Walter Potter: The Man Who Married Kittens

Nice looking Travelogue takes us to the Northeast corner of Wyoming as we visit Yellowstone National Park.

A short mock-vlog film explaining and defending the concepts behind the fictional 'Death To Straight White Men 2017' clothing brand. Edited in a way that mocked the trends of Youtube vlogging and apology-videos of the time, including sound effects and interjected fast-moving graphics. "After QnWF-société received an overwhelming amount of negative feedback following the launch of their 'Death To Straight White Men 2017' clothing brand, their CEO felt the need to create an apology video of sorts - explaining and defending the concepts behind their latest line of clothing."

What begins as a spatially abstract, weightless situation transforms into a mediation of geography, culture, and history. Filmed transcontinentally between Singapore and The Netherlands, Control emphasizes the idiosyncratic texture of a common, fragmented consciousness.

In a convenience store, the door of the storage room is a two-way mirror, reflecting a romantic story of love at first sight.

The first part of the film shows parallels between Christianity and Marxism. The second part describes the influence of both the Judeo-Christian background and that of other religious critics on Marx's position as a critic of religion. Beyond the well-known facts, this documentary not only analyzes the historical background of Karl Marx's life and work, but also deals in particular with his personal relationship to Christianity.

"Encouraged by a special encounter between myself and an animal, my research into the “humanimal” began. This is a performative exploration reflecting on the place of animals and humans in their changing relationships throughout time. The research spans from topics like the cohabitation of different human species, the prehuman, the posthuman, to domestication and the numerous animal watching webcams found in zoos and online. Missing Link reflects on the intimacy between the species and how it can be expressed through movement here and now. "

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Filmed for the most part from a low-flying aircraft, this documentary short presents a breathtaking view of Canada from coast to coast. Showing the varied terrain, from craggy coast to towering glacier, the film illustrates Canada’s pristine wilderness as well as today's industrial and urban realities. Canada the Land was specially commissioned for the Canada Pavilion at the Osaka World Fair in 1970.

Three commercials, presented as a short film, for fictional clothing brand 'Death To Straight White Men' by the QnWF-Sociétè. This fictional clothing brand and the ready-for-action poses and portraits of the three models were in many ways the foundation for 'E Kolór Korra' (2017).

Click for full movie details & trailers.

A peaceful path with grass along the sides is disturbed by a man that is running and screaming.

Click for full movie details & trailers.

Music scores are atomized and recompiled into instructions for visual edits and cues. Ties are uncovered between sight and sound.

Single frames vectorized and stitched before processing through an analog EAB.

White Rock Lake Water Theater in Dallas, Texas. Sculpture by Frances Bagley and Tom Orr. Video compiled from 35mm stills.

Oil spills around Oak Cliff, Dallas.

Panasonic PV-GS83 in a plastic bag thrown in the ocean.

Compiled and animated from still images.

Click for full movie details & trailers.

Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre Cantu-Ledesma. Paul's Super8 films, shot entirely in New York City, channel the blissed out states of color drenched psychadellia explored by Brakage as well as lovely black and white still life's that reminisce on Ozu's 'pillow shots' & Chantel Akermans monumental portrait of Pre-Giuliani New York 'Letters Home'. Jefre's music is culled from the same sessions that launched his 2007 release on Students Of Decay 'Shinning Skull Breath', (the two share a track in common). Billowy clouds of distorted guitar expand out into long passages of muffled static and fuzzed out melody.