Un été à la Garoupe

Lights, camera... chickens! Go behind the scenes with the Aardman team and director Sam Fell during the making of this finely crafted stop-motion sequel.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Madame Simone Renaud witnessed the liberation of France on June 6, 1944 from a very unique viewpoint: St. Mere Eglise, the first town liberated during the D-Day invasion. It was here that she and her husband, the mayor of St. Mere Eglise, witnessed so many American soldiers giving their lives to protect freedom and democracy. Their small town became these soldiers' final resting place and Madame Renaud spent a lifetime tending to their graves and corresponding with their loved ones back home. She became a friend, family and touchstone to those whose lives were forever changed on that day.

An in-depth look at the highly successful TV series, including a study of the philosophical approach of the program.

A documentary about the German-American movie poster artist Will Williams made by his close friend Eckhard "Ecki" Baum.

Made shortly before Robert Motherwell’s death in 1991, is an exploration of the Abstract Expressionist movement and a portrait of one of its last survivors. Having come to New York in the early 1940s, Motherwell found himself on the battleground of American art. He and a group of painters set out to change the face of American painting. The film charts this epic battle led by Jackson Pollock, Willem de Kooning, Mark Rothko, Franz Kline, and Robert Motherwell, who endeavored to make American painting equal to painting elsewhere and, in the process, shifted the center of modern art from Paris to New York.

This documentary short subject for DVD gives a look at the making of Cole Porter's MGM classic, "Les Girls". Hosted by Finnish film legend and star of "Les Girls", Taina Elg tells of working with Gene Kelly, Kay Kendall and George Cukor on one of the last great MGM musicals.

Alison Watt became the National Gallery's Seventh Associate Artist in 2006. This art film records her two-year residency, as she created paintings inspired by masterpieces in the National Gallery. She already had a lifelong attachment to paintings in the collection, yet the prolonged contact, particularly with Saint Francis in Meditation by Francisco de Zurbarán, led her to notice new details and unexpected nuances which influenced her own art. Through a series of interviews with Watt, this art film documents the formation of this exhibition, with particular emphasis on the creative process.

A short documentary on the making of the 1946 film Ziegfeld Follies.

A short documentary on Jerome Kern and the making of Till the Clouds Roll By.

A short documentary on the lives of songwriters Bert Kalmar and Harry Ruby and the making of the film, Three Little Words.

A documentary about an Iowa artist who made his career from two antique photo albums that he found in the trash. It has been four years since he originally found the two photo albums and since then he has had featured exhibits around the country. This is the first film in the MADE IN IOWA documentary series.

Entertaining portrait of Erlend Štaub - a self-made professional photographer working at the president's annual reception, theatrical premieres, and film festivals like Black Nights and Cannes, and talking about life and everything in it.

Destroying your own artwork. For many artists it is unmentionable, but Loes Heebink from Kolderveen irreparably destroyed her artwork "Fluisteraars" herself and came up with the idea for a documentary of the same name, directed by Saskia Jeulink.

Amazing, but true: Fort Lee, New Jersey (just across the George Washington Bridge from Manhattan), was once the epicenter of American film production. This documentary of a truly bygone era combines photographs culled from private collections, as well as restored footage from such films as Thomas A. Edison's Rescued from an Eagle's Nest and D.W. Griffith's The New York Hat, filmed at the studios in Fort Lee.

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Apartment blocks with no future are being torn down in Pointe-à-Pitre, Guadeloupe. Malaury Eloi-Paisley follows those lost in the city through the empty streets. Their accounts form a valuable commodity, circulating in carefully developed relationships.

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Seeing is to painting what listening is to politics. Survival as an artist demands both. Paint Until Dawn is a documentary on art in the life of James Gahagan (1927-1999), who painted all night to push the limits of vision. His life and thought reveal a correlation between art and activism through an interesting angle: the creative process itself.

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