
Voyeur
Overview
An evocative portrait of people having orgasms, lingering on the silent classical face of ecstasy.
Key Film Crew
Production Stats
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The Dangers of the Fly is an educational film made by Ernesto Gunche and Eduardo MartĂnez de la Pera, also responsible for Gaucho Nobility (1915), the biggest blockbuster of Argentinean silent cinema. De la Pera was a talented photographer, always willing to try new gadgets and techniques. This film experiments with microphotography in the style of Jean Comandon's films for PathĂ© and it is part of a series which included a film about mosquitoes and paludism and another one about cancer, which are considered lost. Flies were a popular subject of silent films and there are more than a dozen titles featuring them in the teens and early twenties.
The Dangers of the Fly

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min
Film-Tract n° 1968

Topical Budget 545-2. Newsreel of the 1920s aerial stuntwoman and barnstormer, Sara “Babe” Kalishek. We see her on the ground at first, standing in front of a plane before we see her wing walking on a plane in flight, then climbing from one plane onto the wing of another.
Girl Without Nerves
An early silent film, made before intertites became common (which is why very early silent films are narrated, at best). This was filmed in 1907 but released in 1908. It was made at the request of Teddy Roosevelt, who saw coyotes being caught in Oklahoma *by hand*, and folks back east didn't believe him. While this movie is called "The Wolf Hunt", it was actually coyotes being caught, not wolves.
Wolf Hunt

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
Carmencita

The world appears black on black until it separates from itself, looks at itself, includes itself, and sees colour.






