France, il était une fois demain

Filmed in France, Italy, Tunisia, and Morocco, Sh'hili addresses the multiple dimensions of climate change from a politically engaged perspective, advocating for climate justice, the protection of the most vulnerable populations, the preservation of life, and resistance against all forms of domination, including those linked to colonial and neo-colonial policies. Sh'hili aims to be a modest contribution to the collective resistance against climate change and its ecological, social, and political consequences.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Madame Simone Renaud witnessed the liberation of France on June 6, 1944 from a very unique viewpoint: St. Mere Eglise, the first town liberated during the D-Day invasion. It was here that she and her husband, the mayor of St. Mere Eglise, witnessed so many American soldiers giving their lives to protect freedom and democracy. Their small town became these soldiers' final resting place and Madame Renaud spent a lifetime tending to their graves and corresponding with their loved ones back home. She became a friend, family and touchstone to those whose lives were forever changed on that day.

La Garoupe, a beach in Antibes, in 1937. For one summer, the painter and photographer Man Ray films his friends Pablo Picasso, Dora Maar, Paul Eluard and his wife Nusch, as well as Lee Miller. During these few weeks, love, friendship, poetry, photography and painting are still mixed in the carefree and the creativity specific to the artistic movements of the interwar period.

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Footage of Devil's Gate Dam insterspersed with text occultist text by Jack Parsons, co-founder of the Jet Propulsion Laboratory, who some believe opened a portal for dark energy nearby.

Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre Cantu-Ledesma. Paul's Super8 films, shot entirely in New York City, channel the blissed out states of color drenched psychadellia explored by Brakage as well as lovely black and white still life's that reminisce on Ozu's 'pillow shots' & Chantel Akermans monumental portrait of Pre-Giuliani New York 'Letters Home'. Jefre's music is culled from the same sessions that launched his 2007 release on Students Of Decay 'Shinning Skull Breath', (the two share a track in common). Billowy clouds of distorted guitar expand out into long passages of muffled static and fuzzed out melody.

"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.

The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in the Netherlands were black. In this experimental work, she follows the stench of the coal in the port of Amsterdam back to its origin: an open wound in northern Colombia. The mine is located in the territory of the Wayuu and has a huge impact on the indigenous people.

Melba, a traditional salt maker from Pasuquin, Ilocos Norte, Philippines, struggles to sustain their heirloom craft due to the effects of climate change. The salt-making process, which relies heavily on dry weather, is threatened by increasingly unpredictable weather patterns in the Philippines, putting their tradition at risk.

Home is where we grow up or settle permanently. And this home is always shaped by nature. Today, we human beings change and shape this more than any law of nature. HEIMAT NATUR is a visually stunning journey through the nature of our homeland, from the peaks of the Alps to the coasts and the depths of the North and Baltic Seas. In between is a cinematic foray through steaming forests, shimmering moors, over rose-blossoming heaths and the colorful cultural landscape around our villages and towns. In extraordinary images this nature is shown from its most beautiful side, examining the state of the native habitats. Slow-motion and time-lapse photography as well as intimate shots of familiar and unfamiliar species, some filmed for the first time, making the film a cinematic nature experience for the whole family.

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Apartment blocks with no future are being torn down in Pointe-à-Pitre, Guadeloupe. Malaury Eloi-Paisley follows those lost in the city through the empty streets. Their accounts form a valuable commodity, circulating in carefully developed relationships.

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Here, where even monsters are political, the topography has its own memory. It has the mythological blues. Meanwhile, old gods are upset with us, and I am upset with my father.

With the most tech startups and venture capital per capita in the world, Israel has long been hailed as The Startup Nation. WIRED’s feature-length documentary looks beyond Tel Aviv’s vibrant, liberal tech epicenter to the wider Holy Land region – the Palestinian territories, where a parallel Startup Nation story is emerging in East Jerusalem, Nazareth, Ramallah and other parts of the West Bank, as well as in the Israeli cybersecurity hub of Be’er Sheva. And we will learn how the fertile innovation ecosystem of Silicon Wadi has evolved as a result of its unique political, geographical and cultural situation and explore the future challenges – and solutions – these nations are facing.

This documentary explores the ecosystems of the intertidal zone in British Columbia. An "intertidal zone" is an area that is covered by the highest tides and exposed during the lowest.

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