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A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.

Evie Lake introduces The Magic Hat Cafe, an anti-food waste cafe in Newcastle. In today’s climate, it’s hard not to worry about waste. Not just our own, but that of supermarkets and suppliers. Is every carrot, potato and piece of meat going to be used? What happens if they’re not? Magic Hat acts on these worries and turns would-be-wasted produce into meals and experiences for people to enjoy. Magic Hat is an innovative and progressive organisation in the way that it puts people first. Instead of purchasing your coffee and food, there’s an option to pay it back by working for them for a few hours. They also let people volunteer to learn new skills, to make themselves more employable and, in addition to being an environmentally conscious operation which eradicates waste in their supply chain, their sustainability also feeds directly into the community through food bank donations, education and delicious food.

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Gimme Green is a humorous look at the American obsession with the residential lawn and the effects it has on our environment, our wallets and our outlook on life. From the limitless subdivisions of Florida to sod farms in the arid southwest, Gimme Green peers behind the curtain of the $40-billion industry that fuels our nation's largest irrigated crop-the lawn.

This documentary takes a look at Hayedeh Shirzadi and her husband's attempt to put an end to the dumping and burial of urban garbage. Due to their hard work and ingenuity, 100% of the city of Kermanshah's garbage is now recycled and the bio waste is made into organic fertilizers. Shirzadi studied recycling in Germany. She returned to Iran in order to clean up the environment, to stop the destruction of arable land, and to curb air and water pollution.

Over the past 60 years, Erkki Rissanen has collected more than a million bottles from the streets of Tornio, and through his selfless cleaning efforts, he brings out the best in people. A heartwarming documentary about a life’s mission, recycling, and community spirit.

A documentary consisting of six chapters.

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MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.

Tom the Bottleman is a heartwarming documentary that tells the story of Thomas Morrison, a quiet yet resilient figure in Brunswick, Maine, who has spent over a decade walking the town’s streets collecting bottles and cans. More than a means of survival, Tom’s daily routine represents his deep connection to the community around him. When his essential cart was stolen in 2024, the town responded with unexpected generosity, coming together to support one of their own. Directed by Jake Jakubowski, this film captures the power of perseverance, the beauty of small-town solidarity, and the profound impact of everyday kindness.

Waste Not is a film about where your garbage goes, who sorts it for you, and what it is worth if it isn't just tossed into landfill. It's easier and cheaper to retrieve gold from old computers for instance, than to dig it up. Organics can be used to create fertiliser and green electricity and yet each Australian sends half a tonne of food waste to landfill each year where it is contaminated with chemicals and e-waste. We recycle only 50% of all our waste. There is an alternative to environmental apocalypse and we don't have to wait for the politicians to make it happen. All we really need to do is be creative and use our imaginations to turn this waste into wealth again. Waste Not talks to scientists, workers at waste depots, environment campaigners, gardeners and even a famous chef about how easy it is to save the planet by simply recycling properly.

A powerful visual journey into the heart of a gut-wrenching environmental tragedy, while delivering a profound message of healing and renewal.

A group of five people with different backgrounds challenge themselves by driving 200 miles along Australia's east coast, using vegetable oil as fuel and their own food sourced from waste containers. Without money, but with great commitment, the trip will be a test of both the endurance of the travelers and the society, whose overproduction ends up in the waste pile. An adventure with dedicated "dumpster dive" experts Paul and Mykel as guides. On the trip they also take Nick from Scotland, Swedish student Sofia and Krystal who just have to get away from Brisbane for a while.

Houcine is a 64-year-old rag and bone amongst hundreds of them in Casablanca and whose valuable work is almost invisible. The decision of the local authorities to abolish the carts drawn by animals threatens to wipe their livelihood in the name of the modernization of Casablanca which wants to be a "Smart City". The film follows Houcine's daily routine despite his multiple health concerns.

What happens to the food we digest after it leaves our body? Is it waste that is thrown away or a resource that can be reused? In search of answers, director Rubén Abruña embarks on an investigative and entertaining search through 16 cities on four continents. He follows the trail of feces from the long sewers of Paris to a huge sewage treatment plant in Chicago.

Street Life documents the lives of Chinese migrants in Shanghai, one of the world’s largest and most vibrant cities, now symbolic of China’s economic might. The film centers on Nanjing Road, one of China’s oldest commercial streets and today a popular destination for tourists and moneyed Chinese. The street has also become a Mecca for uprooted and homeless Chinese, who make ends by collecting garbage and recyclables. These characters and their stories are the focus of the film. The central character in Street Life is a migrant known as “Black Skin.” Black Skin faces numerous pressures in the course of the film, including police violence. In the end, these pressures are too much for him to bear and he goes mad. Black Skin’s story intersects with those of fellow bottle collectors, enterprising thieves and even a young boy who has been abandoned.

A poetic and psychedelic journey, tracing flows of waste materials across species boundaries, in and out of hum/animal bodies through sites of scientific control. Oscillating between poetry, documentary, and reenactment, the film slips between the cracks of industrial spaces; below ground, across membranes, factory walls and into orifices and hidden worlds of work. The film is woven together by a series of poems performed by Logan February in which borrowed language accumulates. Sourced from different fields these lyrical experiments refer to fluid dynamics, spirituality, medical history, psychoanalysis and reproductive science.

Driven by the problem of marine plastic pollution, two designers collect nets from the bottom of the sea and, with 3D-printing, transform them into symbols of marine beauty.

River Lis runs polluted through Leiria. It's been 50 years since the first pig farm was installed in the region. Since then, people have lived with the consequences of countless crimes against the environment and a shocking lack of justice. The children that remember when the water was clean, now grandparents, share their story of resistance and fight against pollution.