Lost in Karakorum

Rotpunkt documents the advent, the agony and the art of the redpoint through Alex Megos’s efforts to redefine the boundaries of the form. The film traces the redpoint—which transformed rock climbing from an engineering problem into a brilliant test of mental and physical strength—from its origins with a ragtag bunch of tights-wearing revolutionaries in rural Bavaria, to its golden era with Wolfgang Güllich, to its new ideal in the German phenom Megos as he battles to unlock new levels of human potential.

Les Etoiles de Midi is an engaging docudrama about some of the more spectacular exploits of French mountain climbers over the last several decades. In one re-enacted story, there is a wartime escape through the mountains, and in another, a daring rescue of a pair of climbers who had been missing. The actors themselves are adept at the sport of climbing, and they give the scenes an immediacy and real daring that brings the stories alive. A combination of their acrobatics and skill and the outstanding episodes in the history of French climbing creates a winning 78 minutes.

In 1954, a German-Austrian expedition led by Mathias Rebitsch set off for the difficult-to-access Karakoram Mountains, geographically north of the Himalayas. They come across the Hunza, a people who live in the valley of the same name and believe they are descended from the soldiers of Alexander the Great. The documentary conveys impressions of the poor life of the Hunza people, the harvest, a court hearing, festivals and the children's everyday school life. Finally, the expedition sets off again and sets up its main camp on the moraine ridge of a glacier, where they measure the glacier and the earth's magnetic field. Finally, some men from the research community set off for a sub-peak of Batura.

Satyajit Ray's poetic documentary was commissioned by the Chogyal (King) of Sikkim at a time when he felt the sovereignty of Sikkim was under threat from both China and India. Ray's documentary is about the sovereignty of Sikkim. The film was banned by the government of India when Sikkim merged with India in 1975. The ban was finally lifted by the Ministry of External Affairs in September 2010. Preserved by the Academy Film Archive in 2007.

High up on the Tibetan plateau. Amongst unexplored and inaccessible valleys lies one of the last sanctuaries of the wild world, where rare and undiscovered fauna lives. Vincent Munier, one of the world’s most renowned wildlife photographers takes the adventurer and novelist Sylvain Tesson (In the Forest of Siberia) with him on his latest mission. For several weeks, they’ll explore these valleys searching for unique animals and try to spot the snow leopard, one of the rarest and most difficult big cats to approach.

Mont Blanc, the roof of Europe, attracts the attention of mountaineers from all over the world, from seasoned climbers to novices. With its extensive media coverage, this mountain represents a dream of adventure for an ever-growing audience. Catherine and Maël, natives of Chamonix, also dream of reaching its summit. But climbing the giant of the Alps is a major undertaking that requires rigorous high-altitude training. Aware of the risks, the two novices enlist the help of Jean-Paul Lemercier, a high-mountain guide. He will give them the opportunity to learn about this challenging environment during a "Mont Blanc Course," which includes ice climbing school, two acclimatization peaks, and the ascent of the legendary mountain over three days. Set against the majestic backdrop of the Mont Blanc massif, this film retraces their preparation, their attempts, and the realization of their dream, day by day.

The ascent of Mont Blanc takes two days. First, you have to climb the Aiguille du Goûter, at the summit of which, at 3,817 meters, clings the Goûter refuge, a small metal box where you spend the night. The climb is 1,500 meters long, including some of the most technical sections. 2:00 a.m. The alarm rings, and Carole Dechantre and Jean-Paul Lemercier begin their ascent of the Dôme du Goûter by the light of their headlamps. With the first rays of sunlight, the Arête des Bosses is illuminated. Already, the surrounding mountains seem smaller. One last effort, and they finally reach the summit of Mont Blanc, the roof of the Alps, at 4,810 meters.

John Bishop and Naomi Bishop present a portrait a peculiar life style of the Himalayan indigenous Sherpa people in their documentary , the Himalayan Herders. The 76 minutes long film is about the diverse culture and life style of herders community near Mt. Everest region of Nepal.The film was made in 1997 as a part of Case Studies in Cultural Anthropology Series.

