Hand of God

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A short documentary examining the consequence of time within the fragility of memory, exposing a sense of self, trapped within materiality and fantasy. We observe Chrystalla in her safe place, her home, reflecting on her childhood, her successful beauty business in 70s Cyprus and her deeply troubled marriage. Loneliness, abandonment and regret are prevailing themes within cycles of reflection, jest and contradiction.

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The moving story of Carlo Acutis, a young British-Italian amateur computer programmer who died in 2006, aged 15, as a result of leukemia. However, even though he is no longer here, to this day Carlo continues to be a great symbol of strength among young people. The documentary brings together a series of reports from people who entrusted themselves to the intercession of the boy, beatified by the Catholic Church in 2020, and had their lives transformed.

God's Daughters documentary presents an intimate portrait of two ordained Roman Catholic women priests, and introduces a new candidate, part of a movement of active ordained women who ask to be formally recognized by the Vatican and to be part of the institutional Roman Catholic Church, which excommunicate them automatically as well as the persons conferring or trying to confer an ordination. Luc Novovitch, the filmmaker, was granted complete access to film their daily lives and duties, resulting in a film presenting a human and unvarnished vision of the lives and struggles of these women who fight to be accepted as priests by the Vatican. Through their movement, they promote their vision and goal of establishing a renewed and an all-inclusive Roman Catholic Church.

Three intimate and candid portraits of Catholics who try to navigate the waters of self-understanding, faith, and homosexuality.

Documentary tracing the history of the Jewish people from the destruction of the temple in AD 70 to the modern-day nation of Israel. Through scriptural and historical evidence, DNA, mathematics, and testimony from rabbis and pastors, it attempts to answer the question, "Who are God's chosen people?".

Between 1924 to 1970, Kinchela Boys Home in Kempsey, New South Wales, saw an estimated 400 to 600 Aboriginal children exposed to routine acts of cultural genocide and remains one of Australia’s most notorious institutions of the Stolen Generations. After being stolen from their families, country, and community, children were stripped of their names, given numbers, and subjected to ‘reprogramming’ and strict regimes of manual labour. We Were Just Little Boys is narrated by KBH survivors.

Toni, an attractive Catholic priest, impregnates several women in the Swiss countryside of the 1950s until the bishop revokes his priesthood. The six children only meet after Toni's funeral. They talk about their fatherless youth, their brave mothers and the fatal silence they now want to break.

Through the memories of former scouts, the short film explores the mystical traditions that shaped their experiences, from the magic that captivated them in childhood to the tensions and questions that arose over time. A reflective look at the relationship between customs, identity, and generational change.

125 employees of the Catholic Church come out as queer! In the exclusive ARD documentary, believers in the service of the Catholic Church in Germany dare to go public together. People who identify as non-heterosexual talk about fighting for their church - sometimes at the risk of losing their jobs as a result. There are priests, religious brothers, parish assistants, diocese employees, religion teachers, kindergarten teachers, social workers and many more who report intimidation, denunciations, deep injuries, decades of hide and seek and double lives. The Catholics report a system in which pressure, fear and arbitrariness leave employees uncertain as to what exactly happens when they stand by their sexual orientation or identity. The investigative documentary listens to those who live their faith every day and are nevertheless degraded by the church as an institution.

HOMELESS is a documentary that humanizes unhoused people and explores their backgrounds, dreams and struggles to find the way home. The film aims to raise awareness and funds to end homelessness, which is an ever more urgent global challenge: The United Nations Human Settlements Program estimates that 1.6 billion people live in inadequate housing, and the best available data suggests that more than 100 million people have no housing at all.

The film begins as a personal journey of filmmaker, Mary Healey, who was also a Catholic. She films a series of historic events where we meet key players involved in the sexual abuse scandal, including victims, whistle-blower priests and a senior ranking US Cardinal who is called upon by the Vatican to control a waxing maelstrom.

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Aspects of the city of Congonhas do Campo. The preponderance of baroque architecture, the Basilica of Senhor Bom Jesus de Matozinho, the six chapels on the terrace leading to Morro do Maranhão. Each chapel contains statues representing moments of the Passion of Christ. While in the first chapel there is Santa Ceia figuration, in the second there is the Passo Horto scene. The kiss of betrayal and the imprisonment of Christ before the scene of the third chapel. In the fourth, two scenes are gathered: the coronation and the flagellation. On the fifth, the Christ bears the cross and the crucifixion is featured in the sixth chapel. The twelve apostles of Aleijadinho and the Latin inscriptions of each one. The interior of the Basilica and its main altar, with the figure of the Lord Dead.

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The movie recalls children who suffered mental and physical harm both during the last century, particularly in religious orphanages, and during the time of early modernperiod witch-hunts. It shows that the mindsets and behavioural patterns of both time periods are more alike than one might think.

From the legendary times of Romulus and Remus to the present day, the compelling story of the eternal city's twenty-five centuries of civilization traces the rise of Christianity over paganism through studies of Vatican art treasures.

Survivors of violent crimes and prisoners incarcerated for murder connect to undergo astonishing transformations, liberating themselves from the debilitating constraints of trauma, and shattering preconceptions of "us and them."

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