Le Grand Entretien avec Philippe Descola

"Heart of the Country" is the story of Shinichi Yasutomo, the extraordinary principal of a rural elementary school in Kanayama, central Hokkaido, Northern Japan. Yasutomo is a man driven by his vision for learning and his passion for educating the heart as well as the mind. The film follows Yasutomo, his teachers and staff, students and their families over the course of one entire school year. The film is also the story of the families of Kanayama. Parents and elders of this once impoverished town embrace Yasutomo's vision, but not without wary glances back to the past. This small community, bound together by love for its children, is also defined by its journey through the cultural upheavals of postwar Japan.

This documentary focuses mostly on the 1930’s to 1950’s – arguably the most important period in modern American history. These decades included the Great Depression, the peak of labor militancy in 1937 (probably the closest the US has come to a popular revolution since 1787), the rise of the “guest worker” phenomenon, the counter-attack against labor unions, the creation of the military industrial complex, the rise of the FBI, the foundations of the civil rights movement, and the purging of radicals from organized labor and public life.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.

An Introduction to the Primates, covers 41 species of primates ranging from the 300-gram sized pygmy slow loris to the 200-kilogram sized gorilla. At least ten of these are extremely endangered species including the Zanzibar red colobus, filmed in Zanzibar, and the potto, aye-aye, and Drill, all of which occur in less than half a dozen sites in captivity.

Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).

Vaastu Marabu documents the theory and practice of the Vaastu tradition of Indian art, architecture, craft and design. One of the foremost shilpis (designer-builder-sculpter) of India, Shri. V. Ganapati Sthapati of Mammallapuram, meditates on his art and his occupation. The film shows the process of making stone idols at Mammallapuram, near Madras, of casting bronzes in Kumbakonam, and of building stone temples at Kamudhi, near Madurai and at Ratnagiri, near Vellore. It illustrates the continuity of the tradition and reveals a technology that is ancient, yet still relevant today. The film explores the process of translating inner experience into art, and invites us to experience the naked beauty of the form while understanding the metaphysical message. The art of the Vishwakarma has given form and expression to all denominations of metaphysical thought in India. The film also probes the underlying scientific and mathematical principles.

The Future Doesn't Need Us… Or So We've Been Told. With the rise of technology and the real-time pressures of an online, global economy, humans will have to be very clever – and very careful – not to be left behind by the future. From the perspective of those in charge, human labor is losing its value, and people are becoming a liability. This documentary reveals the real motivation behind the secretive effort to reduce the population and bring resource use into strict, centralized control. Could it be that the biggest threat we face isn't just automation and robots destroying jobs, but the larger sense that humans could become obsolete altogether?

“Shellmound” is the story of how one location was transformed from a sacred center of pre-historic cultures to a commercial mecca for modern people. What began as a Native American burial ground three thousand years ago, was transformed first into an amusement park, and later an industrial age paint factory. Now, the tainted ancient soil sits beneath the glittering lights of Banana Republic, Victoria’s Secret, and the AMC movie theaters. “Shellmound” examines the decisions made during the recent toxic cleanup, excavation, and construction of the Bay Street mall through the eyes of the city of Emeryville, the developer, the archaeologists, and the native Californians who worked on the site.

Men and women in the Horn of Africa and adjiacent regions of the Middle East tell stories of their relationships and contacts with demons and spirits in their life and culture.

John Bishop and Naomi Bishop present a portrait a peculiar life style of the Himalayan indigenous Sherpa people in their documentary , the Himalayan Herders. The 76 minutes long film is about the diverse culture and life style of herders community near Mt. Everest region of Nepal.The film was made in 1997 as a part of Case Studies in Cultural Anthropology Series.

Why Is Mona Lisa Smiling? is a captivating documentary that connects the revolutionary spirit of the Renaissance with a modern reimagining of capitalism. Featuring a diverse cast of influential CEOs, visionaries, and historians, the film delves into the transformations reshaping companies.

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.

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In the north of the state of Pará is the largest block of protected forests in the world; an area of ​​Amazon rainforest the size of the UK and home to a multitude of stories. Indigenous people, ranchers, squatters, quilombolas, businessmen and politicians reflect in their own way the impacts of the possible expansion of the BR-163 into the forest, as far as the border with Suriname. The highway project was created at the time of the military dictatorship, and until today as a shadow over the region. But this is not a movie about a road. It is a film about the abysses that separate those who share the same land.

Initially embarking on an unplanned personal filmmaking project, Ilias Boukhemoucha finds himself drawn to the overlooked corners and marginalized communities within Canadian cities.

Stand-up comedian Robert Newman gets to grips with the wars and politics of the last hundred years, from WWI through to the 2003 invasion of Iraq; but rather than adhering to the history we were fed at school, this show places oil centre stage as the cause of all commotion. This innovative history programme is based around Robert Newman's stand-up act and supported by resourceful archive sequences and stills with satirical impersonations of historical figures from Mayan priests to Archduke Ferdinand.

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Documentary following dockers of Liverpool sacked in a labour dispute and their supporters’ group, Women of the Waterfront, as they receive support from around the world and seek solidarity at the TUC conference.

A deep dive into contemporary Brazilian music. Guided by the composer, anthropologist and ethnomusicologist Kilza Setti and the Hésperides Música das Américas nucleus, the documentary takes us to a world where contemporary music, the Guarani and Timbira peoples, the colonization of America and poetic professions meet.