Glancing At Power

The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.

Historical heritage documentary about the disease that, 100 years ago, occurred during and after the Mexican Revolution. This film presents real testimonies of this cruel pandemic in the indigenous peoples of Mexico in the 20th century.

A thorough analysis of the socio-politics of Mexico, within the historical context of the Mexican Revolution reality. Includes footage from the 1910s, interviews with farmers, politicians, intellectuals, middle class, union, etc, as well as scenes from the life of an Indian family in Chiapas, their religious rituals, their crops, trials and bilingual schools. The film ends with the slaughter in the Plaza de Tlatelolco in 1968, during the infamous Olympics.

Using rare historical footage, vintage musical recordings, and interviews with 88-year-old Pedro J. Gonzalez and his wife, this film chronicles Gonzalez’s long and colorful life, from his early days with Pancho Villa during the Mexican Revolution, to his career as a popular radio personality in Los Angeles in the 1930s, to the controversial court case that sent him to San Prison, a victim of the repressive forces operating against the Chicano/Mexicano community during that period.

Draws on the story of the same name by the American John Kenneth Turner, who, like some of his compatriots, such as the great journalist John Reed, witnessed and took part in the Mexican Revolution. Like Reed, author of Insurgent Mexico, JK Turner not only exposed the injustices of the Porfirio Díaz regime but also continued to collaborate with Mexican democrats, particularly with President Madero.

Chapter 3 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1910 and 1914, and the beginning of the major armed conflict that marked the future of the Mexican nation.

Chapter 4 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1915 and 1919.

Through an AI-driven reinterpretation of Mexican Revolution footage captured by the country's cinema pioneers, this documentary offers a fresh look at a pivotal historical moment. It traces the movement's rise, peak, and fall, the birth of a new nation, and invites us to question the narratives that have shaped our identity and the present we inhabit.

The Storm That Swept Mexico tells the gripping story of the Mexican Revolution of 1910, the first major political and social revolution of the 20th century. The revolution not only changed the course of Mexican history, transforming economic and political power within the nation, but also profoundly impacted the relationships between Mexico, the U.S. and the rest of the world.

A documentary of exceptional historical value featuring actual footage captured by Jesús H. Abitia, who witnessed the pivotal events of the Mexican Revolution firsthand. In scenes brimming with realism, Madero, Porfirio Díaz, General Obregón, Lázaro Cárdenas, and other key figures in our history parade before the eyes of the viewer, who, captivated, finds themselves transported to the heart of the Mexican Revolution to experience firsthand the events that unfolded in the country between 1913 and 1917.

A history of the Mexican Revolution (1910-17), narrated through the striking images of the enormous film archive of Salvador Toscano (1872-1947), pioneer of Mexican cinema, compiled by his daughter, Carmen Toscano.

Directed by Mexican choreographer-director Camila Arroyo, and created in collaboration with designer Sabrina Olivera, “Soldaderas” is a contemporary interpretation of the figure of the Soldadera, known as the women fighters of the Mexican revolution. The choreographic portrait follows a young woman as she dances her way through Mexico City, capturing her twists and turns as well as the different self-fashioning rituals that accompany her. The film is also a moving archive of Olivera’s first collection, created in honor of the Soldaderas, for her upcoming brand Sabrina Ol. The movement in the film plays with the idea of the word soldar, translated in English as to weld. Centering this action, the choreographic language plays with the actions of melting, and rebuilding, braiding and forging as a backbone to how the protagonist moves around the city. As we watch the film, we play dress up with the dancer and sink into our bodies, allowing her movements to travel through us.

The legendary Tomas Milian stars as Cuchillo, a knife-throwing thief on the run from murderous bandits, sadistic American agents, his hot-blooded fiancée and a sheriff turned bounty hunter, all of whom are gunning for a hidden fortune in gold that could finance the Mexican Revolution.

Tita is passionately in love with Pedro, but her controlling mother forbids her from marrying him. When Pedro marries her sister, Tita throws herself into her cooking and discovers she can transfer her emotions through the food she prepares, infecting all who eat it with her intense heartbreak.

In 1914, the Mexican revolutionary Pancho Villa invites studios to shoot his actual battles against Porfírio Diaz army to raise funds for financing guns and ammunition. The Mutual Film Corporation, through producer D.W. Griffith, interests for the proposition and sends the filmmaker Frank Thayer to negotiate a contract with Pancho Villa himself.

Villistas, army officers, heirs and heiresses all gather at the home of a recently deceased hacendado. Everybody has an agenda, everybody butts heads in comical ways. Or not so much.

After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are leading two disparate groups of people through strife-torn Mexico. John Henry and company are bringing horses to the unpopular Mexican government for $35 a head while Langdon is leading a contingent of displaced southerners, who are looking for a new life in Mexico after losing their property to carpetbaggers. The two men are eventually forced to mend their differences in order to fight off both bandits and revolutionaries, as they try to lead their friends and kin to safety.

The story of Mexican revolutionary Emiliano Zapata, who led a rebellion against the corrupt, oppressive dictatorship of president Porfirio Díaz in the early 20th century.

An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.

Ragtag crew of indigents from an asylum for the handicapped form a squadron to defend the Church during the Cristero Uprising.