The Happy Worker - Or How Work Was Sabotaged

A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.

Immigrant workers build a shopping mall for the upcoming 1972 Olympic Games in Munich. In 2016, nine people with migrant backgrounds are killed in a racist attack at the same mall.

A documentary about the Enron corporation, its faulty and corrupt business practices, and how they led to its fall.

A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith.

At the beginning of the 70s, Sahia Studio produced a number of social investigations commissioned by the Central Committee of the Romanian Communist Party, intended to expose the so-called "social parasitism". The decision was taken after the theses of July 1971, which provide that "one of the main objectives of political work, especially among the youth, is the firm fight against the tendencies of parasitism, of an easy life, without work, the cultivation of responsibility and the duty to work , in the service of the country, the people, the socialist society". The most famous films, made with the competition of the Ministry of the Interior and the Ministry of Justice, are Să treacă vara and Iarna unor pierde vară

Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.

The oldest Quebecois Benedictine convent open its gates to a documentary filmmaker for the first time. Observed up close, life behind its walls is busier than one would expect. About twenty cloistered nuns, most of them over 70, share their daily life with diligence and humor. A contemplative portrait of a community of sisterhood and solidarity emerges, punctuated by prayer, work and games evenings.

A dance, expressed with interviews of people with jobs such as a daycare teacher, call center employee and cashier. The film reveals reality of the controlled emotion behind the kind ‘smile’ of the jobs.

Longyearbyen, Svalbard, is the northernmost settlement in the world. About 3000 polar bears and 400 snow scooters outnumber its 2700 inhabitants. It is a place where you can actually see climate change and social diversity.

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Why Is Mona Lisa Smiling? is a captivating documentary that connects the revolutionary spirit of the Renaissance with a modern reimagining of capitalism. Featuring a diverse cast of influential CEOs, visionaries, and historians, the film delves into the transformations reshaping companies.

Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

In Work A Lot, Memphis Depay steps off the pitch and into the daily lives of the people who keep São Paulo moving. The mini-documentary weaves interviews with Brazilian workers — from street vendors to truck drivers, from bakers to hairdressers — with behind-the-scenes moments of Depay’s own life in Brazil, spanning music, football, and visits to local communities. Stripped of glamour and filters, the film connects different realities through a shared truth: working hard isn’t a lifestyle choice, it’s survival. A raw, urban and honest portrait of daily struggle, belonging, and real life.

Life is about choice. What we eat, what we read, who we elect; every day we make choices that determine how we want to live. But what if these choices are just an illusion? In an era where regulations and red tape rule every industry, where lobby groups and big businesses wield more influence than ever before, our daily choices have become increasingly limited. And with all our options so deliberately handpicked, are we really making a choice at all? Freedom From Choice examines the current state of life and personal choice today. Experts from many different fields offer a frank and startling look at the hidden limitations in our daily lives. Focusing on key areas such as food, medicine, finance, and media, Freedom From Choice provides viewers with a glimpse at the myriad of ways their lives are being dictated and tells us who stands to gain.

“Shellmound” is the story of how one location was transformed from a sacred center of pre-historic cultures to a commercial mecca for modern people. What began as a Native American burial ground three thousand years ago, was transformed first into an amusement park, and later an industrial age paint factory. Now, the tainted ancient soil sits beneath the glittering lights of Banana Republic, Victoria’s Secret, and the AMC movie theaters. “Shellmound” examines the decisions made during the recent toxic cleanup, excavation, and construction of the Bay Street mall through the eyes of the city of Emeryville, the developer, the archaeologists, and the native Californians who worked on the site.

The Future Doesn't Need Us… Or So We've Been Told. With the rise of technology and the real-time pressures of an online, global economy, humans will have to be very clever – and very careful – not to be left behind by the future. From the perspective of those in charge, human labor is losing its value, and people are becoming a liability. This documentary reveals the real motivation behind the secretive effort to reduce the population and bring resource use into strict, centralized control. Could it be that the biggest threat we face isn't just automation and robots destroying jobs, but the larger sense that humans could become obsolete altogether?

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Workplace is a documentary made by Gary Hustwit, in association with R/GA, for the 2016 Venice Architecture Biennale.Workplace is about the past, present, and future of the office. It looks at the thinking, innovation, and experimentation involved in trying to create the next evolution of what the office could be. The film follows the design and construction of the New York headquarters of digital agency R/GA (in collaboration with architects Foster + Partners) who have been experimenting with how physical and digital space can better interact. Digital technology has radically changed how and where most of us work, but the physical spaces we work in haven’t kept up with that transformation.

Documentary following dockers of Liverpool sacked in a labour dispute and their supporters’ group, Women of the Waterfront, as they receive support from around the world and seek solidarity at the TUC conference.

It is a fetish, a mantra, a secret religion to modern man: work. In times of the financial crisis and massive job reductions, this documentary movie questions work as our 'hallow' sense in life in a way that both humors and pains us.