The Grass Ceiling

A peaceful path with grass along the sides is disturbed by a man that is running and screaming.

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"Encouraged by a special encounter between myself and an animal, my research into the “humanimal” began. This is a performative exploration reflecting on the place of animals and humans in their changing relationships throughout time. The research spans from topics like the cohabitation of different human species, the prehuman, the posthuman, to domestication and the numerous animal watching webcams found in zoos and online. Missing Link reflects on the intimacy between the species and how it can be expressed through movement here and now. "

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

It adroitly tells the story of a "counter culture" young man who when his grandfather dies, packs the body in dry ice, and stores him in a Tuff Shed, waiting for the time when advances in modern medicine can bring him back to life. I am not making this up. Then our young men gets deported back to Norway on unrelated charges. Then, quite a while later, people look up and take notice ... "Hey ... there appears to be a frozen dead guy in that shed over there."

Three commercials, presented as a short film, for fictional clothing brand 'Death To Straight White Men' by the QnWF-Sociétè. This fictional clothing brand and the ready-for-action poses and portraits of the three models were in many ways the foundation for 'E Kolór Korra' (2017).

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Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre Cantu-Ledesma. Paul's Super8 films, shot entirely in New York City, channel the blissed out states of color drenched psychadellia explored by Brakage as well as lovely black and white still life's that reminisce on Ozu's 'pillow shots' & Chantel Akermans monumental portrait of Pre-Giuliani New York 'Letters Home'. Jefre's music is culled from the same sessions that launched his 2007 release on Students Of Decay 'Shinning Skull Breath', (the two share a track in common). Billowy clouds of distorted guitar expand out into long passages of muffled static and fuzzed out melody.

Music scores are atomized and recompiled into instructions for visual edits and cues. Ties are uncovered between sight and sound.

Panasonic PV-GS83 in a plastic bag thrown in the ocean.

Single frames vectorized and stitched before processing through an analog EAB.

White Rock Lake Water Theater in Dallas, Texas. Sculpture by Frances Bagley and Tom Orr. Video compiled from 35mm stills.

Oil spills around Oak Cliff, Dallas.

Compiled and animated from still images.

Features intense workouts developed by Radu, New York's toughest trainer. Radu and Cindy developed the two comprehensive workouts, which require only two hand weights, designed for alternate days, plus an extra 10-minute jump-start mini-workout.

Voleurz’ Look on the Bright Side is arguably the feel good action-sports movie of the year. With their usual blend of happy go lucky snowboarding, skiing and an extensive and technical skateboarding segment, Voleurz’ once again has conquered their quest to do their part in helping break down barriers between action sports with their most unique and entertaining film yet. Highlights include action-packed segments from snowboarders Barry Hartman, Braden Dean, Justin VDP and Shayne Zwickel; a trip to Sweden with Canada’s top freeskiers TJ Schiller, Ian Cosco, and Justin Dorey; skateboard segments from Vancouvers rising talent Tyler Holm and Corey Klim; and a mid-summer heli shoot at the Camp of Champions on the Blackcomb glacier.

Voleurz' That’s Fine documents the antics and exploits of the infamous Voleurz Family, comprised of skiers, snowboarders and skateboarders, making the multi-sport offering one of the most well-rounded and diverse films in the action sports world. Highlights include snowboarder Justin VDP slaying pillow lines in the Whistler backcountry, freeskier KC Deane's jaw-dropping big mountain segment, a raucous urban trip to Ontario with Scott Sych & Matt Brindisi, the unique style of one of skiing's most imaginative individuals, Max Hill (along with the highly entertaining return of Max Hill vs The Intern), skateboarding the streets of Vancouver with Tyler Holm, and of course, the hilarious and not-to-be-missed Winter Volympics. As voted by fans, That’s Fine won Best Web Video of 2011 on ESPN.

Voleurz' eighth feature-length film showcases the antics and exploits of the Voleurz family, and features snowboarders and skiers forced against each other in an all out bloodbath. Who will take the throne? Kill Your Boredom highlights include riding from newly appointed Voleurz snowboarder Geoff Brown jumping unique road gaps and adding a double cork in the backcountry to his already heavy bag of tricks; skier Rob Heule shows us what it takes to be skiing’s up-and-coming urban slayer, proving that the infamous 5-kink elbow rail in Calgary is actually possible; and of course, the hilarious and not-to-be-missed Winter Volympics will once again leave your mom asking, “who are these morons?”

Ricky Tomlinson sits back in his chair and takes a fond look back at the much-loved comedy series The Royle Family, sharing his memories of playing head of the family Jim Royle and his experiences working with the show’s co-creator Caroline Aherne, who, as well as writing the show with co-star Craig Cash, also played Jim’s daughter Denise. Ricky talks about how a chance encounter helped him get the part of Jim, recounts what it was like filming some of the show’s most iconic moments, and tries to get the bottom of the origins of Jim’s famous, below-the-belt catchphrase.