Night Terror

Video art body horror short film.

Video art piece by Michigan artist Gio Orlando.

An experimental film comprised of Stanley Kubrick's THE SHINING played forwards and backwards at the same time on the same screen, creating bizarre juxtapositions and startling synchronicities.

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

An Experiment video by Ravin kamaran

'Is it a plaisir' is an experimental short film that explores femininity and the body as a sharp territory, crossed by the tension between desire and imposition. Through symbolic, sound and visual saturation, the film acts from pleasure (plaisir), revealing a liberation that emerges in the midst of excess, where intensity and lightness, dark and light, intertwine, collide and converge.

Someone wanders through a house while fleeing from a mysterious presence. Their body dissolves on-screen, and their mind is invaded by a strident gray noise.

MOHV’s revolutionary new remix of the classic HALLOWEEN slasher franchise, told solely through the eyes of Pleasance’s unstable (and possibly wasted) psychiatric savior. Watch as Dr. Loomis gets increasingly more unhinged and shattered as the series goes on. Could it be that Loomis is as dangerous to the town of Haddonfield as Michael Myers himself? You be the judge!

A spectral first-person journey through Los Angeles layers the city across itself as our guide disassociates, giving way to an abstracted daytime ghost story following a woman's splitting of self and perception. ANGEL PROJECT continues.

Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

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Shows a couple (Adam and Eve) and various objects, simultaneously, in time, space and movement.

Enclosed by a civilised landscape, society reduces the problem of human survival to a minimum. The sidewalk, the fence, the clearing, demarcate a treaty between man and nature whereby neither one of us shall pass these thresholds lest we become subject to the law of the other.

“Here are some Images” is an short film exploring the interplay between internal and external images, using hand-processed 16mm footage and musings on perception and memory.

A model and photographer exchange glances during a photoshoot. The model becomes increasingly disturbed as the photographer seizes her image. 2023.

A collage hosted by "The Pointless", a dying overlord.

An experimental and video art film in which an ox is butchered by a butcher.

A young, wannabe streetwear influencer dying to make an impact on the world gets a lot more than he bargained for when a shy but obsessive fan decides to help him become a star for his own gain at the expense of everyone else involved. Macabre Metrics is an almost feature-length, visually experimental exploration into the world of image culture set in Seoul. Shot entirely on iPhone with animated sequences.

Scientists vanishing and mutating to Zombies. A door to another dimension. A blind woman who keeps a secret. Mysterious surreal connections that prepare an Inferno for the city of gondolas. Third part of the ANIMA PERSA trilogy (Malacreanza - Il Mondo Perduto - Inferno Veneziano).

“Kim has explored the conditions of contemporary life encompassed by digital media and representational devices, creating original video work that combine powerful images and unfamiliar narratives based on autobiographical experiences . . . His new work, Studies (2024), is a fiction film with cinematic experimentation borrowing from the horror film genre. Heecheon Kim has invented a fantasy of horror that opens up a new dimension of creation in which the fragility of borders allows a possibility of narratives.”