storytelling through food and culture, the Sisters continue to reshape the narrative of migration—one voice at a time.

Now that contraception is controlled by women, men seem to experience carefree sexual freedom. In reality, they lose autonomy over their own seed. Director Lynn Deen started the film out of frustration: Why was the woman always the one to carry the burden that comes with lust? Gradually she saw that this luxury position actually places men in a dangerous position of dependence. They have virtually no control over both the prevention and the termination of a pregnancy. That is why they should be more involved in preventing pregnancy. Not only for women, but especially for themselves.

The story of those Italian women who, for eighty years, have fought against power in all its forms.