Must Read After My Death

A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.

This fascinating political look at a little-known chapter in women's history tells the story of "Jane", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training. As Jane members describe finding feminism and clients describe finding Jane, archival footage and recreations mingle to depict how the repression of the early sixties and social movements of the late sixties influenced this unique group. Both vital knowledge and meditation on the process of empowerment, Jane: An Abortion Service showcases the importance of preserving women's knowledge in the face of revisionist history. JANE: AN ABORTION SERVICE was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.

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This documentary goes back to the turn of the century to show how women shaped the nation’s history.

Explores the evolution of patriarchy as one effective way of organizing mass societies, from evidence in ancient Egyptian villages along the Nile.

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A bunch of Vancouver dykes take hand held hi8 to new heights. In this improvisational short, which offers a wake up call to political complacency. Short on plot, big on subtext. Amidst comic moments these intrepid lesbians go searching for political dykes. What else can you do when the lesbian centre becomes a tattooparlour?

The viewpoints of women from a country that no longer exists preserved on low-band U-matic tape. GDR-FRG. Courageous, self-confident and emancipated: female industry workers talk about gaining autonomy.

Breaking a centuries-old taboo, Ava stands as the first woman in Iran to master the male-dominated craft of carpentry. Within the grit and clamor of the workshop, she confronts a society that deems her presence forbidden. This observational documentary captures her daily battle against physical hardships and social judgment.

From her precocious status as a sex symbol to her consecration as a filmmaker, Jodie Foster's story is about a feminist struggle, albeit atypical, fought on and off the screen. This film sets out to retrace her remarkable journey within the Hollywood industry.

"In A MILLION IN DEBT IS NORMAL, SAYS MY GRANDFATHER, Gabriele Mathes traces the consequences of the decline of her father’s furniture factory via her family’s Super-8 footage(..)" (Viennale)

Janette Bertrand, 96, is at the time of the balance sheets. Where are the women, where is the fight for gender equality? An hour of History with a capital H and Love with a capital A, to not forget anything and, above all, never stop moving forward.

Oxana is a woman, a fighter, an artist. As a teenager, her passion for iconography almost inspires her to join a convent, but in the end she decides to devote her talents to the Femen movement. With Anna, Inna and Sasha, she founds the famous feminist group which protests against the regime and which will see her leave her homeland, Ukraine, and travel all over Europe. Driven by a creative zeal and a desire to change the world, Oxana allows us a glimpse into her world and her personality, which is as unassuming, mesmerising and vibrant as her passionate artworks.

“It ain’t easy…being green” is the favorite expression of Stormé DeLarverie, a woman whose life flouted prescriptions of gender and race. During the 1950s and '60s she toured the black theater circuit as a mistress of ceremonies and the sole male impersonator of the legendary Jewel Box Revue, America’s first integrated female impersonation show and forerunner of La Cage aux Folles.

Rome, 1968. A football passionate PE teacher formed the first woman team. Thirty eight years later, these women players remember with proud and a tinge of nostalgia how they stood up against all prejudices at a time when a woman wearing shorts was absolutely outrageous.

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Japanese butô dancer Min Tanaka performs at La Borde hospital for its residents. The residents reflect on the performance and the collective unconscious on camera. Among the residents speaking, one can spot actor Pierre Clémenti.

This report was broadcast on ARD in 1993. In 43 minutes, the development of psychiatry "in the third year after reunification" is shown using two institutions in the new federal states as examples. A touchstone for all of psychiatry and disability care to this day. The film shows a shocking way in which disabled people are treated. The commentary uses the perspective of those affected. 50 years after euthanasia in Germany, this documentary reminds us of this once again.

Mesa Posta is a film that lives off the violence of a life, which is shown in the simplicity of the gestures of the person who plays it. The habits, beliefs and moments of this story are told in the act of setting the table, then the brutality of life is confronted by the beauty and the grace of the objects that make it: the table is set as life is told.

The short film is based on an investigation by Dino Buzzati. It tells the story of Melinda, a mountain girl turned into a witch by her environment and circumstances. In September 1965, Buzzati travelled to Abruzzo (near Teramo, at the foot of the Gran Sasso) on behalf of the newspaper Corriere della Sera, seeking stories for his investigative series titled "I misteri d'Italia" (The Mysteries of Italy). There, he gathered the story of Melinda, a real-life woman (who died in 1962 at the age of 93) regarded by the local community as the last true Abruzzese witch. Buzzati described Melinda not as an evil being, but as a woman victimized by fate and superstition. While Buzzati was fascinated by the magical and mysterious aspects of her tale, Lù Leone reinterpreted the same story in 1976 through a political and feminist lens.