Lignes chronicles the sublime interplay between alpine literature and an expedition seeking the true meaning of mountaineering. Four high-mountain guides—Matthieu Maynadier, Pierre Labbre, Matthieu Détrie, and Julien Dusserre—embark on a project: to summit Nangpai-Gosum, an unclimbed 7,000-meter peak in Nepal, using the "alpine style" adapted to the Himalayas—the toughest and purest approach of all. Through this expedition, Lignes attempts to answer the question: "Why do we climb mountains?" Why, despite the harsh conditions and exhaustion, do these four Alpine guides pursue a perilous dream in a realm that belongs to no one? Lignes finds some answers in the past, drawing on 150 years of alpine literature. Serving as both narrator and seasoned guide, Raymond Renaud takes us on a tour of his books and speaks of the "conquerors of the useless"—from the turn of the century to the present day.

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Nicolas Jean, a 14-year-old climber, decided to meet climbers who have left their mark on their era and contributed to the evolution of climbing in their own way. Among them is his coach, Laurent Perez, who will guide him on an original project: re-equipping a 7c+ route and adding a variation that will make it his first 8a if he manages to complete it! Nicolas Jean will later become a high-mountain guide and the alter ego of his climbing partner, Benjamin Védrines, with whom he will achieve numerous first ascents, including the summit of Jannu Est (7468 m) in October 2025.

Via Annaba takes us to the 2023 Annaba Mountain Week in Algeria, an event organized by the French Institute of Annaba and produced by CSPS Aïn Beïda and Nephrops Prod. During this event, climbers from Algeria, France, and Spain gathered for numerous outdoor sports workshops along Annaba's magnificent, rugged coastline: rock climbing, setting a via ferrata route, deep water soloing, scuba diving, and more. This film, a true postcard of Annaba, a city nicknamed "the charming one," is also, and above all, a pretext for inspiring encounters and a contribution to the development of mountain sports in Algeria.

Brian Blessed plays George Mallory in this intrepid recreation of his ill fated 1924 climb to Everest. Meeting Sir Chris Bonington, Rheinhold Messnerhe learns of the pitfalls that await him before setting off for his epic struggle with the mountain. Against all odds he reaches 26000 feet on the North face of Everest, and is a changed man

In October 2014, Steve Wakeford, a sports broadcast editor, fell 70 metres whilst climbing a mountain known as Les Petites Jorasses in the French Alps. It was a fall that required him to be airlifted out of the mountains suffering from a number of serious injuries and resulted in him being temporarily left in a wheelchair - he is lucky to be alive. At the start of a long journey of rehabilitation, he began to ask himself some serious questions - 'Regardless of injury or trauma, why are we drawn to the mountains in the first place? Is risk an essential part of what we do? Perhaps most importantly, why is it that I am planning to climb the same route from which I fell?'

In the heart of the Hoggar Mountains, Algerian and French climbers meet on the legendary walls of the central Sahara. More than just an ascent, Tissalatine tells the story of an encounter with oneself, with the land, and with history. The film also retraces Thomas Dulac's return, ten years later, to a site he helped to open up. Driven by the profound voice of singer Djam and the vision of director Hamza Mendil, Tissalatine unveils a living, vibrant Sahara, far removed from clichés, in a sweeping epic of adventure, brotherhood, and spiritual elevation.

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When Tenzing Norgay, a Sherpa, joined Edmund Hillary as the first men to summit Mount Everest in 1953, it alerted the world to the indispensable role of the Sherpas on any Himalayan expeditions. By 1954 the Himalayan Mountaineering Institute (HMI) was founded to marry the high-altitude strengths of the Sherpa with technical climbing skills. The HMI’s arduous training program has been developing mountaineers who play crucial roles in the success of Himalayan ascents. In 1967, HMI’s field director Nawang Gombu, a Sherpa and the first man to summit Everest twice, was charged with training women as well. In Sherpa: the Proving Grounds we follow a team of intrepid young women as they attack the grueling 28-day course.

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Filmmakers Dom Bush and Matt Sharman travel from the dusty archives of the Alpine Club to Nepal in search of the exact spot from where, in 1899, the first photographic images of Everest were taken. Part travelogue, part mystery and part tribute to mountain photographer Vittorio Sella, the film probes our obsession with Everest and mountain photography.

If you like Swiss chocolate and enjoy climbing, you will love this film. Showcasing footage from some of Switzerland most prominent bouldering areas, this film captures the beauty and mystique that has made Switzerland a top bouldering destination. Featuring the area’s classic problems and many first ascents and repeats of the area’s hardest problems. Climbers Paul Robinson, Chris Webb Parsons, and others fill this movie with non-stop action packed footage. Better than Chocolate comes with bonus footage including additional boulder problems, outtakes, and more!