One Of Us

Vārdotājas (Wordsmiths) traces the recent rise of women's stand-up comedy in Latvia, but it is by no means just for laughs. Feelings of discomfort, shame, shock, are just some of the subjects tackled.

"If a person doesn't go to church anymore, then the church should go to them," says Rinalds, a calm, smiling, young man with a good sense of humor. He is a priest from a small village in Latgale, Latvia's easternmost and poorest region, and the documentary Prīsters (The Priest) follows the routines of his daily life, his thoughts of life and religion and why he chose this path for himself.

In this film a young man and his curmudgeonly grandfather are going 1,800 km to northern Russia in an old Zhiguli car, hoping to find the grave of their great-grandfather, who was deported. The grandfather Andris is sceptic over the lofty quest, initiated by his grand-son, as it’s not known what awaits them at their destination. Andris thinks they won’t find anything and will come back to Latvia without ever learning what happened to his father. However ever-optimistic Kārlis wants to use the journey not only to find answers about the past but also become closer to his grandfather who raised him. They both lost their parents as children.

Deniss is a Russian-speaking young man working at a fast food chain and spending his days in a small, gloomy apartment where all the things still remind him of his dead grandmother. Once a week he takes the stage, becoming a stand-up comedian. His jokes come from his life, which might be called dull as well as bleak, and, as he puts it, his ‘uninteresting biography’.

Lords of Riga allows to see an insight into a passionate subculture of bike couriers. Weaving their way through the urban traffic, they have become silent and sometimes unnoticed witnesses of everyday life in Riga as well as examples of our modern-day society. What is freedom to this bunch of rebellious messengers and where it ends?

The film follows a thirty-year-old man’s efforts to introduce radical changes in his own life: to start visiting a therapist and preparing for the demolition of his bragging childhood home. Story chronicles the troubled relationship between Mārtiņš and his mother, just as he is about to tear down his childhood home.

The documentary explores issues of beauty and acceptance in a culture increasingly saturated with idealised and unattainable ideals of femininity. It is a story about the world of young girls in today's Latvia, based on conversations about girls' attitudes towards the world and their place in it.

The documentary chronicles the life stories of two brothers, Kristaps and Krists. Kristaps, the elder brother, is disabled and has trouble talking, but he can rap. His younger brother Krists is one of the best freestyle BMX bikers in Latvia.

Director Aija Bley's "Brīva Vieta - T17" captures the unique testimony of the modern era of Riga - the life of "antisquoters". The film tells about the daily life and dreams of the youth community and a mute fish, the so-called commune T17. The community lives in a non-landscaped building, so its occupation is a real challenge. The house is located under the paspārns of the association " Free Riga ", whose movement is based on a responsible attitude towards nature and the careful use of resources. Here, the community is motivated by the conviction that so few resources in everyday life should be consumed in the urban environment. The film follows the everyday life of the community members, who use their lifestyle to use the resources of nature, material, culture and time.

A story about a train as it reflects our path of life. On it, like in life, people experience friendship and love, and sometimes feel lonely. On board, the announcement over the PA system outlines the rules, and then a reminder that the train won’t be stopping. Do we hurtle through life without making any stops? What are we thinking? We all know that the moment will come when our train pulls to a stop, but not how and when, and what happens afterwards.

An ordinary old folks’ home on the Latvian border – one of many, where our parents, grand-parents and other relatives spend their old age. Theirs is the generation whose prime years co-existed with the Soviet Union, and who were promised: work, give all you can, and we’ll take care when you’re old. The system changed and the reality is different. How to live in this reality, accept the current rules, or live in the past and have regrets. We will touch upon their world, and the dreams and hopes of Vilnis, Imants, Alberts and Elizabete.

Viktors is an entrepreneur with a unique offer – he has built a bar, bakery, spa, hotel and an auto-shop in a former “sovkhoz” cafeteria in the village of Lone. Viktors understands life, and that his words carry weight – almost 500 village inhabitants are now employed. Lone is a lively place both day and night, full of youths and many other businesses. Viktors is very proud.

Six theater and hip hop teachers take on a five month challenge to show the Latvian public that young men behind bars are more than just that. While seeming impatient, full of disbelief and even rude at first, it turns out to be a superficial impression given off by their masks that must be kept on at all time as an underage colony is a difficult place to be. It has its own rules and it’s not easy being creative there. Teachers help inmates reveal the talents within them that help transcending the monotony of the prison walls.

Nearly everybody has been to the circus to laugh about clowns, be afraid of the lions and to eat sugar cane. However, can anyone imagine that circus artists reside right there in the circus building - above the arena in the second floor hotel rooms - where they also prepare meals, do their laundry and try out their magic tricks? For over 125 years, despite the discomfort of non-renovated premises and ubiquitous animal odor, local and foreign circus artists follow their routine to create the circus miracle. Sugarcane, Coati and Monowheel is a film about those who dwell in Riga Circus and about what happens outside the arena before and after meeting audience under the circus dome.

The heroine is a widow and a fiancé who wants to begin a new and happy life. Conflicts in her family’s past prevent it, but she does not give up – she wants to clear away the ruins and do what she can. “Enough of looking for guilt, it’s time to find a solution,” she thinks, and takes action.

A film documenting contemporary Latvian reality along the banks of the river Gauja while channelling one of the first Latvian sound documentary films, Gauja (1934). “Along with producers Sandijs Semjonovs and Gundars Rēders and editor Atis Klimovičs, we witnessed incidents and events along the banks of the river some 80 years later. We captured them along with the views of folks on this river in a documentally poetic style reflecting the reality in Latvia,” explains director Mārtiņš Grauds.

The film portrays the political situation in occupied Latvia 37 years ago, when writer Imants Ziedonis formed a group of like-minded peers into ‘’Dižkoku atbrīvotāji’’ – DAGi. Film reels and photos of the time show Imants Ziedonis and the DAGi participants – Māra Zālīte, Anna Žīgure, Roze Stiebra, Andris Buiķis, Vitolds Kucins and others. Today, with their contemporary experiences, they reflect on a time when the dream of an independent Latvia seemed impossibly far away. We’re Still Here reminds the younger generations that it’s possible to do good in the name your nation and its future not matter the circumstances.

A documentary that chronicles twin brothers searching for their absent father in faraway Russia. Having very few leads, the twin brothers – different in character and interests – are also looking for the ties that have never bound them as closely as they would have liked.

“The Inked Family” follows a couple of married Latvian-born tattoo artists – Anrijs and Monami Frost of online fame. They’re now living in Liverpool with their daughter, and their previous lives in Latvia seem almost surreal to them. The film traces Monami’s past, and the couple’s current lives and the success they’ve found as tattoo artists.

Two Rigans - Valentīna and Armands - make makeshift yard exhibitions by their homes out of objects they’ve found. They share the same hobby despite not knowing each other. As they’re decorating their little gardens of wonder for the upcoming Midsummer festival, it turns out that they too can find understanding and a sense of not being alone in their dreams.