Hamada

The Runner is a film about endurance. It is the story of a champion long-distance runner whose journey transformed him from an athlete into the symbol of a national liberation movement. Salah Hmatou Ameidan is willing to risk his life, his career, his family and his nationality to run for a country that doesn't exist. He is from Western Sahara, officially Africa's last colony and under Moroccan occupation since 1975.

In a refugee camp in the Sahara desert lives a deaf boy who wants to learn to write. Welcome to the silent world of Kori and his best friend the camel Caramelo.

The Algerian region of Tindouf is home to more than 170,000 Sahrawis, who have been living in refugee camps since 1976, when Morocco occupied the Western Sahara region. In a place of inhospitable conditions and scarcity, the Sahrawi population lives on dwindling humanitarian aid. Six percent of them face the added difficulty of coeliac disease.

"Imagine sleeping at home" follows the story of several children who guide us to understand the conflict and the problems that they face, but also pay attention of small groups of friends who spontaneously comes to camera to tell what are their concerns. In the documentary we can also find the testimony of the director of a school for disabled children, the story of how a mother had to escape from the occupied territories when the Moroccan police detained for a week her ten years old son, or the analysis of a Sahrawi soldier about the situation of their children.

Lalia is a Saharaui girl who lives in a refugee camp in Algiers. She has only heard her grandmother and grandfather talk about her country, about the Sahara, that was taken away by Morroco. She dreams of one day seeing the ocean, seeing her real country. The reality she lives in is different... the uncertainty of the refugee camps, the political unbalance... but she is strong... and she knows that there can be change... she won't stop dreaming, and she won't stop longing..

My Sahrawi family' is a report - documentary that reflects the bonds of unity between Sahrawi families and Spanish families who every summer welcome minors from refugee camps into their homes.

'The Desert of the Desert' is a feature documentary about one of the longest-running and least- known colonial conflicts and the plight of the Sahrawi desert nomads of Western Sahara since Morocco's 1975 invasion. Shot in Jan./Feb. 2014 in the Saharawi Liberated Territories of Western Sahara, and in the Saharawi Refugee Camps in Tindouf, Algeria, the film shows the saga of the Sahrawis, their struggle to regain their homeland and the sad paradox of a nomadic people forced to live in confinement. During production, the crew made a rare treck through 3,000 kilometers of bleak and dangerous desert, becoming unwitting participants in the conflict when their jeep was blown up by an anti-tank mine less than a kilometer from their destination on Western Sahara's Atlantic coast.

This is the true story of Fetim Salam, a Saharawi refugee falsely portrayed as a slave in the Australian documentary 'Stolen'. Australian filmmakers, Violeta Ayala and Daniel Fallshaw, travel to the Saharawi refugee camps in Tindouf, Algeria in 2007 and claim to discover 20,000 slaves in the camps run by the independence movement Polisario Front. Refugees are outraged for being portrayed as slaves, and humanitarian aid workers are incredulous about these allegations as they know the camps intimately. Filmmaker Carlos Gonzalez retraces their steps in search of the truth and finds a web of lies, misinformation and Moroccan operatives reshaping the truth.

Education Center for disabled children located in the Sahrawi refugee camps in Algeria. Despite the precarious conditions in which this population lives since 40 years ago, the Polisario Front as the representative of the Sahrawi people has promoted inclusion as a way to avoid marginalization and discrimination of one of the most vulnerable populations within these territories: children with special needs. "Castro" is the man who devotes his life to this beautiful project fighting all odds: physical, psychic, social, economic, and even the incomprehensions of his own society. The Sahrawis are living (resisting) in one of the harshest deserts on Earth but Castro has the magic formula to achieve the inclusion of these wonderful beings in his society and in the rest of the world: MUSAWAT, EQUALITY.

The Sahrawi people have lived in exile for almost half a century in the driest desert of the African continent. There, where basic resources such as water are scarce, there is a film school. As the world looks the other way, a group of young filmmakers carries out a battle against oblivion.

