Gallery

Burford met Breer in February 1992 and filmed his actions. Breer manipulates some of his mutoscopes: he leafs through some cards of his film in the making, Sparkill Ave! A dome-shaped sculpture slowly moves across the space.

Starting from frame by frame in-camera editing, the film translates a nursery garden from Chillán into a filmic landscape, with a rhythm and structure coming from a personal relationship with color, light and occurrences that took place near the end of the summer at the Olaxis garden. This is the first part of a work which takes reference from Violeta Parra's poetry, created from flowers, plants and certain places of the Ñuble area.

The meeting point between two comunication media: A letter written in 1929 -hidden inside the adobe walls of an old country house - and the shooting of the coutryside along the highway that connects two Chilean cities un 2018.

Subnivean Snuff re-tells an historical environmental crime story. It explores human desires to manipulate ecosystems and their inhabitants. This short, animated film re-imagines a 1958 nature documentary which famously depicts the false suicide of a group of lemmings.

Onde Nostre is a lifestyle documentary film that shows the peculiarity of the Italian surf scene and the beauty of this sport, even in a country that's not usually considered a top destination for catching waves. With this film we intend show the passion and high level of the Italian surfers. The film is shot mainly in 16mm and super 8 and only a small part is shot digital in order to emphasize the beauty of the landscape. The film has a romantic approach to surfing. Action has a great relevance, with slow motion segments and an emotional editing. Onde Nostre also shows Italian surfers lifestyles and the endless search for good waves in the Mediterranean sea.

Inspired by a newspaper article about the plight of monarch butterflies, using found footage from four different sources, I edited, optically-printed, superimposed, scratched on, bleached and otherwise altered the film to highlight, lament and challenge the monarch butterflies’ dilemma. –Caryn Cline

HARD-CORE is a frank and irreverent documentary that asks the question, "what is hard-core?" Seedy, grainy, and fast-paced, this is a nostalgic look at an ephemeral moment in the history of a subculture: punk rock in San Francisco in the late eighties. Everyone from fucked-up teenagers to elderly Mexican tourists attempts to explain the allure and mystique of the scene. Filmed at SF's historical petting-zoo/theater/punk rock emporium The Farm.

Optically printed fragments of film I shot in the autumn months in Seattle. -JB This film was made in response to seeing some of Caryn Clines films. Caryn re introduced me to shooting my films outside. -JB

Medellin. Tireless car traffic. In the margins of a society launched at top speed, some lurking engines shutdown to make a living; Jugglers at intersections, employees on breaks, whose precise and repetitive work mark the flow of time which is always repeated.

A visual essay revealing social inequality as the silent sickness of COVID-19 lockdown America. To highlight the disconnect between the fantasy of Los Angeles and the lived reality for many of its citizens, a computerized voice gives a dispassionate monologue over imagery that explores the truth of a city after the tourists, luxury stores and entertainment are removed from the streets. Through silent vignettes, the film leaves us with images of homelessness, and comments on the shallowness of capitalism and the hypocrisy of multiculturalism.

An illusory meditation on the street culture of New York City, represented through a collage of overlaid events and characters that collide at chance during the filming, chemical development and digital scanning process. Through this method, the artist embraces accidents and coincidence in favor of uncontrolled artistic expression.

According to some specialists, the frieze of deers in the Lascaux cave would be the representation of a horde of deer swimming in a river or, according to another version, one same deer, the movement of the swimming being decomposed.

BACK IN MY BODY is a short documentary about musician Maggie Rogers returning to Alaska, a place that has had a huge impact on her life.

A 1963 timelapse recording shows the effects of air pollution during an entire day on Santa Monica Bay in Los Angeles. A machine interpretation of an unstable version of the original file is divided into slits and rearranged in time, giving rise to a time panorama that mirrors an uncertain, abstract future lying ahead of us.

Brother Howie is a Jamaican Rastifari who dreams of the land of his ancestors: Africa. On a journey in search of his roots and his identity he travels through three continents and (with great humor and sensitivity) discovers the world and Africa.

Chapter and Verse is an experimental documentary that traces the image legacy of Northern Ireland's recent troubles via its contemporary landscapes. The camera roves with fierce curiosity amongst the Orange Order Parades, the raging 11th Night Bonfires of Belfast, the wall paintings of Londonderry, empty border-lands, murder-sites, cemeteries, home interiors, town and city streets whilst exploring how the troubles are both revealed and concealed by the Northern Irish landscape. Interviews with a mix of Northern Irish politicians, religious figures and victims of the troubles, including Rev. Ian Paisley and Bishop Emeritus of 'Derry Edward Daly, combine in a cinematic study of the complex effects of Northern Ireland's conflict history suspended in language.

Dreamy images, often in slow motion, stirred or stirring, filmed along the banks of the Seine. Close-ups of water, blurred outdoor shots, shadows and silhouettes of people. A phenomenological portrait of the city, in a joint project with Andrea Emonds, whose voice enhances synesthetic experience.

The landscape of Lake Ontario is transformed into an ominous expanse using hand processing techniques.

A lyrical portrait of an excommunicated Amish woodworker struggling with spirituality, poverty, and life as an outcast from his strict, insular community.

Ring is an experimental 16mm short film. It is composed by 20 shots of 30 seconds each, of landscapes and situations following the 35,7 km of the Berlin S-Bahn Ring. An hypnotic flow of fixed shots will transform the experience of observation of the journey only through the internal rhythm, textures and composition of the shots, and where the main subject matter will be time and the present as a symbol of itself.