Top Cast
Maurizia Balzelli
Maurizia Balzelli
Elisabetta Bartuli
Elisabetta Bartuli

Erri De Luca
Erri De Luca
Rita Desti
Rita Desti
Donata Ferodi
Donata Ferodi
Fulvio Ferrari
Fulvio Ferrari
Nadia Fusini
Nadia Fusini
Enrico Ganni
Enrico Ganni
Anna Nadotti
Anna Nadotti
Luca Sarlini
Luca Sarlini
Key Film Crew
Production Stats
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A medium-length documentary commissioned by the Cuenca City Council. The documentary shows an honest, sincere, although sometimes mere tourist portrait, of the lands of Cuenca and its people, without artifice or imposture, with feeling and authenticity and at the same time with marked coldness.
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The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.
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Filmed to praise the work of the Spanish Ministry of Housing in solving the problem of shanty towns in Bilbao, it was made to be viewed by General Franco and not for public screening or distribution through the NO-DO newsreel. Although the short film was commissioned by the Ministry of Housing, director Jorge Grau produced a subtly critical work.
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A day in the life of Mr. Istvan and Ms. Magdi, neighbors for many years, is narrated by the building of Budapest where both live. The walls surrounding them reveal their small passions, stories and routines.
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Documentarian Jose Sanchez-Montes turns his attention towards the late Cuban musician Ignacio Villa, known throughout the world as Bola de Nieve (Snowball), with this 2003 biographical documentary entitled simply Bola de Nieve. A master pianist, Bola de Nieve was a mainstay through the middle portion of the 20th century, with his music almost omnipresent in South America cinema throughout those formative decades. With Bola de Nieve's famous statement "I'm a sad person, but my songs sound happy" in mind, Sanchez-Montes also looks at the influence of the musician's African heritage and homosexuality upon Bola de Nieve's unique musical style.
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Denise Crosby takes a first look at the huge fans of "Star Trek" from around America and how the series has affected and shaped their lives.
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Fadil is an Iraqi refugee who works as a telephone interpreter. From his attic room he translates calls between refugees and government agencies. At the start of every contact, he says: ‘I am your interpreter, I am impartial and will not interfere with this conversation.’ Even though Fadil lives in the Netherlands with his family, he knows people who still reside in war zones. How does it affect him when the witnessing of these conversations confront him with various dilemmas and let him relive his own past?










