Call Me Uncle

United in Anger: A History of ACT UP is an inspiring documentary about the birth and life of the AIDS activist movement from the perspective of the people in the trenches fighting the epidemic. Utilizing oral histories of members of ACT UP, as well as rare archival footage, the film depicts the efforts of ACT UP as it battles corporate greed, social indifference, and government negligence.

A mother explores enigmas and secrets with her kids.

A portrait of a queer HIV+ Iranian refugee in Quito.

A revolutionary trans HIV+ sex worker manifesto.

Gopal becomes the world’s first HIV+ person to summit Mount Everest.

An artist leads his Infection Procession to the water.

HIV-positive bodies stage a reverse-arranging of flowers, stitched together with personal accounts of living with stigmatised illness.

Dean Johnson, drag queen, rock star, LGBTQI activist, junkie, genius, escort then John Doe. How does someone so famous in New York die as an unknown in DC? This documentary explores the incredible highs and the crushing lows of Dean Johnson’s life and untimely death. Was it murder? Was it an accident? We may never know, but what is certain is that Dean and “the Big Johnson” changed New York City and all who knew him forever.

That Child with AID$ tells the story of Brazilian advocate and artist Lili Nascimento, who was born with HIV in 1990. Lili has worked to expand narratives about living with HIV beyond the limited images and ideologies that permeate the AIDS industry.

Heart Murmurs is a poetic dialogue between the filmmaker and Dean, a young man living in Hong Kong. In reflecting on his experience living with a congenital disability and HIV during the first years of the COVID pandemic, Dean expresses his sense of self in the face of regular medical challenges.

This Bed I Made presents the bed as a place of solace and agency beyond just a site of illness or isolation. Through the shared stories of two Filipino men living with HIV, the video explores modes of care, restoration, and abundance in the midst of pandemic pervasion.

Losing the Light reflects the artist's bitter battle to stay in this world as a long-term survivor of AIDS who has lost his vision to CMV retinitis. An experimental self-portrait, the video evokes the dissolution and fragmentation of the artists body, representing the impact of blindness, long-term HIV infection, and the cumulative effects of decades of antiretroviral medication.

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Produced by the activist video collective ACT UP/NY called DIVA TV (Damned Interfering Activist Television), this tape analyzes the collaborative demonstration "Stop the Church" by WHAM! (Women's Health Action and Mobilization) and ACT UP/NY on December 10, 1990, against Cardinal John O'Connor and the Roman Catholic Church's murderous stand on abortion rights, safer sex, and homosexuality.

Letter Beyond the Walls reconstructs the trajectory of HIV and AIDS with a focus on Brazil, through interviews with doctors, activists, patients and other actors, in addition to extensive archival material. From the initial panic to awareness campaigns, passing through the stigma imposed on people living with HIV, the documentary shows how society faced this epidemic in its deadliest phase over more than two decades. With this historical approach as its base, the film looks at the way HIV is viewed in today's society, revealing a picture of persistent misinformation and prejudice, which especially affects Brazil’s most historically vulnerable populations.

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Using diary excerpts, photographs and memories from companions, the film paints the portrait of the artist Jürgen Baldiga who sensitively and authentically captured the West Berlin queer scene of the 1980s and early 1990s with his camera.

It explores the last two years of Brazilian singer Cazuza's life, from his AIDS diagnosis until his death. Nilo Romero, Cazuza's music producer and the film's director, created a collection of rarely seen and controversial images.

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The film presents the experiences of women who contracted the AIDS virus from their husbands or steady partners, and highlights the main factors responsible for the feminisation of the disease in Brazil.