Hiding Under a Copy of the Strokes' Single 'Under Cover of Darkness'

A young girl’s fiery dance, accidentally caught on 16 mm film in the street. The viewer is confronted by the sacrificial and the passionate, the strong and the fragile, the fleeting and the eternal. These are the faces of femininity.

Performance video about a holiday romance at St Ives, Cornwall.

This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

This cacophony runs over me, over everything I see, everything I want to see: it's me.

As years and years go by, a tiny civilization makes its way upwards.

Beneath towering Brutalist architecture, a man is driven to do what must be done.

Return to 'burn' only to find out you're already in that urn.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

Rather pointless, rather stilted, fetid; not what we want us going after.

Circuit bent gain controller run into a CRT TV

Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).

I really hope this is well-received. I really hope there's some sort of reprieve.

Shadows frighten what one oughtn't be gripping (that thing before/hind you).

On the Clickity-clack Express it's clear I'm always under duress, unless I forget.

Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.

Centrist revelations abound among repetitions & revisitings.

Something I know or something I was told? When something scalding translates something to behold.

Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.

Slowed, stowed, achingly retold.