
Das Haus der guten Geister
Overview
A documentary about the Staatsoper Stuttgart (Stuttgart State Opera) in Germany.
Top Cast
Jossi Wieler
Sergio Morabito
Anna Viebrock

Kirill Serebrennikov
Key Film Crew
Production Stats
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The history of Bruguera, the most important comic publisher in Spain between the 1940s and the 1980s. How the characters created by great writers and pencilers became Spanish archetypes and how their strips persist nowadays as a portrait of Spain and its people. The daily life of the creators and the founding family, the Brugueras. The world in which hundreds of vivid colorful paper beings lived and still live, in the memory of millions, in the smile of everyone.
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A 2002 live performance of Mikel Rouse's Dennis Cleveland, a multimedia opera set entirely on a television talk show in the late 20th century.
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Die Blume der Hausfrau
A documentary about the cultural effect of film censorship, focusing on the tumultuous times of the teens and early 1920s in America.
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Serge Kakudji is a twenty-year-old Congolese counter tenor who fell in love with opera as a young boy, listening to audiotapes of opera recordings in his room in Lubumbashi. Later he traveled to Europe to achieve his dream of becoming a top opera singer. Although Serge's artistic ambitions are pure and uncomplicated, the reactions among his environment and audiences are often ambiguous and divided. While some people respect and acknowledge his artistic vocation, others see him as an exotic oddity, or complain that that his African timbre jars with classical opera. Serge refuses to be discouraged by any of this. On the contrary, he wants to hold up a mirror to Western culture and confront it with its underlying beliefs. He also wants to use his story and experiences in the west to bring opera to Congo. Together with his countrymen and women, he wants to found a Congolese opera tradition based on African stories that will inspire people to follow their dreams.
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Described in the 70’s as "A Chorus Line for gay people," Crimes Against Nature remains vital today as a communal disclosure of roles that gay people adopt in order to survive in a world that devalues homosexual feelings. It features individual actors delivering revealing monologues, during which the other members of the collective play background roles (parents, schoolmates, etc.). One by one, the actors detail the ways in which they have buried their true selves in order to survive and be accepted in the world: repression, drug use, shyness, being agreeable, putting experiences into "little boxes," acting "butch," and so on.








