Untitled #1

Murad Salem is a rich man who is used to getting what he wants whenever he wants it. When he meets a beautiful woman in Alexandria, he wants her as wife number thirteen. He buys himself into the heart of the woman, until a well-meaning, former fiancée of her husband tells her just how many times he has been divorced. The new bride launches into a series of ploys that keep her away from the marriage bed.

The film’s protagonist nips to the toilet on a date, where she finds a band of puppets. The musical stream of consciousness paints a relatable and chaotic picture of what it is like to date in your 20s.

The Yacht Club Boys sing at a private party for George Mellon and his daughter. There are four of them, one of whom plays the piano, two play the guitar, and fourth plays the violin.

Demoscene short film that showcases computer animation, art and music. A demo for a pharmacy sign.

A radio salesman gets knocked out by a golf ball and dreams he's in the desert where he sells radios to sheiks.

A version of Benjamin Britten's opera based on the Melville story. Will the virtuous young sailor Billy Budd be hanged for murder?

"Green Day: The Early Years" chronicles the rise of the world's most influential punk band, from their origins playing shows at Berkley's notorious Gilman Street venue in the late 80s, through the release of the platinum-selling Dookie in 1994.

A Super-8 short-film adaptation of S.E. Hinton's "The Outsiders" styled as a music video/silent-film -- director Juli Saragosa has a different take on greaser masculinity than did Francis Ford Coppola.

A bullied teenage girl leads a glee club on a trail of destruction against her high school enemies.

James Sumner directs and animates the entire Dirty Projectors’ The Getty Address.

A film in five different sections, each containing a different soundscape by Ostrowski. Hand painted film, intense exposure, morphing textures and shapes into a seamless whole; geometrical games sabotaging themselves; and the incessant lure of the abstract paint drift. The soundscapes, of course, build up like fountains of picture, oscillating between contemplative sculptures with electronically manipulated strings and harsh noise attacks on our senses. Despite the use of sound as a central filmic element, Cyanonide stands as a proof of the enduring influence of Brakhage on american avant-film.

Disjointed moments from the filmmakers’ daily lives during the past year. Captured on a 1985 VHS camcorder with color and luminosity distorted by its failing color Newvicon tube. Cut with distorted tape-recorded fragments of nostalgic broadcast television ephemera. Scored by whatever was handy— from an ambient electronic song with a surprising amount of pipe organ (Oneohtrix Point Never - Boring Angel) to midi versions of your favorite SNES soundtrack (Donkey Kong Country – Aquatic Ambience, Opening, and Treetop Rock) to a not-quite-right rendition of a song that will make you want to say “Oh, Angelo, that’s tearing my heart out!” (Xiu Xiu – Falling). A voyeuristic peak at home movies that exist somewhere between soon to be forgotten and forgotten long ago. The occasional dot matrix time stamps in the corner of the footage somehow make it harder to place in time.

A hand-filmed 32-minute documentary of the Skinny Puppy's 1988 'Head Trauma' tour of Europe by Dwayne Rudolph Goettel. Edited by Nivek Ogre in 2005.

Archival footage - from the 1990 Cincinnati, OH show (filmed on November 6, 1990 at Bogart's).

Archival footage - from the 1992 Cincinnati, OH show (filmed on June 2, 1992 at Bogart's).

As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.

Compelling performance of long notes on the traditional Bangladeshi harmonium and shehnais — instruments on the brink of disappearance in contemporary society.

An older woman sits before a telephone in an empty house. Her daughters have flown the nest. As she prepares to phone them, their memory is brought back to life

A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living. Preserved by the Academy Film Archive in 2013.

To save his ailing sister, an unlikely hero must journey afar to pluck a feather from the mighty Gryphon in this animated parody of the classic fairy tale.