Discovering Hamlet

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"Chapal Bhaduri, a leading lady of Bengal’s traditional folk traveling theatre-in-the-round, the Jatra, spent his life playing women. This film is an intimate biography that brings you face to face with this unique individual, sharing what it means to him to become a woman night after night, talking of the woman inside his body, of troubled sexuality, of a long partnership with his older lover, of the loneliness of living on the edges of conventional society–and showing how he metamorphoses into the goddess to perform her story." - The Bangalore International Centre

Click for full movie details & trailers.

Click for full movie details & trailers.

In their songs, comedy and exuberant music, a travelling theatre company give a fiercely polemic account of Scottish history, from the aftermath of Culloden to the oil boom. Their production before a live audience is intercut with filmed reconstructions of the Highland Clearances and the Victorian obsession with hunting stags.

The English language is spoken by 450 million people around the globe, with a further one billion using it as a second language. It is arguably Britain’s most famous export. The man often given credit for the global triumph of English, and the invention of many of our modern words, is William Shakespeare. Shakespeare’s plays first hit the stage four centuries ago, as the explorers of Elizabethan England were laying the foundations for the British empire. It was this empire that would carry English around the world. Language historian and BBC New Generation Thinker Dr John Gallagher asks whether the real story of how English became a global linguistic superpower is more complex.

A look at why Hamlet, a play that’s over 400 years old, holds a mirror up to society today. Filmed across four days of workshops with youth theatre groups across London: The Big House, Bush Theatre Young Companies, Centre 59, and Open Door.

Described in the 70’s as "A Chorus Line for gay people," Crimes Against Nature remains vital today as a communal disclosure of roles that gay people adopt in order to survive in a world that devalues homosexual feelings. It features individual actors delivering revealing monologues, during which the other members of the collective play background roles (parents, schoolmates, etc.). One by one, the actors detail the ways in which they have buried their true selves in order to survive and be accepted in the world: repression, drug use, shyness, being agreeable, putting experiences into "little boxes," acting "butch," and so on.

Documentary examination of the role of Hamlet, in which ten prominent actors who have played the part discuss Hamlet's personality, Shakespeare's play, and the enduring popular fascination it has inspired. The actors interviewed are Laurence Olivier, John Gielgud, Richard Burton, Nicol Williamson, Ben Kingsley, Jean Louis Barrault, Vittorio Gassman, Maximilian Schell, Innocenti Smoktunovsky, and Mandy Patinkin. Includes excerpts from various film and television versions of Hamlet, featuring these actors and others.

One of the greatest Hamlets of the 20th century Sir John Gielgud reflects on the play and its title character with which he used to be intimately associated for ever since 1929.

Rafe Esquith, 1992 American Teacher of the Year and National Medal of Arts recipient, teaches 5th-grade children whose parents don't speak English at a school in a dangerous, poor, drug-infested 100% Latino/Asian neighborhood in Los Angeles.

It’s the hit musical that changed Broadway forever and brought the genius of Lin Manuel Miranda to the attention of legions of fans across the world. A story of how a group of mavericks made an unlikely marriage of hip-hop and history to create the biggest show in America…and are getting ready to conquer the world. Featuring interviews with Miranda, as well as the cast and crew of Hamilton.

Two unemployed friends have a fresh idea: they want to stage Shakespeare's 'Hamlet' in Grand Theft Auto. But even in a virtual world, reality intrudes in a wild and trippy film shot entirely inside the ultra-violent video game.

Artistic director of the National Theater Eric de Vroedt writes and directs a performance about his own mother Winnie, who passed away in 2020. This piece, titled The Century of My Mother, is a family story about the migration from the Dutch East Indies to the Netherlands. It is De Vroedt's way of examining the relationship with his mother and not having to say goodbye to her yet: 'I can let her live on stage, but when the curtain falls, when the play is completely finished, then she is really dead'.

A documentary about the Staatsoper Stuttgart (Stuttgart State Opera) in Germany.

The duo made up of musician and actress Julia de Castro and double bass player Miguel Rodrigáñez thus premieres their latest show, Exhalación: vida y muerte de De La Puríssima. With it, they intend to put an end to the ten-year revolution of EL CUPLÉ this scenic musical genre, which the singular tandem has merged with jazz, cumbia and electronics on stages around the world. Show nominated for the Premios Valle Inclán. As the duo explains, De La Puríssima was born in 2009 “as a transit project, in which music was the most direct and ritualistic medium from which to raise core issues such as sex, bullfighting, folklore or religion”. Now, a decade later, it is time to remove the peineta and celebrate the end of a stage in which the provocative lyrics by Julia de Castro have traveled through numerous audiences to bring up to date a genre that was in the forgetfulness of national folklore, the cuplé.

The making of the next Aaron Aaron Byrne Movie takes a turn for the worst.

"Shakespeare Country" will take you on a journey, not only through the life of the great Bard of Avon but also across the beautiful Warwickshire countryside that he knew, loved and never forgot his whole life long.

The internal journey of eight men, who, through a theater workshop, go through the different prisons they inhabit. Practicing the art of seeing themselves, in Boal's words, this group of men reflects on their masculinity as a representation to hide their true strength: their vulnerability.

Fajar Suharno was a theater maestro from the 80's to the 90's. He was imprisoned because his theater activities were considered against the New Order government. At its peak, he made a show entitled "Geger Uwong Ngoyak Macan" about the events of crushing people who were considered thugs/criminals (Petrus). The show was held exactly the day before the massacre took place