
Overview
The movie explores the origin of the Ukrainian language and persecution of those who defended its authenticity. Using examples of other countries, creators of the film prove that a nation cannot exist without a language.
Key Film Crew
Production Stats
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Dobropillia is a town located in Eastern Ukraine: 70 km from the border where conflicts with the breakaway republics are raging on and people feel always like being on the verge of total war. The sheer uncertainty about the future pushes folks to cling on to their daily habits while trying to get along with the ever-shifting political landscape. A wide array of wildly diversified characters try to cope as good as they can with the hardships in their town. A death metal band keeps rehearsing daily. A teacher guides visitors through the story of the city. The wonders of a vibrating armchair are tested as a tool against stress and anxiety. An elderly lady who has lost her son tries to talk some sense into her fellow citizens urging them to accept peace.
Long Echo

When American Peter Duke joined a convoy from Estonia to Kyiv to deliver critical aid to Ukrainian troops, he unexpectedly discovered a country echoing the spirit and unity of America's birth in 1776. Duke witnessed the people involved in this struggle up close revealing remarkable acts of selflessness and purpose that transcended borders and politics. It changed his perception of the conflict and himself. He returned home, impassioned and determined to do more. He shared his story with his friend Keith Ori, and it ignited a mission purpose for them both!
No sleep til Kyiv

A documentary about the horrific and destructive war that is currently taking place in Ukraine. The film tells the true stories of Ukrainians who have been forced to flee their homes, lose loved ones, and live in fear for their lives. It is a story about the courage, strength of will, and resilience of the Ukrainian people.
To the Zero Line

At five o'clock in the evening, Red Cross and OSCE observers leave the front line and leave the fighters under fire. Hypocrisy takes over, and here begins the story of these women, which first kicked off in Maidan Square in Kyiv. Heartache and hatred, broken love, wrong decisions and yet hope for a new life, even in the face of death. This is a documentary about the war that broke out in the spring of 2014 in Eastern Ukraine through the eyes of women.
Women on the Frontline

A documentary that follows Anya, a woman residing in Ukraine during the early stages of the war, who tells her story and contemplates how countries will treat her fellow Ukrainians who were forced to flee.
Ukrainians in Exile

When on February 24, 2022, Russian troops attacked Ukraine, the world stopped. The first shock, however, quickly turned into action. It was a natural impulse of the heart, Poles could not leave their neighbors, their friends from Ukraine completely alone. Almost everyone, residents of small and large cities, young and old, rich and poor, became involved in helping Ukrainians, opened their homes for those fleeing the war, and began to organize humanitarian aid. Did they pass the humanity test?
SuperHeroes

In 2022 Ukraine has become the proving ground for an arsenal of contemporary cyber warfare techniques from mobile applications, drones and satellites to bringing forth a shift in the economy of war through cryptocurrency. With civilians playing an active role in this war and enlisting in the so-called digital army, we have entered a gray zone of what constitutes a civilian and an active combatant. The “cyberwar” in Ukraine hasn‘t always been front and center in the news, but it‘s one of the things that might directly impact the West and the nature of future conflicts.
WORLD WAR CYBER

For five teenagers living in the conflict-ridden Donbas region of Ukraine, a Himalayan expedition provides a brief escape from reality. A portrait of a generation that, in spite of everything, is able to recognise and celebrate the fragile beauty of life.
We Will Not Fade Away

Michel Thomas is one of the most brilliant language teachers in the world. His usual clients are movie stars and business leaders. This programme takes him to a Sixth Form College in London to work with school pupils, to test his claim that he can teach anyone a language in a week - with no reading, writing or homework. The film also explores his personal history - as a hero of the French Resistance during WW II. Nigel’s documentary with the 85 year old Michel Thomas was the first time that Thomas allowed his techniques to be made public. The subsequent success of the film transformed Thomas into a global celebrity and his method into one of the most highly regarded in the world of education.
The Language Master

“We left our language and started speaking others’. The girls have got married and have left for the villages. Boys are getting married in villages. It should be taught to children”. — Gyani Maiya Sen-Kusunda The Gi Mihaq (also known as Kusunda) was a semi-nomadic hunter and gatherer community that settled in villages around the mid-western Nepalese district of Dang. They have long lost their native language Mihaq (Kusunda), to acculturation and other barriers to active use. The community also lost their 83-year-old elder Gyani Maiya Sen-Kusunda in 2020, the most and the only known fluent Kusunda speaker then. Filmed in Kulmor in the Dang District in 2018, this openly-licensed documentary is a memoir of Sen-Kusunda in her own words and a biography of her people who were forced to leave their language and cultural identity. Kusunda is being revived by Kamala Sen Khatri, Sen-Kusunda’s younger sister, and Uday Raj Aaley, a local researcher who is the key interviewer for this film.
Gyani Maiya

Victor Klemperer (1881-1960), a professor of literature in Dresden, was Jewish; through the efforts of his wife, he survived the war. From 1933 when Hitler came to power to the war's end, he kept a journal paying attention to the Nazis' use of words. This film takes the end of 1945 as its vantage point, with a narrator looking back as if Klemperer reads from his journal. He examines the use of simple words like "folk," "eternal," and "to live." Interspersed are personal photographs, newsreel footage of Reich leaders and of life in Germany then, and a few other narrative devices. Although he's dispassionate, Klemperer's fear and dread resonate







