Butterfly Disaster

A middle-aged man returns to a fictional country in the Balkans to make a documentary about his father, a well-known artist. The son’s own artistic endeavours have never received attention to the level he feels they deserve. Consequently he has struggled to find a meaningful place in society and his personal life is chaos.

Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope

A tale of 2 passages within the Spirit house. This is the first in a series that looks at the places we find our spiritual presence augmented, inflamed, or simply acknowledged.

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Documentary on the interdependence of the world of the living and the dead, and 'the infernal influence on the thoughts and actions of living people.

"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.

A documentary film containing unique and unpublished backstage materials from the life of the legendary Kult band and Kazik Staszewski himself. A real, exciting and anticipated film about people without whom the Polish music scene could not exist. The camera accompanied the musicians during the concert tour and in everyday life, showing the phenomenon and the group and its unprecedented relationship with fans.

The latest natural disasters have had an emotional impact on filmmaker Jaume Carrió, who reflects on loss in this essay that analyzes the way society has to capture memories.

A collage of newsreels, trailers, clips and other visionary and unseen fragments of sight and sound regarding the late plastic artist Helio Oititica.

A look at the various modes of transportation made for the Expo '86 World Fair in Vancouver, Canada.

One man's journey into the world of the so-called 'Bloodline' conspiracy, at the heart of Dan Brown's The Da Vinci Code, where a secret society, the Priory of Sion, claims to have guarded evidence of the marriage of Mary Magdalene and Jesus Christ, their children and their descendants down through the centuries.

The Greek island of Syros is visited by a series of unexpected guests. Immutable forms, outside of time, aloof observants to human conditions.

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Inheriting a film collection of home movies after the death of a relative, a film director recounts his life and the women he loved while investigating some family secrets hidden in the recovered images.

What if you went on a holiday... and the apocalypse happened?!

A group of friends come up with the brilliant idea of testing the non-existent drink known as "Tea Coffee".

Baldwin’s “pseudo-pseudo-documentary” presents a factual chronicle of US intervention in Latin America in the form of the ultimate conspiracy theory, combining covert action, environmental catastrophe, space aliens, cattle mutilations, killer bees, religious prophecy, doomsday diatribes, and just about every other crackpot theory broadcast through the dentures of the modern paranoiac.

Footage filmed in Spain, subjected a new visual effects process. Deslaw devoted himself to the discovery of a new machine that enabled film to be developed while using a new method called solarisation.

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.

William Friedkin attends an exorcism with Father Gabriele Amorth, as he treats an Italian woman named Cristina for the ninth time. Prior to filming, Cristina had purportedly been experiencing behavioural changes and “fits” that could not be explained by psychiatry, and which became worse during Christian holidays.