In the stunning and starkly beautiful landscape of Western Sahara, Walter Bencini recounts his journey to meet the Saharawi people, uprooted from their lands for decades and confined to desert tent camps named after the Moroccan cities where they once lived. It's the solidarity journey of a group of people from Valdarno, delivering the money and medicines raised through various initiatives directly into the hands of the beneficiaries.

The Sahara has been and is populated by peoples who have passed through and occupied it since time immemorial. The Sahrawis are one of these peoples. When Spain withdrew from its colony in 1976, Morocco invaded. Thousands have had to leave their lands to seek refuge in camps in the Sahara, in neighboring Algeria, and thousands have had to migrate to Spain and other destinations outside the Sahara. And it is the women who built the camps while the men fought, and it is they who have increasingly gained social, cultural, and political influence in the territory and in the diaspora. This is their history and their reality.

Straddling a 2,400-kilometer-long wall constructed by the Moroccan army, the Western Sahara is today divided into two sections — one occupied by Morocco, the other under the control of the Sahrawi National Liberation Movement’s Polisario Front. Drawing from stories of flight, exile, interminable waiting and the arrested, persecuted lives on both sides of that wall, this film bears witness to the Sahrawi people, their land, their entrapment in other people’s dreams. In an esthetic that sublimates the real, Lost Land resonates like a score that juxtaposes sonorous landscapes, black-and-white portraits and nomadic poetics.

"Legna: speak the Saharawi verse" is an audiovisual poetry story that traces the essential elements of the Saharawi culture, chaining the verses recited in a rigorous and evocative way in Hasania and Spanish by the poets and poetesses themselves. Poems that sing and evoke the essence of Bedouin material culture linked to the movement from Saquia el Hamra to Rio de Oro. A magical journey from the Draa River in the north to Agüenit and Leyuad on the southern border with Mauritania, from the coast with the white beaches of Bojador up to the vague boundaries of the Badia. A Saharawi national territory marked by the trace of the recent history of revolution, war, resistance (intifada) and waiting. Territory, history, culture, basted from poetry full of life, love and nostalgia.

Humaná tells two stories, the daily life of a Sahrawi refugee and food they receive to live and hard process of distributing hundreds of tons of food daily. From the voice of Najla and Jesus primarily, we´ll see the difficulties and as the project AECID and Attsf proposed in 2005, was a turning point for all food arrived on time for every Sahrawi.

In 1976 Spain abandoned its last colony, the Western Sahara, in the hands of Morocco. Since then, the Saharawi people have been divided between those who stayed on their land and those who fled the Moroccan persecution. Those who escaped survive in the desert, in extreme conditions and in the face of the helplessness of the international community. This film, directed by the journalist Helena Villar, was recorded on the occasion of the 40th anniversary of the Sahrawi resistance and is dedicated to the struggle of the tens of thousands of inhabitants of the Western Sahara

Women are the protagonists of this documentary. Girls and women of varied ages tell us the difficulties of living their whole lives in refuge and their desires for the future.

Reality documentary that chronicles the Saharawi refugees living in camps in the Tindouf Hammada, Algeria, Sahara desert. Through an informative overview of the events that led them to this situation and the statements of four of its people we understand their past, we discover their present and get to know their future

Short film filmed in February 2010 at the Sahrawi refugee camps in Tindouf (Algeria). A poetic look into the situation that refugees go through and into the conflict itself. Soundtrack by Palestinian musicians and Spanish rock band Amaral. “We want words that fly freely, like comets, we want to be the irrepressible wind that comes and goes… And can’t ever be trapped in any sand prison… We want words that fly freely. Invincible. Like comets…”

Mektub portrays a day in the life in the Sahrawi refugee camps, along with the declarations of some of its protagonists. But behind this seemingly calm life hides a common fight, which is to continue fighting and protesting to accomplish the single common goal that all Sahrawis have as a nation: to take back the occupied land, rebuild their country, and reunite with their families.