Normal Is Over

Filmed in France, Italy, Tunisia, and Morocco, Sh'hili addresses the multiple dimensions of climate change from a politically engaged perspective, advocating for climate justice, the protection of the most vulnerable populations, the preservation of life, and resistance against all forms of domination, including those linked to colonial and neo-colonial policies. Sh'hili aims to be a modest contribution to the collective resistance against climate change and its ecological, social, and political consequences.

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Melba, a traditional salt maker from Pasuquin, Ilocos Norte, Philippines, struggles to sustain their heirloom craft due to the effects of climate change. The salt-making process, which relies heavily on dry weather, is threatened by increasingly unpredictable weather patterns in the Philippines, putting their tradition at risk.

Rocky is the face of Astoria Pug; a micro composting operation in Astoria organized by Caren Tedesco and Lou E Reyes. In this "dogumentary", we see Rocky as boss as he takes us on a mini journey with food scraps

Anaïs is 24 and nothing can stop her. Neither the bureaucratic rules of administration, nor the misogynistic teachers, nor the out-of-order tractor, nor the whims of the weather. One day she will be a farmer and grow her own aromatic and medicinal herbs. The film follows this hard liner, all alone against the rest of the world. She doesn’t care.

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This documentary explores the ecosystems of the intertidal zone in British Columbia. An "intertidal zone" is an area that is covered by the highest tides and exposed during the lowest.

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Made for screening at the U.S. Pavilion at the 1974 World's Fair in Spokane Washington, USA, which had a Native-American environmental theme, MAN BELONGS TO THE EARTH depicts the history of air, water, and earth pollution, and how environmentalists are trying to solve these problems using various technologies.

From the UFC Octagon in Las Vegas and the anthropology lab at Dartmouth, to a strongman gym in Berlin and the bushlands of Zimbabwe, the world is introduced to elite athletes, special ops soldiers, visionary scientists, cultural icons, and everyday heroes—each on a mission to create a seismic shift in the way we eat and live.

Journey to a secret valley in Australia, where a nervous baby kangaroo named Mala faces hungry dingoes and winter snows in this coming-of-age adventure.

The Tasmanian Tiger twists and turns depending on how it's seen. Sheep-killing beast or tragic victim of human induced extinction. Ancient painting on a rock or vivid ancestor spirit. Lost forever, or a timely reminder to respect the connection between human and animal, culture, nature and country. In stunning landscapes across Australia where Thylacines once roamed, people from wide-ranging traditions share their experiences: First Nations artists, rangers and custodians; biologists, bone hunters and archaeologists. Multiple insights combine to throw light on Australia's most wanted animal.

Longyearbyen, Svalbard, is the northernmost settlement in the world. About 3000 polar bears and 400 snow scooters outnumber its 2700 inhabitants. It is a place where you can actually see climate change and social diversity.

In the wake of Greta Thunberg, the youth has been fighting for several months to save our planet. Leading the marches, on the front pages of the media as well as on social networks, young women have become, sometimes unintentionally, the key figures of this movement. Who are these women? Why are they so cheered and criticized at the same time? To better understanding of the commitment of Anuna and Adelaide (Belgium), Luisa (Germany), Lena (France), Leah (Uganda) and Artemisia (Brazil), we decided to follow them, but also to compare their struggle with that of another extraordinary woman who preceded them: Julia Butterfly. Twenty years ago, after spending 738 days on top of a majestic sequoia, this young American activist managed to save a thousand-year-old forest from being cut down. The film tells the story of the journey of these committed young women, each in their own way, but all driven by a unique energy, these "sisters in arms" tell their doubts and their desire.

According to climate scientists, the year 2050 will be a tipping point in the history of our planet. As seawater slowly but surely warms up, the ice in Antarctica is melting before our very eyes.

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On British Columbia’s remote Southside, wildfire is not an abstract threat—it is a lived reality. As flames close in on a frontier community, the Cheslatta Carrier Nation and their neighbours face an impossible choice: evacuate, or stay to protect the land that defines them. With limited access and little outside support, the community responds collectively, drawing on Indigenous leadership, cooperation, and generations of knowledge to confront the fire in near isolation. In the aftermath, the burn reveals a long-erased Cheslatta village site, resurfacing a suppressed history just as their response gains wider attention as a model for resilience. But when the flames recede, new constraints emerge—raising questions about the limits of community-led action, and the fragile balance between survival, autonomy, and authority.

What was once the "Island of Calm" is now on the verge of collapse. Multiple alarm bells are starting to ring. Is this model of tourism sustainable? Could Mallorca become a reference for so many other places suffering from the same problem?

2 Degrees is about nothing less than the fight for the health of the planet we call home. The abstract idea of climate change is explored through the weaving of real and emotional journeys an audience can relate to. Our characters battle to mitigate the potential disasters of climate change and fight for climate justice, for it will be the developing world that bears the brunt of our profligacy and short sightedness. While An Inconvenient Truth alerted us to the problems facing the earth, 2 Degrees is the gripping and vital fight for a solution.