41 Shots

On October 17 and 18, 1961, during a non-violent demonstration against the imposed curfew, dozens of Algerians were murdered in Paris by police officers acting on orders from their superiors. For forty years, this crime has been concealed; yet these events, the deadliest on French soil since the Second World War, resemble, in some respects, the darkest hours of the collaboration. Why has this history been hidden? Under what conditions, and in the name of what reasons, did officials of a democratic state conceal the scale and gravity of such events?

Three demonstrators from October 17, 1961, and a journalist recount the peaceful success of the demonstration and its brutal repression in the streets of Paris. Five months before the end of the Algerian War, the Gaullist government violently suppressed (40 to 300 deaths in a single evening, according to various sources) a peaceful demonstration by the entire Algerian civilian population of the Paris region, protesting the curfew imposed solely on this population (all participants held French citizenship). The government long denied this state crime; the official version: 3 deaths! In 1962, these events were granted amnesty by a simple decree (later enacted into law) issued by the same Gaullist government.

Filmmaker Malini Schueller examines police brutality against minorities and the dangers of overmilitarized campuses.

On October 17, 1961, in response to the curfew imposed on Muslim Algerians by Paris police prefect Maurice Papon, the FLN Federation of France organized a peaceful demonstration in the streets of the capital. The demonstration turned into a bloody crackdown: unprecedented violence, thousands of arrests, hundreds missing, and dozens dead. Today, much is known about the violence of that night: at least 200 Algerians were killed, beheaded, beaten, or thrown into the Seine; 11,500 others were arrested and often tortured. Hundreds were deported back to Algeria. Long silenced, the repression has been acknowledged thanks to the work of remembrance and eyewitness accounts.

Recalls the story of Major League Baseball’s 1969 World Series.

Seeing is to painting what listening is to politics. Survival as an artist demands both. Paint Until Dawn is a documentary on art in the life of James Gahagan (1927-1999), who painted all night to push the limits of vision. His life and thought reveal a correlation between art and activism through an interesting angle: the creative process itself.

A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.

Eleven-year-old New York City public school kids journey into the world of ballroom dancing and reveal pieces of themselves and their world along the way. Told from their candid, sometimes humorous perspectives, these kids are transformed, from reluctant participants to determined competitors, from typical urban kids to "ladies and gentlemen," on their way to try to compete in the final citywide competition.

One neighborhood in New York City, March 2020: the coronavirus is spreading rapidly, the federal government is clueless, and life seems increasingly surreal. A month later, the city has become an epicenter of the pandemic as the death rate spirals upwards. Then the racial justice protests erupt... Strange Days Diary NYC is an intimate account of living through a disruptive, frightening, yet inspiring time.

1969, New York City, 3 teams won World Championships, the Jets, the Mets and the Knicks.

BRAVE NEW YORK is a free-form documentary that loosely chronicles the last twelve years of intense change in the East Village "hood." From the reopening of a newly curfewed Tompkins Square Park and Wigstock in '92 to the destruction of the cherished Loisaida Community Gardens, beyond the yuppie invasions of the "dot com" years to the present era, indelibly stamped with post 9/11 grief, this durable, lusty neighborhood survives in spite of a real estate gold rush that has excluded all but the well-to-do. The movie's main voices are those of the artists and street people whose wisdom and commentaries upon the dominant culture give us pause amidst the speedy approach of a "Brave New World." This Overview was taken from Fandor, where this film is available. 2004.

Chronicles the rise and fall of 1970s New York City nightclub Plato's Retreat.

A collection of personal anecdotes from those who have navigated through a tumultuous year in America.

Shot over the course of 18 months in New York City's Lower East Side, METHADONIA sheds light on the inherent flaws of legal methadone treatments for heroin addiction by profiling eight addicts, in various stages of recovery and relapse, who attend the New York Center for Addiction Treatment Services (NYCATS).

Documentary on the pickup basketball community surrounding Albany's Washington Park aka the Graveyard.

Watching My Name Go By is a 1976 BBC documentary on the birth of graffiti in New York City, and the fight to both prevent it, and expand it's artistic value. In 'Watching my name go by' kids in New York have a unique kind of occupation - sitting on the subway stations ' watching my name go by'. Eleven to 17-year olds compete to see how many times they can 'get their names up ' in a colorful way - a kind of graffiti cult game which has its own rules and regulations. It's illegal and dangerous-some New Yorkers think it's a kind of ' art others think it's disgusting.

February 1980, young Abdelkader Lareiche was shot in the head by a building guard in a housing estate in Vitry. In a context marked by several racist crimes and a policy of security repression, his friends are mobilizing around the “Rock Against Police” movement. Forty years after the events, Philomène sets out to meet the activists and actors of this movement. “Memory is not commemoration, it is the living part of History” confides Mounsi about the massacre of October 17, 1961. This is the heart of Nabil Djedouani’s project, to restore a moment in a living way. of the militant history of the suburbs, registered here in the Rock Against Police movement, but which cannot be restricted to it. A thread stretched from the 1980s to today, which continues to “analyze the collective and murderous unconscious of the French State” and the ways of resisting and revolting.

Explores the true story of a courageous group of New York City firemen who experienced the worst disaster to happen to the FDNY since 9/11 and a fallout that resulted in the biggest civil trial in New York history.

La Salsa Vive is a vibrant cinematic exploration of Afro-Cuban music's history, tracing its roots from New York's lively streets to Cali, Colombia, now the global salsa capital.

Dubbed New York's "Queen of the Night," proto–club kid Susanne Bartsch has been throwing unforgettable parties for over 30 years and is still going strong.