Roald Amundsen's South Pole Expedition

In the form of a filmed epistolary conversation, two young, experienced filmmakers discuss film, present and past family, heritage and maternity. The personal and profound reflections—which are embodied in the graceful images taken day-to-day—are suddenly echoed by the political emergency of a country.

The stirring personal journey of an amazing couple whose story would help shape the 20th century. A small town boy from Illinois with big dreams, Ronald Wilson Reagan began his rise to public life in sports broadcasting and then as a star of film and television. But it was during his years in Hollywood as president of the Screen Actor's Guild that he discovered the two great passions of his life: politics and his soul mate, Nancy Davis. Together, Ron and Nancy forged a legacy as the first couple of California and then the United States of America as they led the charge for the rebirth of conservative values. This candid and intimate portrait captures the Reagans' inspiring journey, historic partnership and touching love story.

A follow-up to "The Leader, His Driver, and the Driver's Wife", about the history of the far-right group AWB and its leader Eugene Terre'Blanche.

Australien Skies2: Contact Of Interest is the second film in the critically acclaimed "Australien Skies" UFO series from documentary filmmaker Don Meers. In “Contact Of Interest” we accompany Don as he returns to Kiama in New South Wales to visit UFO contactee Liam Freaney, who appeared in the first Australien Skies film. With a collection of UFO footage, black helicopters and claims of government conspiracy, Liam’s appearance in the first film caused a great deal of excitement and controversy. However, as Don discovers, not all is well with Liam. In the time that has passed, his experiences have taken a decidedly darker turn. Contact Of Interest asks the question “Is capturing a video of a UFO the end of peoples experiences or could it be only the beginning into the far broader landscapes of this phenomenon"

In 1977, a book of photographs captured an awakening - women shedding the cultural restrictions of their childhoods and embracing their full humanity. This documentary revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.

JEWS excavates a lost world of manners and ritual in home movies shot by several Chicago families from the 1920s through the 1940s. Much as in similar found footage soliloquies by Péter Forgács, Jay Rosenblatt and Ken Jacobs, director Roger Deutsch wrings unexpected pathos from mundane traces of the past. Children mug for the camera with dances of the day, upright mothers march their strollers up the avenue, men smoke, the family gathers around the table to light the candles. The bare title cannot help but raise the specter of contemporaneous events in Europe, lending an extra degree of urgency to the film's meditation on disappearance. - Max Goldberg

A film in three parts after Oskar Schlemmer's Triadische Ballett (Triadic Ballet).

Millennials in the US discover their lack of legal nationality, sparking a search for recognition and belonging that unites them and offers hope for the future.

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Dance Theater of Harlem's Lindsey Donnell reflects on the obstacles she and other ballet dancers face in ballet and society.

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Documentary about the Szymon Wiesenthal Center and the obstacles, often set by governments not interested in providing any help for the Center's project, it encounters.

A short documentary about Brussels' roller derby team, Les Brussels Derby Pixies.

A B'nai B'rith delegation visits the town of Oberammergau to meet with its mayor and the monk who is responsible for the passion play which is presented every ten years. The group discusses their efforts to eliminate the antisemitic tone of the play.

Resorting on a vast archive material of newsreels, photographs, letters, family videos, fiction movies, diary and popular songs excerpts, the documentary reassesses the legacy of the dictatorial period of Getúlio Vargas (1937-1945). Through the comparison and analysis of these heterogeneous records, produced for different purposes, from political propaganda to family celebration, the film explores the several layers of the political web of the Estado Novo, exposing its external inspirational sources, functionality and contradictions.

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An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

'Coffea arábiga' was sponsored as a propaganda documentary to show how to sow coffee around Havana. In fact, Guillén Landrián made a film critical of Castro, exhibited but banned as soon as the coffee plan collapsed.

This underwater ballet is an ecological story depicting our paradoxical relationship with plastic. Bakelite launched the #SickOfPlastic campaign from On Est Prêt, along with the Surfrider Foundation, Break Free from Plastic and the Resilient Foundation. Photography was directed by Jacques Ballard, a specialist in underwater cinematography.

Demonstration of the rapid poisoning of a cat hung up in a cloth, strychnine as a trigger of the tonic form of convulsions.